Constant Moyaux
View on the Forum Romanum in ancient Rome - from left:
The Tabularium, Temple of Concord and Arch of Septimius Severus,1866.
View on the Forum Romanum in ancient Rome - from left:
The Tabularium, Temple of Concord and Arch of Septimius Severus,1866.
Giovanni_Battista_Piranesi
Imaginary Ancient Temple Designed in the Style of Those Built in Honor of the Goddess Vesta… 1743
P. S. advise you to watch in high quality
Imaginary Ancient Temple Designed in the Style of Those Built in Honor of the Goddess Vesta… 1743
P. S. advise you to watch in high quality
David Roberts
"The Gateway to the Great Temple at Baalbec", 1841
This painting, his RA 'Diploma' work, depicts the Great Temple at Baalbec in the Lebanon. Roberts visited this site on his first tour of the region in 1839 and described the daunting task of depicting a building of such 'magnificence…that it is impossible to convey any idea, either by pencil or pen…the beauty of its form, the exquisite richness of its ornament and the vast magnitude of its dimensions are altogether unparalleled...' Around the temple itself, Roberts included tiny figures in local dress, emphasising both the massive scale of the ruin and its exotic location.
"The Gateway to the Great Temple at Baalbec", 1841
This painting, his RA 'Diploma' work, depicts the Great Temple at Baalbec in the Lebanon. Roberts visited this site on his first tour of the region in 1839 and described the daunting task of depicting a building of such 'magnificence…that it is impossible to convey any idea, either by pencil or pen…the beauty of its form, the exquisite richness of its ornament and the vast magnitude of its dimensions are altogether unparalleled...' Around the temple itself, Roberts included tiny figures in local dress, emphasising both the massive scale of the ruin and its exotic location.
Andrea Palladio
Villa Capra "La Rotonda"
In 1565 a priest, Paolo Almerico, on his retirement from the Vatican, decided to return to his home town of Vicenza in the Venetian countryside and build a country house. This house, later known as 'La Rotonda', was to be one of Palladio's best-known legacies to the architectural world. Villa Capra may have inspired a thousand subsequent buildings, but the villa was itself inspired by the Pantheon in Rome.
Villa Capra "La Rotonda"
In 1565 a priest, Paolo Almerico, on his retirement from the Vatican, decided to return to his home town of Vicenza in the Venetian countryside and build a country house. This house, later known as 'La Rotonda', was to be one of Palladio's best-known legacies to the architectural world. Villa Capra may have inspired a thousand subsequent buildings, but the villa was itself inspired by the Pantheon in Rome.
Giovanni Battista Piranesi
"Plate 3: 'Ancient mausoleum erected for the ashes of a Roman emperor' from the series 'Part one of architecture and perspectives..."
It was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today...
high quality with the tiniest details
"Plate 3: 'Ancient mausoleum erected for the ashes of a Roman emperor' from the series 'Part one of architecture and perspectives..."
It was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today...
high quality with the tiniest details
"Project for an arc of triumph Carousel with new entry imperial palace " 1804
Ink, Watercolor, Pencil, Paper
Ink, Watercolor, Pencil, Paper
Antonio Asprucci
Temple of Asclepius inside the gardens of Villa Borghese (1785 -1792)
photo by HEN-Magonza
The architrave bears an inscription in Greek: "Ασκληπιωι Σωτηρι" (Asclepius the Savior).The hero and god of medicine in ancient Greek religion and mythology.
Temple of Asclepius inside the gardens of Villa Borghese (1785 -1792)
photo by HEN-Magonza
The architrave bears an inscription in Greek: "Ασκληπιωι Σωτηρι" (Asclepius the Savior).The hero and god of medicine in ancient Greek religion and mythology.
Joseph Uchard
Main facade of the project for a "cathedral church". Prix de Rome 1838.
pencils and ink
...Architecture has never been drawn with such perfection and beauty. The results were so astonishing that they deformed architectural practice. The teachers were concerned that the students were only interested in the graphics, in the beauty of the plan drawing, to the detriment of the spaces and the structural logic...
In any case, the system helped to develop architectural sense. Among the prize-winners are practically all the important names in 19th century French architecture
Main facade of the project for a "cathedral church". Prix de Rome 1838.
pencils and ink
...Architecture has never been drawn with such perfection and beauty. The results were so astonishing that they deformed architectural practice. The teachers were concerned that the students were only interested in the graphics, in the beauty of the plan drawing, to the detriment of the spaces and the structural logic...
In any case, the system helped to develop architectural sense. Among the prize-winners are practically all the important names in 19th century French architecture
Fragmentary colossal marble head of a youth; Greek. Hellenistic period. 2nd century B.C. Discovered at Pergamon, on upper terrace of gymnasium. Metropolitan Museum of Art
Cushion, Jean-Antoine.
Hypothetical reconstruction of the Temple of Vesta, Rome. 1802
The Temple of Vesta housed Vesta's holy fire, which was a symbol of Rome's safety and prosperity.The temple was rebuilt many times because it was destroyed about five times.
Hypothetical reconstruction of the Temple of Vesta, Rome. 1802
The Temple of Vesta housed Vesta's holy fire, which was a symbol of Rome's safety and prosperity.The temple was rebuilt many times because it was destroyed about five times.
Giovanni Battista Piranesi
"View of the Remains of the Cella of the Temple of Neptune" 1778–79
The drawing depict views of the great Doric temple in the former Greek colony of Poseidonia, which in the third century B.C. was conquered by the Romans and renamed Paestum (the temple was originally identified as the Temple of Poseidon, but is now determined to have been dedicated to Hera II). Left abandoned and cut off by a swamp, Paestum’s ruins were rediscovered in 1746 thanks to the construction of a new road. They sparked intense interest among artists and architects including Piranesi, and the consequent drawings, prints, paintings and models of the temples revolutionized people’s understanding of early Greek Classical architecture in general and the Doric style in particular. Roman architecture, until this time deemed the style that architects should emulate, now seemed derivative.
High quality
"View of the Remains of the Cella of the Temple of Neptune" 1778–79
The drawing depict views of the great Doric temple in the former Greek colony of Poseidonia, which in the third century B.C. was conquered by the Romans and renamed Paestum (the temple was originally identified as the Temple of Poseidon, but is now determined to have been dedicated to Hera II). Left abandoned and cut off by a swamp, Paestum’s ruins were rediscovered in 1746 thanks to the construction of a new road. They sparked intense interest among artists and architects including Piranesi, and the consequent drawings, prints, paintings and models of the temples revolutionized people’s understanding of early Greek Classical architecture in general and the Doric style in particular. Roman architecture, until this time deemed the style that architects should emulate, now seemed derivative.
High quality
John William Waterhouse
"In the Peristyle" 1874
In Hellenistic Greek and Roman architecture, a peristyle is a continuous porch formed by a row of columns surrounding the perimeter of building or a courtyard.
"In the Peristyle" 1874
In Hellenistic Greek and Roman architecture, a peristyle is a continuous porch formed by a row of columns surrounding the perimeter of building or a courtyard.
Engraving by Robert Adam
"View of the Peristyle of the Palace" 1764
Is the central square of the palace, where the main entrance to Diocletian's quarters (pictured) is located.
high quality
"View of the Peristyle of the Palace" 1764
Is the central square of the palace, where the main entrance to Diocletian's quarters (pictured) is located.
high quality
Andrea Palladio
Villa Cornaro (1553–1554)
It represents one of the most exemplary illustrations of a Renaissance villa during this time frame.
Villa Cornaro (1553–1554)
It represents one of the most exemplary illustrations of a Renaissance villa during this time frame.