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A somewhat chaotic multidisciplinary collection of visual art, photography, design, architecture, poetry, and literature.

Tiny, but cosy discussion group [Not to be taken too seriously!]:
https://t.me/+I522TcNiXNwwYTM6
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Alfred Stieglitz
Georgia O'Keeffe at 291
1917
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The past is never closed, never finished once and for all, but there is no taking it back, setting time aright, putting the world back on its axis. There is no erasure finally. The trace of all reconfigurings are written into the enfolded materialisations of what was/ is/ to-come. Time can’t be fixed. To address the past (and future), to speak with ghosts, is not to entertain or reconstruct some narrative of the way it was, but to respond, to be responsible, to take responsibility for that which we inherit (from the past and the future), for the entangled relationalities of inheritance that ‘we’ are, to acknowledge and be responsive to the noncontemporaneity of the present, to put oneself at risk, to risk oneself (which is never one or self), to open oneself up to indeterminacy in moving towards what is to-come. Responsibility is by necessity an asymmetrical relation/doing, an enactment, a matter of différance, of intra-action, in which no one/ no thing is given in advance or ever remains the same. Only in this ongoing responsibility to the entangled other, without dismissal (without ‘enough already!’), is there the possibility of justice-to-come.

Quantum Entanglements and Hauntological Relations: Dis/continuities, SpaceTime Enfoldings, and Justice-to-Come,
Karen Barad
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Ganesh Haloi
Untitled
1996
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The capitalist is a conqueror and the conqueror is a monster, a centaur: its forequarters are nourished by the reproduction of regulated systems of metamorphoses controlled under the law of the commodity standard, and its hindquarters by looting overexcited energies. With one hand he appropriates, therefore retains, that is to say reproduces within equivalence, reinvests; with the other, he takes and destroys, steals and flees, hollowing out another space, another time. Capitalism’s crises as Marx understood them always come from a disarticulation between time of conquest and the time of reproduction. The function of cybernetics is to avoid these crises by ensuring the coordination between the “forequarters” and “hindquarters” of Capital. Its development is an endogenous response given to the problem posed by capitalism, which is to develop without fatal disequilibria.

Tiqqun,
The Cybernetic Hypothesis
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Edward Krasinski
Intervention 27
1975
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Paul Klee
Flagged Pavilion
1927
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Genres provide an affective expectation of the experience of watching something unfold, whether that thing is in life or in art. The waning of genre frames different kinds of potential openings within and beyond the impasse of adjustment that constant crisis creates. [...] In the present from which I am writing about the present, conventions of reciprocity that ground how to live and imagine life are becoming undone in ways that force the gestures of ordinary improvisation within daily life into a greater explicitness affectively and aesthetically. Cinema and other recording forms not only archive what is being lost but track what happens in the time that we inhabit before new forms make it possible to relocate within conventions the fantasy of sovereign life unfolding from actions.

Lauren Berlant,
Cruel Optimism
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Otto Wagner
Österreichische Postsparkasse
1904-12
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