Прекрасное безобразное. По заветам старых мастеров (илл. 2) разработан шрифт (илл. 1) для Jeremiah Brent (больше примеров на сайте).
Lareu & Gonzalez (авторы)
Creative Design Studio based between in London & Paris
#custom #typeface #ugly
Lareu & Gonzalez (авторы)
Creative Design Studio based between in London & Paris
#custom #typeface #ugly
❤5🔥3
Neues Amt Altona
by Stan HEMA
В освобожденное пространство между аббревиатурой и расшифровкой вставляем нечто важное. Приёмисто (пример выше).
Развернуто на сайте.
#logo #trick #identity
by Stan HEMA
В освобожденное пространство между аббревиатурой и расшифровкой вставляем нечто важное. Приёмисто (пример выше).
Развернуто на сайте.
#logo #trick #identity
❤9🥱1
Pirelli Shield construction grid. Designed by Bob Noorda in the 1970's.
источник (https://www.facebook.com/groups/771395196543555/) Anatomy of Logos.
#logo
источник (https://www.facebook.com/groups/771395196543555/) Anatomy of Logos.
#logo
❤3🔥1🤔1
Atkins Réalis Custom Typeface
by NaN
The type family duo offered daringly opposing personalities: GameChanger and Bienvenue. A distinctive titling sans-serif with square counters contrasting its rounded outer shapes, GameChanger creates distorted outlines visually referencing separate machined parts. Meanwhile, Bienvenue is a clear-cut, no-bullshit neo-grotesk with subtle details and a crisp legibility. Together, both families share the same proportions and weight, working harmoniously to serve Atkins Réalis human-centred technological identity.
#custom #typeface #identity
by NaN
The type family duo offered daringly opposing personalities: GameChanger and Bienvenue. A distinctive titling sans-serif with square counters contrasting its rounded outer shapes, GameChanger creates distorted outlines visually referencing separate machined parts. Meanwhile, Bienvenue is a clear-cut, no-bullshit neo-grotesk with subtle details and a crisp legibility. Together, both families share the same proportions and weight, working harmoniously to serve Atkins Réalis human-centred technological identity.
#custom #typeface #identity
👍1
Wise Custom Typeface
by NaN
Beginning with a redrawn logo, we collaborated with the London-based design agency to craft a modification and extension of Feliciano’s Parafina typeface for the brand – expanding its language support to 361* different scripts across Latin, Cyrillic and Greek, whilst providing countless adjusted currency symbols alongside the basic Latin set.
In addition to the sans serif’s more rigorous, pragmatic functions, we also introduced a finely tuned set of custom alternates, carefully adjusting the regularity of their appearance in words and how they would integrate across a body of text. For this purpose, we developed a clever set of ligatures and contextual alternates, ensuring every letter combination and every word would look just right. The result? An original, proudly contemporary brand outfitted with a meticulous, marvellous custom tilting typeface.
#custom #typeface #identity
by NaN
Beginning with a redrawn logo, we collaborated with the London-based design agency to craft a modification and extension of Feliciano’s Parafina typeface for the brand – expanding its language support to 361* different scripts across Latin, Cyrillic and Greek, whilst providing countless adjusted currency symbols alongside the basic Latin set.
In addition to the sans serif’s more rigorous, pragmatic functions, we also introduced a finely tuned set of custom alternates, carefully adjusting the regularity of their appearance in words and how they would integrate across a body of text. For this purpose, we developed a clever set of ligatures and contextual alternates, ensuring every letter combination and every word would look just right. The result? An original, proudly contemporary brand outfitted with a meticulous, marvellous custom tilting typeface.
#custom #typeface #identity
👍3🔥1
junge berner künstler
by arnold rüdlinger
this is the catalogue of a 1955 exhibition of young bernese art in the kunsthalle bern. kunsthalle director arnold rüdlinger (1919-1967) wrote the introductory text.
Всё так интересно распределено по полосе.
Разлёт слов и разрядка в цифрах.
#typography #bookcover
by arnold rüdlinger
this is the catalogue of a 1955 exhibition of young bernese art in the kunsthalle bern. kunsthalle director arnold rüdlinger (1919-1967) wrote the introductory text.
Всё так интересно распределено по полосе.
Разлёт слов и разрядка в цифрах.
#typography #bookcover
❤6🔥2
Apex by Gold Front
Шрифт Herbus by Eliott Grunewald (из серии, как говорится, «где-то я такой уже видел, но не помню где»). Подробности презентации графического стиля идентификации.
#custom #typeface #identity #ligatures
Шрифт Herbus by Eliott Grunewald (из серии, как говорится, «где-то я такой уже видел, но не помню где»). Подробности презентации графического стиля идентификации.
#custom #typeface #identity #ligatures
👍4🤔2❤1
👆«Ах, да, вот, где я мог это видеть» — скажет пытливый читатель и будет прав.
Busorama Medium designed by Tom Carnase for ITC: International Typeface Corporation
#old_good_things
Busorama Medium designed by Tom Carnase for ITC: International Typeface Corporation
#old_good_things
🔥5❤3