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A somewhat chaotic multidisciplinary collection of visual art, photography, design, architecture, poetry, and literature.

Tiny, but cosy discussion group [Not to be taken too seriously!]:
https://t.me/+I522TcNiXNwwYTM6
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Hilma af Klint, The Ten Largest; Childhood (1–2), Youth (3–4), Adulthood (5–6), Old Age (7-8)
Film poster for “Breathless” (1960, dir. Jean-Luc Godard) from the book "French New Wave: A Revolution In Design”
Aigana Gali Gateway  (oil and acrylic on canvas, 2021) 
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Arp: Graphik, Klipstein & Kornfeld, Bern, 1959 [Leo de Goede Books]
Logistics runs the globe, runs after the earth and the logisticality that has developed as a capacity on this earth. Logistics extends, expands, accumulates the space and time of a capitalism driven across the earth by the algorithmic zero-one/one-two beat. And by doing so it forces upon the earth, the world. If logisticality is the resident capacity to live on the earth, logistics is the regulation of that capacity in the service of making the world, the zero-one, one-two world that pursues the general antagonism of life on earth. The world is posed as the way to live on the earth as the individual is posed as the way to live in the world. To live in the world as an individual is therefore to be logistic, and to be logistic is to settle into a rhythm that kills, […] Logistical capitalism seeks total access to your language, total translation, total transparency, total value from your words. And then it seeks more. 

Fred Moten & Stefano Harney, All Incomplete
Wassily Kandinsky · Nude (1911)
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