It takes more than talent to bring projects like Mark Woodland & Matt Voyce to life.

It takes global teams trusting each other across time zones & cultures—pushing ideas further than one person ever could.

Oliver Muñoz (Uncommon) on leading without borders: https://tympanus.net/codrops/2025/09/25/global-by-design-leading-across-borders-to-shape-digital-experiences/

Abstract feelings, concrete forms: Tokyo-based designer Daiki Fujita shares the story and process behind his immersive 2025 portfolio.

A journey of abstraction, concreteness & play: https://tympanus.net/codrops/2025/09/30/abstract-feelings-concrete-forms-daiki-fujita-portfolio-2025/

Creativity isn't magic... it's feelings, little tweaks, and a lot of heart. 💜

In Part 1 of his new series "Creating Emotionally Meaningful Experiences with AI, Three.js, and Blender", Andrew Woan shows us how to find meaning in what we make. 🐼

Set aside a little time, it's so worth it: https://tympanus.net/codrops/2025/10/01/developing-creativity-emotional-design-skills-for-beginners/

Breaking free from the grid changes how we tell stories on the web.
Readymag's free layout model makes that possible—letting designers experiment, surprise, and engage.
See examples: https://tympanus.net/codrops/?p=101886

Blending engineering precision with artistic vision, Tomoya Okada crafts web experiences where interactivity, animation, and elegance converge.

Discover his work and see what drives his craft: https://tympanus.net/codrops/2025/10/03/fluid-worlds-and-layered-visions-tomoya-okadas-digital-craft/

How do you turn design exploration and UX experimentation into a stunning WebGPU-powered portfolio?
Martin Laxenaire breaks down the creative and technical journey behind the build.

Read the full story: https://tympanus.net/codrops/2025/10/06/self-doubt-and-the-quest-for-fun-how-i-ended-up-turning-my-portfolio-into-a-game/

If you love when art meets code — this is it!

Justine Soulié & Patrick Heng blend illustration, WebGL, and GSAP into Ponpon Mania, an interactive comic that feels so alive.

Have a look behind the magic: https://tympanus.net/codrops/?p=101347

Animating shaders with GSAP and WebGL can be tricky to wrap your head around, but this guide by Andrea Biason and Adoratorio Studio will give you a clear path through it.

A beautifully structured walkthrough of ripples, reveals, and dynamic blur effects: https://tympanus.net/codrops/?p=102374

Our friends at Anima asked us to try out their new Link to Code tool — so we took the chance to play with the Codrops layout a bit 😄

The results? Fast iteration, clean React/Tailwind code, and a lot of creative fun.

Read the full experiment: https://tympanus.net/codrops/?p=100572

From thread to code: NITEX weaves fashion, design, and technology into a single digital fabric.

Spring/Summer shares how they built a brand and platform redefining fashion’s supply chain: https://tympanus.net/codrops/2025/10/10/nitex-building-a-brand-and-digital-platform-for-fashions-new-supply-chain/

If you’ve ever wanted your WordPress carousels to spin in real 3D, our friends at Droip show how to make it happen using only their visual editor.

Learn how to build a circular marquee that orbits in space: https://tympanus.net/codrops/?p=102835

An epic collaboration in every sense: Clay Boan's new portfolio was built by a dream team blending 3D, WebGL, and GSAP into something deeply personal and alive.

Proof that when the right people come together, magic happens: https://tympanus.net/codrops/?p=101496

What started as "I need to update my portfolio" turned into a maximalist playground of glitches, ASCII art, and motion mayhem.

Eloy Benoffi takes us behind the design and the GSAP code powering his bold new portfolio: https://tympanus.net/codrops/?p=102510

Want to level up your scroll animations?

This deep dive into OPTIKKA’s build by Zajno shows how moving from HTML5 video to frame sequences delivers smoother motion, sharper visuals, and complete creative control: https://tympanus.net/codrops/?p=103024

Today on Codrops we're shining a light on Fragments by Ben McCormick, a super cool platform that helps you learn creative coding with shaders through play, remixing, and hands-on exploration.

If you love generative art or Three.js, this one's for you: https://tympanus.net/codrops/2025/10/17/fragments-a-platform-for-learning-creative-coding-with-shaders/

When you stop treating a website as pages and start treating it as a space, everything changes.

At Forged, Michael Modena built an epic WebGPU-powered workshop where light, motion, and story all share the same engine.

Built from the ground up in six weeks.

Read the full story: https://tympanus.net/codrops/2025/10/20/from-garage-to-browser-forged-build-and-the-webgpu-revolution/

Step inside the creative world of Daria Nevezhyna, a designer redefining how we experience products online.

Her vision turns digital configurators into living, emotional spaces that connect design, art, and technology.

Read her story: https://tympanus.net/codrops/?p=102148

Ever met a portfolio that malfunctions on purpose?

Designer Xianyao Wei built Weisdevice — a glitchy 3D world where an imperfect robot, hand-painted textures, and reactive sound bring emotion to code.

Dive into the fascinating story: https://tympanus.net/codrops/2025/10/22/weisdevice-crafting-a-glitched-out-world-between-2d-3d-and-sound/

Redesigning your own studio is the hardest brief.

FUTURE THREE® rebuilt their brand, refined their process, and pushed Webflow + GSAP to new limits — crafting motion that feels alive and purposeful.

Read the case: https://tympanus.net/codrops/2025/10/23/a-studio-reborn-future-three-and-the-art-of-self-redesign/

“Design and code aren’t opposites — they’re different parts of the same story.”
Abhishek Jha explores how intuition, storytelling, and experimentation fuel his ever-evolving creative practice.

Read his story: https://tympanus.net/codrops/2025/10/24/the-human-side-of-the-interface-abhishek-jhas-art-of-storytelling-through-design/

Sometimes the best code comes from happy accidents.

Serhii Polyvanyi and BL/S® share how a simple shader test evolved into a hypnotic, organic motion effect: https://tympanus.net/codrops/2025/10/25/dissecting-a-wavy-shader-sine-refraction-and-serendipity/