“The clock is ticking, so make every second count."

Tik tik boom

"There should be no boundaries to human endeavor. We are all different. However bad life may seem, there is always something you can do, and succeed at. While there's life, there is hope."

The Theory of Everything

Charlotte : I just don't know what I'm supposed to be.

Bob : You'll figure that out. The more you know who you are, and what you want, the less you let things upset you.

Lost in translation

"It's like I'm reading a book... and it's a book I deeply love. But I'm reading it slowly now. So the words are really far apart and the spaces between the words are almost infinite. I can still feel you... and the words of our story... but it's in this endless space between the words that I'm finding myself now. It's a place that's not of the physical world. It's where everything else is that I didn't even know existed. I love you so much. But this is where I am now. And this is who I am now. And I need you to let me go. As much as I want to, I can't live in your book any more."

Her

“I’m always gonna remember this as the night that I almost had you.”

La la land

Tell me something, boy
Aren't you tired trying to fill that void?
Or do you need more?
Ain't it hard keeping it so hardcore?

A star is born

Yesterday I saw a lion kiss a deer
Turn the page
Maybe we'll find a brand new ending
Where we're dancing in our tears

Begin Again

"I fell in love with him two seconds after I saw him. And I'll never stop loving him, even though it doesn't make sense anymore."

Marriage Story

فیلم The King's Speech یه فیلمِ تمیزِ رو قاعده است. روایت داستان تمیزه (که به خاطر بایوگرافی بودنش کمتر بهش دقت میشه)، بازی‌ها خیلی درسته و بعد از نور و سینماتوگرافی.

فیلم از اینجا شروع میشه. جایی که کرکتر برتی سخنرانی داره و برای انجامش اصلا اعتماد به نفس نداره.
قبلا از هد روم و لوکینگ روم گفتم، تا اواخر فیلم، کرکتر برتی رسما هیچ هد روم و لوکینگ رومی نداره مگر در بعضی موارد که می‌خواد بگه اعتماد به نفس و قدرتش میره و میاد.

اگر این دو عکس رو با هم ادغام کنیم نتیجه این میشه که یکی از کرکترها روش به یه دیواره و روی دیگری به اون یکی دیوار.

اگر از بغل شخصیت‌ها یک خط افقی رو متصور بشیم و اون رو از هر دو طرف امتداد بدیم، متوجه میشیم که خط افقی که دوربین از بغل هاش می‌سازه در واقع با خط افقی کرکترها موازی نیست و نسبت بهش زاویه داره پس،

نتیجتا تصویر جوری میشه که انگار دو کرکتر به پشت با زاویه نسبت به هم نشستن

و خب قاعدتا شرحِ اوضاع و شدت اعتماد بینشونه. اینا عموما موقع تماشا توجهی رو جلب نمی‌کنه اما ناخودآگاه تاثیرش رو می‌گذاره.