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A somewhat chaotic multidisciplinary collection of visual art, photography, design, architecture, poetry, and literature.

Tiny, but cosy discussion group [Not to be taken too seriously!]:
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Paul Haviland :: Florence Peterson assise, de profil, 1909-1910. Autochrome. Musรฉe d'Orsay
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Marianne Faithfull and Alain Delon featured in ABC Film Review, October 1968.
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Ulisse Aldrovandi - Specimens of Nature, Watercolour, Biblioteca, University of Bologna, Bologna
Stop thinking about art works as objects, and start thinking about them as triggers for experiences. (Roy Ascottโ€™s phrase.) That solves a lot of problems: we donโ€™t have to argue whether photographs are art, or whether performances are art, or whether Carl Andreโ€™s bricks or Andrew Serranosโ€™s piss or Little Richardโ€™s โ€˜Long Tall Sallyโ€™ are art, because we say, โ€˜Art is something that happens, a process, not a quality, and all sorts of things can make it happen.โ€™ โ€ฆ [W]hat makes a work of art โ€˜goodโ€™ for you is not something that is already โ€˜insideโ€™ it, but something that happens inside you โ€” so the value of the work lies in the degree to which it can help you have the kind of experience that you call art.

โ€” Brian Eno
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Lucio Fontana (Italian, 1899-1968), Concetto spaziale, attesa, 1968. Waterpaint on canvas, 100 x 81 cm.
To fall in love is to individualize someone by the signs he bears or emits. It is to become sensitive to these signs, to undergo an apprenticeship to them (thus the slow individualization of Albertine in the group of young girls). It may be that friendship is nourished on observation and conversation, but love is born from and nourished on silent interpretation. The beloved appears as a sign, a โ€˜soulโ€™; the beloved expresses a possible world unknown to us, implying, enveloping, imprisoning a world that must be deciphered, that is, interpreted. What is involved, here, is a plurality of worlds; the pluralism of love does not concern only the multiplicity of loved beings, but the multiplicity of souls or worlds in each of them. To love is to try to explicate, to develop these unknown worlds that remain enveloped within the beloved.

Gilles Deleuze, Proust and Signs
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Behind the skin. Encylcopedia Brittanica Films. Introduction To Biology. 1952.
Forwarded from ๐•ญ๐–Š๐–†๐–š๐–™๐–Ž๐–‹๐–š๐–‘ ๐•ธ๐–”๐–“๐–˜๐–™๐–Š๐–—๐–˜ (Melontyp)
Blue segment, 1921 by Wassily Kandinsky