Марк Браун про мотивацию игроков через награды:
https://www.youtube.com/watch?v=1ypOUn6rThM
https://www.youtube.com/watch?v=1ypOUn6rThM
YouTube
This Psychological Trick Makes Rewards Backfire
🔴 Get bonus content by supporting Game Maker’s Toolkit - https://gamemakerstoolkit.com/support/ 🔴
Goals and rewards can be a great way to motivate players to learn, try out features, and play longer - but in certain circumstances, they can actually backfire…
Goals and rewards can be a great way to motivate players to learn, try out features, and play longer - but in certain circumstances, they can actually backfire…
Левел-дизайнеры делятся своими блокаутами в честь БЛОКТОБЕРА.
https://www.nextleveldesign.org/index.php?/forums/topic/608-blocktober-2021/
https://www.nextleveldesign.org/index.php?/forums/topic/608-blocktober-2021/
Next Level Design
Blocktober 2021
It's that time again! Share your Blockouts with the level and game design community. They can be current WIP's, blockouts done specifically for Blocktober, or older levels. How do you participate. Well it's incredibly simple. You just need to create a tweet…
Ценнейший доклад об ошибках при работе с камерой в играх.
youtube.com/watch?v=C7307qRmlMI
Вот сам список, но в видео автор все развернуто объясняет:
1: Using a dynamic camera when another approach would work.
2: Designing levels and camera behaviors that don't match.
3: Using global coordinates or quaternions to persist camera state.
4: Using a default camera distance that's likely to break line-of-sight.
5: Allowing obstacles to break line-of-sight from the side.
6: Pushing the camera away from an obstacle while the player is trying to swing the camera towards it.
7: Letting the player push the camera inside an obstacle.
8: Letting independent forces compete to push the camera.
9: Excessively moving the camera to prevent unimportant items from breaking line-of-sight.
10: Letting the camera intersect narrow columns.
11: Interpreting a hill as a wall to be avoided.
12: Swinging the camera sideways when occluders come from behind.
13: Letting the camera's near-clipping-plane intersect the avatar.
14: Using the same camera distance for all angles.
15: Using the same field-of-view for worm's eye angles and standard angles.
16: Shifting pitch, distance, and field-of-view independently.
17: Not cutting when the avatar passes through opaque objects.
18: Letting cuts remap directional controls.
19: Breaking the player's sense of direction.
20: Violating the 180 degree rule.
21: Focusing only on the avatar.
22: Relying on players to control the camera all the time.
23: Leaving the camera yaw alone while the player is running.
24: Making it hard to judge distances,
25: Looking straight ahead as the avatar approaches a cliff.
26. Keeping the camera level when the avatar is running on a slope.
27. Misusing the "Rule of thirds".
28. Using the same logic for ground and air motion.
29. Relying entirely on procedural camera behaviors.
30. Letting players make themselves lost and confused.
31. Rotating excessively to look at nearby targets.
32. Translating to look at distance targets.
33. Letting the avatar's own body occlude targets ahead.
34. Giving the player control over the camera, and then taking it away.
35. Immediately applying a camera hint after the player finished turning the camera to look at something.
36. Not letting experts explore.
37. Not providing inverted controls.
38. Responding to accidental controller input.
39. Using linear sensitivity.
40. Letting the camera pivot drift too far.
41. Using a too small field-of-view.
42. Rapidly shifting field-of-view.
43. Excessively shaking the camera.
44. Bouncing the camera with the avatar's walk cycle.
45. Translating or rotating up and down when the avatar jumps.
46. Rapidly transitioning to a new camera position.
47. Maintaining pitch speed until hitting the pitch limit.
48. Developing for the Oculus Rift as the primary camera method.
49. Testing with a narrow demographic.
50. Writing a general "constraint solver" that optimizes for the camera.
youtube.com/watch?v=C7307qRmlMI
Вот сам список, но в видео автор все развернуто объясняет:
1: Using a dynamic camera when another approach would work.
2: Designing levels and camera behaviors that don't match.
3: Using global coordinates or quaternions to persist camera state.
4: Using a default camera distance that's likely to break line-of-sight.
5: Allowing obstacles to break line-of-sight from the side.
