Muzeum Narodowe w Gdańsku
Identity by TOFU
Our goal was both simple and challenging: creating an unobtrusive brand identity that is highly adjustable, flexible and resistent to constantly changing trends. A frame for the vast variety of artistic and historical collections of all the units of the Museum.
#logo #identity
Identity by TOFU
Our goal was both simple and challenging: creating an unobtrusive brand identity that is highly adjustable, flexible and resistent to constantly changing trends. A frame for the vast variety of artistic and historical collections of all the units of the Museum.
#logo #identity
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A —— 😍
M —— 💪
N-O —— 🌟
Capa de revista | edição de Natal | 1928 | old magazine cover | Christmas edition | Portugal 1920s
#typedesign #logico #trick #old_good_things
M —— 💪
N-O —— 🌟
Capa de revista | edição de Natal | 1928 | old magazine cover | Christmas edition | Portugal 1920s
#typedesign #logico #trick #old_good_things
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Forwarded from тонкая шпация и неразрывный пробел
Большая перемена между лекциями по классическому шрифту.
Massimo Grafia by Gabriel Richter and Andreas Uebele
2018
#sans #display #trial
Massimo Grafia by Gabriel Richter and Andreas Uebele
2018
#sans #display #trial
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Arjowiggins Inuit
a single font with 279 glyphs
by Jeremy Tankard
Inuit is a range of premium white uncoated papers developed by Arjowiggins. For the introduction of the paper range, we were approached by UK design company Blast to design a typeface to feature as part of the launch branding. Our brief was to develop an English readable type derived from the shapes used in the printed Inuktitut language.
#custom #typeface
a single font with 279 glyphs
by Jeremy Tankard
Inuit is a range of premium white uncoated papers developed by Arjowiggins. For the introduction of the paper range, we were approached by UK design company Blast to design a typeface to feature as part of the launch branding. Our brief was to develop an English readable type derived from the shapes used in the printed Inuktitut language.
#custom #typeface
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