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In the desert. Land of Geronimo. 1945.
Marianne Faithfull and Alain Delon featured in ABC Film Review, October 1968.
โค1
Stop thinking about art works as objects, and start thinking about them as triggers for experiences. (Roy Ascottโs phrase.) That solves a lot of problems: we donโt have to argue whether photographs are art, or whether performances are art, or whether Carl Andreโs bricks or Andrew Serranosโs piss or Little Richardโs โLong Tall Sallyโ are art, because we say, โArt is something that happens, a process, not a quality, and all sorts of things can make it happen.โ โฆ [W]hat makes a work of art โgoodโ for you is not something that is already โinsideโ it, but something that happens inside you โ so the value of the work lies in the degree to which it can help you have the kind of experience that you call art.
โ Brian Eno
โ Brian Eno
๐3
To fall in love is to individualize someone by the signs he bears or emits. It is to become sensitive to these signs, to undergo an apprenticeship to them (thus the slow individualization of Albertine in the group of young girls). It may be that friendship is nourished on observation and conversation, but love is born from and nourished on silent interpretation. The beloved appears as a sign, a โsoulโ; the beloved expresses a possible world unknown to us, implying, enveloping, imprisoning a world that must be deciphered, that is, interpreted. What is involved, here, is a plurality of worlds; the pluralism of love does not concern only the multiplicity of loved beings, but the multiplicity of souls or worlds in each of them. To love is to try to explicate, to develop these unknown worlds that remain enveloped within the beloved.
Gilles Deleuze, Proust and Signs
Gilles Deleuze, Proust and Signs
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Behind the skin. Encylcopedia Brittanica Films. Introduction To Biology. 1952.