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A somewhat chaotic multidisciplinary collection of visual art, photography, design, architecture, poetry, and literature.

Tiny, but cosy discussion group [Not to be taken too seriously!]:
https://t.me/+I522TcNiXNwwYTM6
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Jacques Monory
Trembling n° 9
2000
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Alvar Aalto
Vase
1937
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Filippo Tommaso Marinetti
8 Anime in Una Bomba. Romanzo esplosivo / 8 Souls in One Bomb. An Explosive Novel
Milan: Edizioni Futuriste di “Poesia,” 1919

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From Vicente Rojo & José-Miguel Ullán, Acorde, Éditions R.L.D.
Paris, 1979
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Zbigniew Warpechowski
Drawing in the Corner, 1971

Action at Foksal Gallery,
Warsaw, 1971

The action of Zbigniew Warpechowski (…) referred to a limited, illusive space of freedom and artistic autonomy in Poland of the 1970-s. The artist, put in the corner of the gallery hall, tried to annex the biggest possible area of the wall, making a coal drawing with circular movements of the arms.”

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Bétillon & Freyermuth
Équipement Mutualisé du Mirail
2021
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Yvonne Chevalier
Les lamentations
c. 1940
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Luigi Moretti
Church of the Concilio Sancta Maria Mater Ecclesiae
1965
2
Ulrich Rückriem
Kreise (Circles)
1971
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“Do you think that I would keep so persistently to my task, if I were not preparing - with a rather shaky hand - a labyrinth into which I can venture, in which I can move my discourse, opening up underground passages, forcing it to go far from itself, finding overhangs that reduce and deform its itinerary, in which I can lose myself and appear at last to eyes that I will never have to meet again. I am no doubt not the only one who writes in order to have no face. Do not ask who I am and do not ask me to remain the same.”

Michel Foucault, The Archaeology of Knowledge
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“Valda’s Solo” from the film Lives of Performers (1972), Yvonne Rainer
Ph: Babette Mangolte

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Shusaku Arakawa, Untitled, 1967
From Constructing The Perceiver – Arakawa: Experimental works
Tokyo, 1991
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Sergio Larraín
Chelsea Arts Ball
1958-59
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René Berthet
Visages
1941
12
Emil Ruder
Ungegenständliche Photographie
Gewerbemuseum Basel, 1960
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Secondo il mio occhio di vetro (dir. Paolo Gioli, 1972)

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Michael Scott
Untitled
2013
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