Tarantella (1940), avant-garde animation short by Mary E. Bute

by Jean-Pierre Duprey

Marcel Duchamp, Rotoreliefs, 1935-1953

MARCEL DUCHAMP

The Occulist Witnesses, 1968

Offset Lithograph

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Jan Bułhak, The view from the window of the manor (1925)

Until now, everything was organised by the tension between desire and its fulfilment, between needs and their satisfaction. This critical situation was the source of all of our historical conflicts: protests, revolts, revolutions. Today, immediate consumption has moved far beyond the faculties of normal human beings to experience pleasure. Nothing tells us that people will now be able to bear insatiable desire after a millennium of shortages—nothing tells us that they are ready for total liberation. Nothing is less certain.

This is the true break, not a social fracture but a symbolic one: in the advent of an integral reality that absorbs all aspirations towards dreaming, surpassing or revolt.

 — The despair of having everything.
 — The despair of being nothing.
 — The despair of being everybody.
 — The despair of being nobody.

Jean Baudrillard, The Agony of Power

Doug Navarra. Dead Americana, 2007