PEN America Calls for Flagging US Films Piggybacked by Chinese Propagandists
Almost every six months, Americans are reminded once again of how communist China influences their popular culture. In Top Gun: Maverick, for example, the flag of the Republic of China on Tom Cruise’s jacket is made to disappear. But James Tager, author of a recent report on China’s cultural power published by the New York-based literary society PEN America, notes that Americans are apt to put behind China’s impact on the US cinema as irritated as they were at first.
In his report Made in Hollywood, Censored by Beijing, Tager points out that Beijing’s censorship works differently from that in the US, where sensitive material is simply cut out at the start of the editing process after the shooting is completed. With Chinese-style censorship, changes are, frustratingly, often not made clear at the outset and take place in the middle of the shooting. For the most part, though, it does not go as far as it did in MGM’s 2012 film Red Dawn, where digital technology had to be employed to change the Chinese villain into a North Korean in post-production.
But Tager adds that over time, writers and producers will start to engage in self-censorship. Seeing its futility, they will refrain from generating ideas, stories, or characters that break the rules. It is not easy to produce and distribute a film in Hollywood without taking into account the foreign market. Given also the plight the Wuhan virus pandemic has left the US in, the Chinese audience is increasingly important to American studios.
With a quota in place for foreign films distributed in China, competition among them is fierce. The last thing a studio wants is a potential mistake that leads to its production’s being kept out of release in China. It is unthinkable nowadays that a major studio would make a film like the 1997 thriller Red Corner, where a businessman, played by Richard Gere, is framed for murder by the Chinese Communist Party—let alone a film about pro-democracy protesters in Hong Kong or China’s anti-Uyghur concentration camps. No studio would dare to take such a risk in face of the 1.4 billion Chinese consumers. It would be commercial suicide.
And not only does this shift prevents Chinese consumers from getting in touch with innovative ideas, but it also allows for a dictatorship to piggyback its propaganda onto American films. Take as an example the 2012 film Looper. Abe, the future leader of the killers played by Jeff Daniels, says to a younger killer, “I’m from the future; you should go to China.” The average viewer will not realize that this is propaganda, much less that it is a major victory for the Chinese government in its effort to increase its authority and elevate China’s status.
In view of this, Tager suggests putting a permanent label at the beginning of all films funded and, in turn, censored by China. It will serve as a warning that counteracts the brainwashing effect the film has on the audience—the same way the Motion Picture Association’s (MPA) rating, shown before every film, warns the audience of the film’s adult content and smoking scenes.
Source: Apple Daily #Aug29
#US #China #PENAmerica #Film #Culture #Propaganda #Diplomacy
https://bit.ly/3iN5w68
Almost every six months, Americans are reminded once again of how communist China influences their popular culture. In Top Gun: Maverick, for example, the flag of the Republic of China on Tom Cruise’s jacket is made to disappear. But James Tager, author of a recent report on China’s cultural power published by the New York-based literary society PEN America, notes that Americans are apt to put behind China’s impact on the US cinema as irritated as they were at first.
In his report Made in Hollywood, Censored by Beijing, Tager points out that Beijing’s censorship works differently from that in the US, where sensitive material is simply cut out at the start of the editing process after the shooting is completed. With Chinese-style censorship, changes are, frustratingly, often not made clear at the outset and take place in the middle of the shooting. For the most part, though, it does not go as far as it did in MGM’s 2012 film Red Dawn, where digital technology had to be employed to change the Chinese villain into a North Korean in post-production.
But Tager adds that over time, writers and producers will start to engage in self-censorship. Seeing its futility, they will refrain from generating ideas, stories, or characters that break the rules. It is not easy to produce and distribute a film in Hollywood without taking into account the foreign market. Given also the plight the Wuhan virus pandemic has left the US in, the Chinese audience is increasingly important to American studios.
With a quota in place for foreign films distributed in China, competition among them is fierce. The last thing a studio wants is a potential mistake that leads to its production’s being kept out of release in China. It is unthinkable nowadays that a major studio would make a film like the 1997 thriller Red Corner, where a businessman, played by Richard Gere, is framed for murder by the Chinese Communist Party—let alone a film about pro-democracy protesters in Hong Kong or China’s anti-Uyghur concentration camps. No studio would dare to take such a risk in face of the 1.4 billion Chinese consumers. It would be commercial suicide.
