New York Botanical Garden by Wolff Olins
The New York Botanical Garden opened in 1891 and according to Wolff Olins, is both a “local treasure” and a “globally significant institution”.
It’s certainly bold: the bespoke type of the wordmark (which appears to have been named NYBG Gothic, and was designed in collaboration with Ryan Bugden) feels fresh and contemporary without being too out-there – after all, this is a botanical garden, not a craft beer pop-up. Some of the strongest applications of the branding are those where a number of different fonts are used together: billboards, for instance, as well as the NYBG website, mix the chunky curves of the wordmark text with a faintly quirky serif font and a typewriter-like typeface – it sounds like it shouldn’t work, but it really does.
#custom #typeface #identity #logo
The New York Botanical Garden opened in 1891 and according to Wolff Olins, is both a “local treasure” and a “globally significant institution”.
It’s certainly bold: the bespoke type of the wordmark (which appears to have been named NYBG Gothic, and was designed in collaboration with Ryan Bugden) feels fresh and contemporary without being too out-there – after all, this is a botanical garden, not a craft beer pop-up. Some of the strongest applications of the branding are those where a number of different fonts are used together: billboards, for instance, as well as the NYBG website, mix the chunky curves of the wordmark text with a faintly quirky serif font and a typewriter-like typeface – it sounds like it shouldn’t work, but it really does.
#custom #typeface #identity #logo
👍5
Knahia Restaurant
The custom typeface is used for short, punchy headings across print, website and social media. The logotype also uses it, with no additional embellishments other than a charismatically springy, squishy animation by Ester Dus—a treatment that particularly brings out the reference to chopsticks. This is a nice addition to the identity, and adds a charming dash of levity to the otherwise stark red-and-black minimalism, but really, the typeface is evocative enough on its own to conjure the association even when static.
Геометрия на марше.
#custom #typeface #identity #logo
The custom typeface is used for short, punchy headings across print, website and social media. The logotype also uses it, with no additional embellishments other than a charismatically springy, squishy animation by Ester Dus—a treatment that particularly brings out the reference to chopsticks. This is a nice addition to the identity, and adds a charming dash of levity to the otherwise stark red-and-black minimalism, but really, the typeface is evocative enough on its own to conjure the association even when static.
Геометрия на марше.
#custom #typeface #identity #logo
❤4❤🔥2
TDC / 64
Triboro Design
Triboro is the Brooklyn based design duo of David Heasty and Stefanie Weigler.
#typography #identity
Triboro Design
Triboro is the Brooklyn based design duo of David Heasty and Stefanie Weigler.
#typography #identity
❤🔥2❤2👍1
Plakat • Rien ne va plus
NAiM / Bureau Europa + A10
Design
Experimental Jetset, Amsterdam, NL
Marieke Stolk (NL, geboren 1967)
Danny van den Dungen (NL, geboren 1971)
Erwin Brinkers (NL, geboren 1973)
Дизайн по сетке.
#grid #typography
NAiM / Bureau Europa + A10
Design
Experimental Jetset, Amsterdam, NL
Marieke Stolk (NL, geboren 1967)
Danny van den Dungen (NL, geboren 1971)
Erwin Brinkers (NL, geboren 1973)
Дизайн по сетке.
#grid #typography
❤3👍1