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A somewhat chaotic multidisciplinary collection of visual art, photography, design, architecture, poetry, and literature.

Tiny, but cosy discussion group [Not to be taken too seriously!]:
https://t.me/+I522TcNiXNwwYTM6
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Gianni Berengo Gardin
Gisella Meo and Tancredi Parmeggiani
Venice, 1957
6
Jannis Kounellis
Cotoniera
1967
7
Ellen Carey
Self-Portrait
1987
10
Le Horla (dir. Jean-Daniel Pollet, 1966)
8
Takamitsu Azuma
Tower House
1965
4
Robert Mangold
Study for Column / Figure 22
2004
Riccardo Gilardi
Lines
1950s
5👍1
I'm not in a hurry. In a hurry for what?
The sun and moon aren't in a hurry; they're right.
To hurry is to suppose we can overtake our legs
Or leap over our shadow.
No, I'm not in a hurry.
If I stretch out my arm, I'll reach exactly as far as my arm reaches
And not half an inch farther.
I touch where my finger touches, not where I think.
I can only sit down where I am.
This sounds ridiculous, like all absolutely true truths,
But what's really ridiculous is how we're always thinking of something else,
And we're always outside it, because we're here
.

Fernando Pessoa, from A Little Larger Than the Entire Universe: Selected Poems, translated by Richard Zenith
🎉5
Random Access
Nam June Paik
1963
2
Magdalena Abakanowicz
1960s

[x]
4
Isamu Noguchi
Energy Void
1972-73
6
From: Problems of Contemporary Art. Vantongerloo: paintings, sculptures, reflections
George Vantongerloo
New York, NY, 1948
11
Greta Schödl
Untitled
1977
4👍2
A. J. Campbell
Cootamundra Wattle
1921
6
Josef Albers
Fenced
1944
2
Shackled
between Gold and Forgetting:
Night.
Both grabbed for her.
Both she let have their way.

Lay,
you too now lay down what wants to a-
rise at dawn along with the days:
the word, star-overflown,
sea-drenched.

To each, the word.
To each the word that sang to him,
when the pack jumped him from behind—
To each the word, that sang to him and froze.

To her, to night,
the star-overflown, the sea-drenched,
to her, the word silence won,
whose blood did not curdle when the poison fang
pierced its syllables.

To her, the word silence won.”

Paul Celan, from “Argumentum e Silentio", trans. Pierre Joris
6
Adolf Loos
Tristan Tzara House
1926
11
Robert Doisneau
Jean Dubuffet in his studio
1951
5