And not only does this shift prevents Chinese consumers from getting in touch with innovative ideas, but it also allows for a dictatorship to piggyback its propaganda onto American films. Take as an example the 2012 film Looper. Abe, the future leader of the killers played by Jeff Daniels, says to a younger killer, “I’m from the future; you should go to China.” The average viewer will not realize that this is propaganda, much less that it is a major victory for the Chinese government in its effort to increase its authority and elevate China’s status.
In view of this, Tager suggests putting a permanent label at the beginning of all films funded and, in turn, censored by China. It will serve as a warning that counteracts the brainwashing effect the film has on the audience—the same way the Motion Picture Association’s (MPA) rating, shown before every film, warns the audience of the film’s adult content and smoking scenes.
Source: Apple Daily #Aug29
#US #China #PENAmerica #Film #Culture #Propaganda #Diplomacy
https://bit.ly/3iN5w68
#Culture #Conscience
Hong Kong Filmmaker #KiwiChow: Prepared to face sanctions & imprisonment
Screened on the penultimate day of the 74th #Cannes Film Festival in mid-July 2021 is the Hong Kong protest documentary, #RevolutionOfOurTimes, which captured the pro-democracy movement in Hong Kong in 2019, following the Government’s attempt to promulgate the extradition law.
Knowing that he could potentially be exposed to sanction under the territory’s National Security Law, director Kiwi Chow is the only name credited on the documentary, as his financiers and technical collaborators have all chosen to remain anonymous.
Chow was director of many popular Hong Kong films such like “Ten Year” (the short "Self- Immolator”) and “Beyond the Dream”. He acknowledged that only "Revolution of our Times" has given him the biggest strain.
Before the film's premiere, he was asked to remain anonymous. He also received threatening phone calls telling him to leave Hong Kong immediately. But Kiwi Chow chose to stay and carry on his life in Hong Kong as usual.
Chow is even willing to be interviewed by media to talk about freedom, talk about film and his belief.
Chow anticipated that the documentary will not be allowed to be shown in Hong Kong. He even prepared to face imprisonment. Chow said, “ I am innocent under the long standing framework of Basic Law, not to mention that the documentary was filmed and completed before the National Security Law was implemented.”
Chow said, if he is ever being arrested. He is certainly a political prisoner. “I think political prisoner is a self-invited humiliation to a regime.”
#PoliticalSuppression #Unafraid #Film #HongKongCinema
Source: Stand News; #Aug7
https://www.thestandnews.com/media/video/images/%E5%8B%87%E6%B0%A3%E4%B8%8D%E6%BB%85-%E5%91%A8%E5%86%A0%E5%A8%81
Hong Kong Filmmaker #KiwiChow: Prepared to face sanctions & imprisonment
Screened on the penultimate day of the 74th #Cannes Film Festival in mid-July 2021 is the Hong Kong protest documentary, #RevolutionOfOurTimes, which captured the pro-democracy movement in Hong Kong in 2019, following the Government’s attempt to promulgate the extradition law.
Knowing that he could potentially be exposed to sanction under the territory’s National Security Law, director Kiwi Chow is the only name credited on the documentary, as his financiers and technical collaborators have all chosen to remain anonymous.
Chow was director of many popular Hong Kong films such like “Ten Year” (the short "Self- Immolator”) and “Beyond the Dream”. He acknowledged that only "Revolution of our Times" has given him the biggest strain.
Before the film's premiere, he was asked to remain anonymous. He also received threatening phone calls telling him to leave Hong Kong immediately. But Kiwi Chow chose to stay and carry on his life in Hong Kong as usual.
Chow is even willing to be interviewed by media to talk about freedom, talk about film and his belief.
Chow anticipated that the documentary will not be allowed to be shown in Hong Kong. He even prepared to face imprisonment. Chow said, “ I am innocent under the long standing framework of Basic Law, not to mention that the documentary was filmed and completed before the National Security Law was implemented.”
Chow said, if he is ever being arrested. He is certainly a political prisoner. “I think political prisoner is a self-invited humiliation to a regime.”
#PoliticalSuppression #Unafraid #Film #HongKongCinema
Source: Stand News; #Aug7
https://www.thestandnews.com/media/video/images/%E5%8B%87%E6%B0%A3%E4%B8%8D%E6%BB%85-%E5%91%A8%E5%86%A0%E5%A8%81
#FirstHand #PoliceState
HK Police sends undercover officer and interrupts private screening of #KiwiChow's movie
A private screening of a Hong Kong romance movie "Beyond the Dream" was held on August 27, 2021 by a pro-democracy district councilor, Derek Chu Kong-wai, in his councilor's office in Mong Kok, Hong Kong.
