[Iconic Photos from the Tiananmen Square Protests, 1989]
The Tiananmen Square protests in Beijing in 1989 were a large-scale demonstration that lasted from April 15 to June 4 and was suppressed by the Chinese government using military force. The main participants were students protesting against the Communist Party's monopoly on power and calling for democratic reforms. As a result of the crackdown, hundreds of people were killed, and many others were arrested.
Photo: Stuart Franklin
The Tiananmen Square protests in Beijing in 1989 were a large-scale demonstration that lasted from April 15 to June 4 and was suppressed by the Chinese government using military force. The main participants were students protesting against the Communist Party's monopoly on power and calling for democratic reforms. As a result of the crackdown, hundreds of people were killed, and many others were arrested.
Photo: Stuart Franklin
[Aldo Luigi Rizzo, Aldo Pino, Andrea Mor, and Angelo Sibilla – Pegli 3 Housing Complex, 1980/89]
Le Lavatrici or The Washing Machines is a witty nickname for a brutalist residential complex located on an isolated hilltop in western Genoa.
Le Lavatrici or The Washing Machines is a witty nickname for a brutalist residential complex located on an isolated hilltop in western Genoa.
[Terry Richardson]
Terry Richardson is an American fashion photographer and music video director known for his provocative style, balancing on the edge of art and shock value. His work is characterized by a “snapshot” aesthetic: harsh frontal flash, white backgrounds, autobiographical elements, and often explicit, sometimes pornographic themes. Richardson uses simple point-and-shoot cameras, which give his photos a deliberately casual, street-like vibe. His style was shaped by a bohemian childhood, punk rock culture, and his work with photographer Tony Kent in the 1980s.
Terry Richardson is an American fashion photographer and music video director known for his provocative style, balancing on the edge of art and shock value. His work is characterized by a “snapshot” aesthetic: harsh frontal flash, white backgrounds, autobiographical elements, and often explicit, sometimes pornographic themes. Richardson uses simple point-and-shoot cameras, which give his photos a deliberately casual, street-like vibe. His style was shaped by a bohemian childhood, punk rock culture, and his work with photographer Tony Kent in the 1980s.
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