The Thonet Brand: A Look At Its Graphic Design History (Niggli / Book)
Тонкий штрих в середине, левое плечо «т», залипание в «н». 🧐🤔
👉 ——> www.
#typography #logo
Тонкий штрих в середине, левое плечо «т», залипание в «н». 🧐🤔
👉 ——> www.
#typography #logo
🔥5
The Toy Collector (Book)
Great simple typography. Lots of text but it’s all balanced well, still readable with all the toy parts too. Great colors!
#bookcover #typography
Great simple typography. Lots of text but it’s all balanced well, still readable with all the toy parts too. Great colors!
#bookcover #typography
❤2
Ikiru (Drama). 1952
A bureaucrat tries to find meaning in his life after he discovers he has terminal cancer.
🎬 ——> www.
#typography #cheek_2_cheek
A bureaucrat tries to find meaning in his life after he discovers he has terminal cancer.
🎬 ——> www.
#typography #cheek_2_cheek
❤7
Отклонение.
Верхний слой — норма (буквы из одного шрифта) — на «почве» отклонений.
#bookcover #typography
Верхний слой — норма (буквы из одного шрифта) — на «почве» отклонений.
#bookcover #typography
🔥6❤2👍2
Старины пример.
Ссылку на собрание журналов в свое время подобрал у Евгения Григорьева. Сейчас уже не найду.
#old_good_things #typography
Ссылку на собрание журналов в свое время подобрал у Евгения Григорьева. Сейчас уже не найду.
#old_good_things #typography
❤6👍1
Логика — C-G-O-D.
Dora García (ed.): If I Could Wish for Something (2021)
Книга (PDF) — www.
#logico #typedesign #bookcover
Dora García (ed.): If I Could Wish for Something (2021)
Книга (PDF) — www.
#logico #typedesign #bookcover
❤2🔥1
Identity for Moscow Lindy Hop and St. Louis Shag Weekend with Christian Frommelt and Jenny Shirar.
Игорь Мустаев, 2016.
💃🕺——> www.
#typography
Игорь Мустаев, 2016.
💃🕺——> www.
#typography
👍4❤1
Hard Tourismus logo
Logotype for the tourist board of the Marktgemeinde Hard, Austria, the home town of Othmar Motter and his studio Vorarlberger Grafik. While this mechanical is obviously hand-drawn, using ink and whiteout, it appears to be based on a typeface. Not one of Motter’s many own designs, but a heavy display face designed by German graphic artist Peter Steiner sometime before 1973. Black Pepper was available for phototypesetting from Anton Herkner Graphisches Atelier Stuttgart. The wordmark was drawn in the late 1970s. It’s not clear if it ever was put to use.
Сочетание мягкого и жесткого.
Оптическая компенсация в «а».
😮 ——> www.
#logo #logico
Logotype for the tourist board of the Marktgemeinde Hard, Austria, the home town of Othmar Motter and his studio Vorarlberger Grafik. While this mechanical is obviously hand-drawn, using ink and whiteout, it appears to be based on a typeface. Not one of Motter’s many own designs, but a heavy display face designed by German graphic artist Peter Steiner sometime before 1973. Black Pepper was available for phototypesetting from Anton Herkner Graphisches Atelier Stuttgart. The wordmark was drawn in the late 1970s. It’s not clear if it ever was put to use.
Сочетание мягкого и жесткого.
Оптическая компенсация в «а».
😮 ——> www.
#logo #logico
❤3🔥1
Black Pepper Typeface
А вот и шрифт (в продолжение темы).
Modern Publicity was a series of advertising / design annuals that was published for many years during the 20th century. In 1973, Modern Publicity was edited by Felix Gluck, published in London by Studio Vista and in New York City by The Viking Press, and printed in the Netherlands. The series is notable for its global scope, and includes work from Europe, North America and Asia. Each issue is divided into categories such as print advertising, packaging design, editorial, etc.
Each year’s edition features a small section highlighting new typefaces. The 1973/74 issue includes an ad for Black Pepper. Designed by Peter Steiner, the display face was exclusively available for phototypesetting from Anton Herkner Graphisches Atelier Stuttgart, Germany.
👉 ——> www.
#typeface #logico #cheek_2_cheek
А вот и шрифт (в продолжение темы).
Modern Publicity was a series of advertising / design annuals that was published for many years during the 20th century. In 1973, Modern Publicity was edited by Felix Gluck, published in London by Studio Vista and in New York City by The Viking Press, and printed in the Netherlands. The series is notable for its global scope, and includes work from Europe, North America and Asia. Each issue is divided into categories such as print advertising, packaging design, editorial, etc.
Each year’s edition features a small section highlighting new typefaces. The 1973/74 issue includes an ad for Black Pepper. Designed by Peter Steiner, the display face was exclusively available for phototypesetting from Anton Herkner Graphisches Atelier Stuttgart, Germany.
👉 ——> www.
#typeface #logico #cheek_2_cheek
❤2👍1
Развернуть «кудрявость» в полный рост.
Giraldon Typeface (Deberny).
😍
#old_good_things #ligatures #typeface
Giraldon Typeface (Deberny).
😍
#old_good_things #ligatures #typeface
❤4👍1