The film's director, #KiwiChow, was invited to the screening to share his thoughts on its making.
The screening, however, was interrupted by a large group of police officers and officers from the Food and Environmental Hygiene Department.
The officers, initially, stationed outside Chu’s office while some entered his office to take photograph and record the scene. Soon after Kiwi Chow began sharing his thoughts on the making of the movie, police officers forced their way into the office space, accusing the attendees for breaching the 599G gathering restriction. Fine tickets were immediately issued to the 40 some citizens in attendance.
Police also set up a cordon line and told reporters to leave the office, calling it a crime scene.
Kiwi Chow and Chu Kong-wai spoke to media that the screening was a private event among friends. They felt that the actions of the police were absurd and unacceptable. Both questioned the police's rationale for sending an “undercover officer” to the private screening, as well as their definition of "public places".
However, Chow said that he still enjoyed the experience of the evening, because he was only sharing about the movie, and he hadn't talked about "Beyond the Dream" for quite some time. He also enjoyed the dialogue with the audience, and regretted that certain people had interfered.
"I really enjoy sharing about the movie, and I treasure the time of the dialogue. I have no fear; sharing the movie is a joy to me."
Editor's note:
Kiwi Chow is also the director of the documentary "#RevolutionOfOurTimes", which made international headlines with its surprise showing at the 2021 Cannes Film festival. "Beyond the Dream", a romance movie, received widespread support by Hong Kong moviegoers, and was among the top 10 most profitable movies in the city in 2020. It went on to win Best Adapted Screenplay at Taiwan's Golden Horse Award, and was also nominated for multiple other awards in Hong Kong and Taiwan.
#Aug27 #HongKongCinema #Film #PoliticalSuppression
Source: First Hand, Citizen News
HK Police sends undercover officer and interrupts private screening of #KiwiChow's movie
A private screening of a Hong Kong romance movie "Beyond the Dream" was held on August 27, 2021 by a pro-democracy district councilor, Derek Chu Kong-wai, in his councilor's office in Mong Kok, Hong Kong.
The film's director, #KiwiChow, was invited to the screening to share his thoughts on its making.
The screening, however, was interrupted by a large group of police officers and officers from the Food and Environmental Hygiene Department.
The officers, initially, stationed outside Chu’s office while some entered his office to take photograph and record the scene. Soon after Kiwi Chow began sharing his thoughts on the making of the movie, police officers forced their way into the office space, accusing the attendees for breaching the 599G gathering restriction. Fine tickets were immediately issued to the 40 some citizens in attendance.
Police also set up a cordon line and told reporters to leave the office, calling it a crime scene.
Kiwi Chow and Chu Kong-wai spoke to media that the screening was a private event among friends. They felt that the actions of the police were absurd and unacceptable. Both questioned the police's rationale for sending an “undercover officer” to the private screening, as well as their definition of "public places".
However, Chow said that he still enjoyed the experience of the evening, because he was only sharing about the movie, and he hadn't talked about "Beyond the Dream" for quite some time. He also enjoyed the dialogue with the audience, and regretted that certain people had interfered.
"I really enjoy sharing about the movie, and I treasure the time of the dialogue. I have no fear; sharing the movie is a joy to me."
Editor's note:
Kiwi Chow is also the director of the documentary "#RevolutionOfOurTimes", which made international headlines with its surprise showing at the 2021 Cannes Film festival. "Beyond the Dream", a romance movie, received widespread support by Hong Kong moviegoers, and was among the top 10 most profitable movies in the city in 2020. It went on to win Best Adapted Screenplay at Taiwan's Golden Horse Award, and was also nominated for multiple other awards in Hong Kong and Taiwan.
#Aug27 #HongKongCinema #Film #PoliticalSuppression
Source: First Hand, Citizen News
#Film #Censorship
No hope for pro-democracy films to be shown in Hong Kong: disappointing filmmaker claims
Source: Stand News #Aug27
Read more
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No hope for pro-democracy films to be shown in Hong Kong: disappointing filmmaker claims
Source: Stand News #Aug27
Read more
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