6: Pushing the camera away from an obstacle while the player is trying to swing the camera towards it.
7: Letting the player push the camera inside an obstacle.
8: Letting independent forces compete to push the camera.
9: Excessively moving the camera to prevent unimportant items from breaking line-of-sight.
10: Letting the camera intersect narrow columns.
11: Interpreting a hill as a wall to be avoided.
12: Swinging the camera sideways when occluders come from behind.
13: Letting the camera's near-clipping-plane intersect the avatar.
14: Using the same camera distance for all angles.
15: Using the same field-of-view for worm's eye angles and standard angles.
16: Shifting pitch, distance, and field-of-view independently.
17: Not cutting when the avatar passes through opaque objects.
18: Letting cuts remap directional controls.
19: Breaking the player's sense of direction.
20: Violating the 180 degree rule.
21: Focusing only on the avatar.
22: Relying on players to control the camera all the time.
23: Leaving the camera yaw alone while the player is running.
24: Making it hard to judge distances,
25: Looking straight ahead as the avatar approaches a cliff.
26. Keeping the camera level when the avatar is running on a slope.
27. Misusing the "Rule of thirds".
28. Using the same logic for ground and air motion.
29. Relying entirely on procedural camera behaviors.
30. Letting players make themselves lost and confused.
31. Rotating excessively to look at nearby targets.
32. Translating to look at distance targets.
33. Letting the avatar's own body occlude targets ahead.
34. Giving the player control over the camera, and then taking it away.
35. Immediately applying a camera hint after the player finished turning the camera to look at something.
36. Not letting experts explore.
37. Not providing inverted controls.
38. Responding to accidental controller input.
39. Using linear sensitivity.
40. Letting the camera pivot drift too far.
41. Using a too small field-of-view.
42. Rapidly shifting field-of-view.
43. Excessively shaking the camera.
44. Bouncing the camera with the avatar's walk cycle.
45. Translating or rotating up and down when the avatar jumps.
46. Rapidly transitioning to a new camera position.
47. Maintaining pitch speed until hitting the pitch limit.
48. Developing for the Oculus Rift as the primary camera method.
49. Testing with a narrow demographic.
50. Writing a general "constraint solver" that optimizes for the camera.
YouTube
50 Game Camera Mistakes
In this GDC 2014 talk, John Nesky, the dynamic camera designer for thatgamecompany's award-winning PSN title Journey, takes attendees on a tour of all the poor camera choices that he and other game developers have made, and most importantly, how to fix them.…
Авторы ABZU и The Pathless — которая кстати станет одним из главных релизов в скором Apple Arcade — рассказали о своём подходе к созданию механики передвижения:
https://www.pcgamesn.com/the-pathless/making-it-in-unreal-the-pathless
https://www.pcgamesn.com/the-pathless/making-it-in-unreal-the-pathless
PCGamesN
Making it in Unreal: how Giant Squid has recreated Abzû’s fluid movement in The Pathless
Giant Squid has taken the weightlessness of the sea and launched players into the air with The Pathless
Чувак основательно погрузился в тему и выкатил большое видео про Поток в разрезе геймдизайна.
https://www.youtube.com/watch?v=IByUWWWvqUI
https://www.youtube.com/watch?v=IByUWWWvqUI
YouTube
Психология и геймдизайн | Состояние потока
Разрушаю мифы, критикую классические концепции, рассказываю про новую (собственную) модель потока. Для геймдизайнеров, психологов и всех, кому хочется получить повод узнать больше про состояние потока. Повод потому, что я настолько упрощал некоторые весьма…
Марк Браун рассказывает про мотивацию игроков через награды:
https://www.youtube.com/watch?v=1ypOUn6rThM
https://www.youtube.com/watch?v=1ypOUn6rThM
YouTube
This Psychological Trick Makes Rewards Backfire
🔴 Get bonus content by supporting Game Maker’s Toolkit - https://gamemakerstoolkit.com/support/ 🔴
Goals and rewards can be a great way to motivate players to learn, try out features, and play longer - but in certain circumstances, they can actually backfire…
Goals and rewards can be a great way to motivate players to learn, try out features, and play longer - but in certain circumstances, they can actually backfire…
Forwarded from Кодзима Гений - канал про геймдизайн
Видео: огромный плейлист по левелдизайну
Не огромный, а огроменнейший список полезных и практичных видео, посвященных левелдизайну игр разных жанров:
https://youtube.com/playlist?list=PLIFuvZ1HZTNOwqrwDg2h_kBsxpE4P4B7R
#левелдизайн
Не огромный, а огроменнейший список полезных и практичных видео, посвященных левелдизайну игр разных жанров:
https://youtube.com/playlist?list=PLIFuvZ1HZTNOwqrwDg2h_kBsxpE4P4B7R
#левелдизайн
Forwarded from Разработка игр 🍄
The_mobile_gaming_trends_you_need_to_know_for_2022_and_beyond.pdf
6.9 MB
Тренды в мобильных играх на 2022 год. Отчет от Unity.
