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A somewhat chaotic multidisciplinary collection of visual art, photography, design, architecture, poetry, and literature.

Tiny, but cosy discussion group [Not to be taken too seriously!]:
https://t.me/+I522TcNiXNwwYTM6
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Forwarded from Galactocosmic Ontological Disorder (Batzrov)
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Picture of the Starting Point, 1920

Hilma af Klint
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To be human is the only way out of being human. An alternative exit— either by unbinding sentience from sapience or by circumventing sapience in favour of a direct engagement with the technological artefact—cannot go beyond the human. Rather it leads to a culture of cognitive pettiness and self-deception that is daily fodder for the most parochial and utilitarian political systems that exist on the planet. In delivering sentience from its so-called sapient yoke, one does not become posthuman, or even animal, but falls back on an ideologically charged ‘biological chauvinism’ that sapience ought to overcome, for it is the very idea of humanist conservatism that misrepresents what is accidental and locally contingent as what is necessary and universal.

Reza Negarestani, Intelligence and Spirit
A Philosophy of Walking, Frédéric Gros
Orpheus / Orphée (1950) dir. Jean Cocteau

Poster by Hans Hillmann
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Fome de Amor (1968), dir. Nelson Pereira dos Santos
Remembrance restores possibility to the past, making what happened incomplete and completing what never was. Remembrance is neither what happened nor what did not happen but, rather, their potentialization, their becoming possible once again.

Giorgio Agamben, from Potentialities: Collected Essays in Philosophy, ed. Daniel Heller-Roazen (Stanford University Press, 2000)
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Red Desert (1964), dir. Michelangelo Antonioni
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