Denis Kearney, one of America's first labor organizers, and who first brought mass immigration's threat to white workers to the public's attention, was born on this day in 1847. Find out more about his life and work at Counter-Currents. https://counter-currents.com/2011/02/denis-kearney-and-the-struggle-for-a-white-america/

Daily Zoomer and Counter-Currents writer Spencer J. Quinn joined host Nick Jeelvy to discuss Spencer’s new young adult novel, The No College Club, on the latest broadcast of The Writer’s Bloc, and it is now available for download and online listening. https://counter-currents.com/2023/02/counter-currents-radio-podcast-no-521-daily-zoomer-spencer-j-quinn-discuss-the-no-college-club/

Today is the last day to take advantage of our moving sale to order select Counter-Currents Publishing titles at 40% off. Help us lighten the load before we move our warehouse! https://counter-currents.com/2023/02/40-percent-off/

Anthony Bavaria reviews Spencer J. Quinn's new young adult novel The No College Club, about a group of high school teens who find themselves under attack for racism after they try to expose the history of white slavery in America. https://counter-currents.com/2023/02/spencer-j-quinns-the-no-college-club-a-review/

The Union Jackal returns with his first round-up of the United Kingdom's news for the new year, reporting on male sex offenders suddenly discovering that they're actually women in prisons, prayer becoming an arrestable offense, woke street name changes, and more. https://counter-currents.com/2023/02/the-union-jackal-january-2023/

Kathryn S.' superb account of two surprisingly interrelated Christmas season tales: the Nutcracker, made famous by Tchaikovsky, and Napoleon's campaign in Russia, has been paroled from the paywall. https://counter-currents.com/2023/01/the-french-emperor-the-german-nutcracker-the-russian-ballet-part-1/

James Dunphy continues his examination of the traits of psychopaths by looking at the professions mostly commonly held by them, and why certain professions favor them more than others. https://counter-currents.com/2023/02/a-womans-guide-to-identifying-psychopaths-part-7/

The New Zealand poet, essayist, Social Credit advocate, social reformer, and artist of the Right Arthur Rex Dugard Fairburn was born on this day in 1904. Find out more about his life and work at Counter-Currents. https://counter-currents.com/2021/02/remembering-a-r-d-rex-fairburn-7/

Jim Goad on the brutal — and extremely one-sided — race war between whites and aborigines that's already underway in the Australian town of Alice Springs while the government does nothing. https://counter-currents.com/2023/02/race-war-in-the-outback/

To mark the opening of Black History Month, Counter-Currents presents a selection of articles from our archives to combat the lies and propaganda designed to stoke black pride over spurious achievements and white guilt over spurious crimes, as well as other aspects of the myths surrounding blacks in America. https://counter-currents.com/2023/02/black-history-month-resources-11/

Not even peanut butter . . . Exploding "Black Invention Myths"

Just in time for Black History Month, Counter-Currents is hosting the "Black Invention Myths" site, your one-stop resource for debunking false claims about black inventions.

https://counter-currents.com/2023/02/black-invention-myths-5/

Apparently a crypto scammer is impersonating Nick Jeelvy on Telegram. He almost scammed a friend of mine out of some money. The real Nick Jeelvy will not approach you about backing up your crypto wallets.

Needless to say, neither will I. Please be vigilant. This platform is swarming with scammers.

Kathryn S.'s essay on Napoleon's disastrous occupation of and then retreat from Moscow, and how Tchaikovsky's Nutcracker retold the story in the form of fantasy, has been paroled from the paywall. https://counter-currents.com/2023/01/the-french-emperor-the-german-nutcracker-the-russian-ballet-part-2/

Author Spencer J. Quinn is interviewed about his new young adult novel The No College Club, about a group of high school teens who find themselves under attack for racism after they try to expose the history of white slavery in America. https://counter-currents.com/2023/02/spencer-j-quinn-interviewed-about-the-no-college-club/

Anthony Bavaria commemorates the life of the legendary aviator and non-interventionist Charles Lindbergh, whose birthday is tomorrow, portraying him as an example for white advocates to emulate. https://counter-currents.com/2023/02/remembering-charles-lindbergh/

Morris van de Camp on Louisiana's 1991 gubernatorial election, when David Duke was very nearly elected Governor. https://counter-currents.com/2023/02/david-duke-louisianas-1991-gubernatorial-election/

The chronicle of how Hungary's once-radical Right party Jobbik transformed itself into a "liberal conservative" party allied with the liberal Left is now in Czech. https://counter-currents.com/2023/02/jobbik-a-strucna-historie-jeho-politickeho-obratu-o-180/

The transcript and audio of the lecture Bowden gave on historical revisionism to the New Right in November 2007 has been added to The Jonathan Bowden Archive. https://jonathanbowden.org/speeches/on-revisionism/

The audio and transcript of Tomislav Sunić’s interview with Bowden from 2010 has been added to The Jonathan Bowden Archive. https://jonathanbowden.org/speeches/tomislav-sunic-interviews-jonathan-bowden/

When this song came out, I disliked it because Kid Rock had sample-covered Werewolves of London, by Warren Zevon (who was at the time and remains my favorite songwriter). As time went on, the song grew on me, especially after I learned that Kid Rock took the time and effort to give credit to Zevon and royalties to Zevon’s family.

Today I heard it again in a store and then it hit me that this song is subversive in a very insidious way. It’s a song about a summer romance in Northern Michigan, but it’s full of references to Sweet Home Alabama and the south, including a beach bunny in a Confederate flag bikini in the music video. At the time the song came out, I remember reading a comment somewhere about northern Michigan being about as far as you can get from Alabama and the South without going into Canada.

Today I had a flash of insight - this song represents the “southernification” or “redneckification” of all rural Americans and due to the fact of our globalized existence, pretty soon the “southernification” of all rural white people. What do Alabama and northern Michigan have in common? Not much, except that they’re both rural. This is a phenomenon that I’ve heard people have observed, that rural America is becoming homogenized and turned into a generic “red state place”, pushing out local culture and mores in favor of a cargo cult of redneckdom (which is not even properly Southron as a distinct culture group of white Americans).

I’d love to hear more about this, especially from Americans who live or used to live in rural locales. Is this process really taking place? How far has it gone? What can we, as a movement, do to interdict it? Should we interdict it? Will having a unified rural white culture somehow make our task easier?