Hand-made forms by Gwilym Thomas, 1973.

Berlin: Die Sinfonie der Großstadt (1927) by director Walter Ruttmann

The Exterminating Angel (1962), dir. Luis Buñuel

[W]hether it is a human or a nonhuman body, or whether it is a microscopic or a geological body, all bodies are inscribed within the flows and mutual transformations of material and discursive elements. One need only remember here that ecological knowledge can never be disentangled from philosophical inquiries about the nature of nature, from political decisions about energy and resource use, and thus from the regimes of power and ethical concerns accompanying social complexities.

— Serpil Oppermann and Serenella Iovino, Environmental Humanities: Voices from the Anthropocene

A demonstration of a three color method of printing color photos from the Annual report of the Board of Regents of the Smithsonian Institution, 1900.

Jack Devilliers (French, 1944-2014)

Hands (Les Mains), N/D

Eduardo Mac Entyre (1929-2014) — Generative Painting, 1969

… just as early industrial capitalism moved the focus of existence from being to having, post-industrial culture has moved that focus from having to appearing.

Guy Debord, The Society of the Spectacle

Tarantella (1940), avant-garde animation short by Mary E. Bute