О дверях в геймдизайне на примере The Last of Us II.
dtf.ru/gamedev/667249-povedenie-dverey-zavisit-ot-boevoy-situacii-geymdizaynerskaya-hitrost-v-the-last-of-us-part-ii
dtf.ru/gamedev/667249-povedenie-dverey-zavisit-ot-boevoy-situacii-geymdizaynerskaya-hitrost-v-the-last-of-us-part-ii
DTF
Поведение дверей зависит от боевой ситуации — геймдизайнерская хитрость в The Last of Us Part II — Gamedev на DTF
В спокойное время они остаются открытыми, а в бою автоматически закрываются.
Программист из команды экспериментальных проектов IT Territory/My.Games рассказал об особенностях прототипирования игр.
https://dtf.ru/gamedev/834945-osobennosti-prototipirovaniya-igr
https://dtf.ru/gamedev/834945-osobennosti-prototipirovaniya-igr
DTF
Особенности прототипирования игр — Gamedev на DTF
Думаю, во многих компаниях есть свои R&D-команды, которые ищут новые продукты. Такую решили организовать и в нашей студии, и меня туда пригласили. Конечно же, поначалу мы все были окрылены идеей, что сейчас мы в команде экспериментальных проектов и будем…
Левел-дизайнер из Naughty Dog рассказывает о наиболее эффективных приемах для того, чтобы игрок поверил в происходящее в игре.
По его мнению, чувство правдоподобности складывается из трёх основных составляющих: погружения, желаний игрока и «разрывов ожиданий».
youtube.com/watch?v=x1TnXzMWK_4
По его мнению, чувство правдоподобности складывается из трёх основных составляющих: погружения, желаний игрока и «разрывов ожиданий».
youtube.com/watch?v=x1TnXzMWK_4
YouTube
Achieving Vicarity - Creating Livable Fiction - Extra Credits
Guest writer Evan Hill (a level designer from Naughty Dog) talks about creating surprises--expectation gaps--in your game, and why adhering to a "lifelike" experience isn't the same as preserving the player's sense of immersion.
Subscribe to Extra Credits…
Subscribe to Extra Credits…
Отличный перевод отличной статьи про матчмейкинг.
https://bit.ly/2YnIKt6
https://bit.ly/2YnIKt6
Аус Хестов
Алгоритм подбора игроков в “Awesomenauts”
Подбор игроков — это сложная тема со множеством подводных камней, но в основе лежит один-единственный вопрос: кто должен играть с кем? Через несколько лет после выпуска “Awesomenauts” мы полностью …
Советы по дизайну сражений, а именно подробный разбор механик атаки.
https://gdkeys.com/keys-to-combat-design-1-anatomy-of-an-attack/
https://gdkeys.com/keys-to-combat-design-1-anatomy-of-an-attack/
Размышления о дизайне открытых миров на примере Ghost Recon: Breakpoint.
https://superjumpmagazine.com/lessons-in-open-world-design-a-ghost-recon-story-3f9658987acc
https://superjumpmagazine.com/lessons-in-open-world-design-a-ghost-recon-story-3f9658987acc
Классный блог с референсами для левел-дизайнеров и левел-артистов.
https://leveldesigninspirationmachine.tumblr.com/
https://leveldesigninspirationmachine.tumblr.com/