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A somewhat chaotic multidisciplinary collection of visual art, photography, design, architecture, poetry, and literature.

Tiny, but cosy discussion group [Not to be taken too seriously!]:
https://t.me/+I522TcNiXNwwYTM6
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Laura Gilpin
Tying a Chongo
1954
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When we look at a landscape, we certainly see the open and contemplate the world, with all the elements that make it up (the ancient sources list among these the woods, the hills, the lakes, the villas, the headlands, springs, streams, canals, flocks and shepherds, people on foot or in a boat, those hunting or harvesting…); but these things, which are already no longer parts of an animal environment, are now, so to speak, deactivated one by one on the level of being and perceived as a whole in a new dimension. We see them perfectly and clearly as ever, and yet we already do not see them, lost-happily, immemorially lost -in the landscape.

The Use of Bodies,
Giorgio Agamben
Monument of Metamorphosis
Tetsumi Kudo
1970
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The inner spatiality of Italian churches modelled as plaster casts, a study by Renato Rizzi at the Venice Biennale
2016
Tiqqun, Preliminary Materials for a Theory of the Young-Girl, 2001
Francis Bacon
Three Portraits – Posthumous of George Dyer; Self-Portrait; Portrait of Lucien Freud
1973, oil on canvas, each panel 198 x 147.5 cm
Private Collection, Switzerland
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Untitled (White Flower)
1961
Agnes Martin
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πŸ‘11😒4❀1