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A labyrinth of ideas,
A diary of curiosities

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Lying to oneself is the most malignant and insidious of all lies; self-righteousness kills self-reflection. A lie begets a lie until every action, thought, and desire becomes a lie itself, until man himself becomes a breathing, speaking lie on two legs that deceives oneself, and by extension, others. One comforts himself with lies until his very being becomes one.

Such a man's (and woman's) life becomes an Oedipean tragedy whereby he becomes the very thing he was not supposed to become. And just like Oedipus, he has eyes but can't (doesn't want) to see the horrifying truth in front of him. At least Oedipus was noble enough to feel shame and gouge his own eyes.
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gouge his own eyes
Ironic btw, you gain insight and lose sight
لَا أُقْسِمُ بِيَوْمِ الْقِيَامَةِ • وَلَا أُقْسِمُ بِالنَّفْسِ اللَّوَّامَةِ

[سورة القيامة]
That adult learners cannot achieve a native-like accent in their L2 [second language] has also been challenged.
Some investigations reveal that a small proportion of adult learners can attain native-like accents, and fall within the range of native speakers; moreover, they cannot be reliably distinguished as second-language speakers by native speakers. Likewise, a small proportion of adult L2 learners can apparently attain native speaker-like competence. These observations contradict the frequently heard claim that it is impossible for an adult learner to gain full control of a second language. But they do not contradict the generalization that the older one is when exposed to the L2, the more difficult it is to learn the language, and the less successful the learner is likely to be.

— Linguistics, by William B. McGregor
Craquelure
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Craquelure
The distinctive pattern of cracks on the surface of an old painting.
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When you fall in love, at first you take your lover for a work of art; her visage a painting, her voice a melody, her quirks a curiosity. Then you meditate longer and gaze deeper into the art, and the brushstrokes, cracks, and faulty details start to show themselves and catch your attention, and maybe distress. But if you're still in love, even the cracks and paint flakes will look like craquelure and Persian mistakes to you—signatures of authenticity and beauty.

You may have noticed this in yourself: you fall in love with an olive-skinned brunette, and suddenly Venus herself has brown hair and a tanned complexion; you're enamored with a blue-eyed freckled girl, and freckles become the epitome of beauty.
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When you fall in love, at first you take your lover for a work of art; her visage a painting, her voice a melody, her quirks a curiosity. Then you meditate longer and gaze deeper into the art, and the brushstrokes, cracks, and faulty details start to show…
أسَرتِ وحَرَّرتِ الفتى بجَمالِك
فليسَ بمَملوكٍ وليسَ بمالِك

تَحَرَّرَ من ظُلمِ الحِسانِ وإنْ غَدا
متى يَرَ حُسنًا قاسَهُ بِمِثالِك


— تميم
Forwarded from 0/0 (Haidar A. Fahad)
If we judge of love by the majority of its results it rather resembles hatred than friendship.

إنْ حَكَمنا على الحبِّ بنتائجه، فإنّه بالكُرهِ أشبَهَ مِنهُ بالصداقة.
Forwarded from 0/0 (Haidar A. Fahad)
There is real love just as there are real ghosts; every person speaks of it, few persons have seen it.

الحبُّ الحقيقي مِثلُ الأشباحِ الحقيقية؛ كلُّ الناسِ يتكلَّمون بها، قليلونَ جدًا هُم مَن رَأَوها رأيَ العَين.
Forwarded from 0/0 (Haidar A. Fahad)
It is more disgraceful to distrust than to be deceived by our friends.

مِنَ المُعيبِ أكثَر ألّا نَثِق بأصدقائِنا مِن أنْ نُخدَعَ مِن قِبَلِهم.