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A somewhat chaotic multidisciplinary collection of visual art, photography, design, architecture, poetry, and literature.

Tiny, but cosy discussion group [Not to be taken too seriously!]:
https://t.me/+I522TcNiXNwwYTM6
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Zarina Hashmi, Untitled, (ink on paper on paper), 2017
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Productivist ethics assume that productivity is what defines and refines us, so that when human capacities for speech, intellect, thought, and fabrication are not directed to productive ends, they are reduced to mere idle talk, idle curiosity, idle thoughts, and idle hands, their noninstrumentality a shameful corruption of these human qualities. And what might be cause for ethical distaste in the case of the individual can, when compounded into a generalized indiscipline, become a threat to social order. This fear of free time, whether manifested as idleness or indiscipline, should not be underestimated.

Kathi Weeks, The Problem With Work
Chantal Akerman
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Andrei Tarkovsky, Polaroids
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Jennifer Bartlett, Day and Night, [from an untitled series], New York, NY, 1978
Voyage to Cythera (1984) dir. Theo Angelopoulos
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The more our daily life appears standardised, stereotyped and subject to an accelerated reproduction of objects of consumption, the more art must be injected into it in order to extract from it that little difference which plays simultaneously between other levels of repetition, and even in order to make the two extremes resonate - namely, the habitual series of consumption and the instinctual series of destruction and death.

Gilles Deleuze, Difference and Repetition