Laurie Haycock and Scott Makela served as resident co-chairs of 2-D design at Cranbrook Academy of Art, in 1997, each offering a distinct set of skills: Makela was known for his loud, vibrant, high-tech approach to design, and Haycock for her thoughtful experimentalism and refined typography. In 2000, they received an AIGA Medal in honor or their collaborative work.
#typogrpahy #old_good_things #ugly
#typogrpahy #old_good_things #ugly
❤🔥4❤1
Dead History
Designed by P. Scott Makela in 1990.
P. Scott Makela designed this typeface in the period during which digital processes were becoming accepted as mainstream tools for graphic and communication designers. The past, especially in typography, is often an inspiration for contemporary designers; not so for Makela, whose Dead History design signals the end of an era of traditionally produced fonts. It personifies a new attitude in type creation marked by the design of hybrid typefaces which are largely the result of the computer's capabilities to function as the perfect assembling tool.
In 2011 Dead History was one of 23 digital typefaces included in the permanent architecture and design collection of the Museum of Modern Art in New York.
#typeface
Designed by P. Scott Makela in 1990.
P. Scott Makela designed this typeface in the period during which digital processes were becoming accepted as mainstream tools for graphic and communication designers. The past, especially in typography, is often an inspiration for contemporary designers; not so for Makela, whose Dead History design signals the end of an era of traditionally produced fonts. It personifies a new attitude in type creation marked by the design of hybrid typefaces which are largely the result of the computer's capabilities to function as the perfect assembling tool.
In 2011 Dead History was one of 23 digital typefaces included in the permanent architecture and design collection of the Museum of Modern Art in New York.
#typeface
🔥4❤🔥2❤1👍1
❤9👍1
Forwarded from Schrift Channel
Собрали большую коллекцию в нашем Пинтересте со всеми обложками, заставками и леттерингом Сергея Михайловича Пожарского (1900−1970) из книги Владимира Кричевского о нём.
👀 Коллекция в пинтересте
👉Книга на Озоне
👀 Коллекция в пинтересте
👉Книга на Озоне
❤2👍2
The Soul of Design
Harnessing the Power of Plot to Create Extraordinary Products
LEE DEVIN AND ROBERT D. AUSTIN
#typography #bookcover
Harnessing the Power of Plot to Create Extraordinary Products
LEE DEVIN AND ROBERT D. AUSTIN
#typography #bookcover
❤🔥5❤2
По красоте.
English 1766 is a font with 20 styles inspired by the quintessentially British font, Caslon. English 1766 was created following a period of intensive research, including the examination of historical type specimen pages printed with Caslon foundry type in multiple sizes and conditions, as well as the study of more recent digital revivals. English 1766 is not a historical revival of Caslon but rather a contemporary interpretation of a classic design.
#typeface #A2Type
English 1766 is a font with 20 styles inspired by the quintessentially British font, Caslon. English 1766 was created following a period of intensive research, including the examination of historical type specimen pages printed with Caslon foundry type in multiple sizes and conditions, as well as the study of more recent digital revivals. English 1766 is not a historical revival of Caslon but rather a contemporary interpretation of a classic design.
#typeface #A2Type
❤10
Nouvelle étiquette won a public commission aimed at thinking a signage system for the Cathedral Saint-Étienne of Metz. Validated by the Ministry of Culture and Communication in September 2018, the project is now an inherent and permanent part of this millennial monument.
Two fonts (Cathédrale Lumière, to be projected and Cathedrale Métal, to be etched) are drawn especially for the project, its historical gothic sources and its technic particularities.
Art direction © Nouvelle étiquette
Design and scenography © Nouvelle étiquette & Generique design
Type design © Nouvelle étiquette & PampaType (Alejandro Lo Celso) with Julie Luzoir et Francis Ramel
#typedesign #custom #typeface
Two fonts (Cathédrale Lumière, to be projected and Cathedrale Métal, to be etched) are drawn especially for the project, its historical gothic sources and its technic particularities.
Art direction © Nouvelle étiquette
Design and scenography © Nouvelle étiquette & Generique design
Type design © Nouvelle étiquette & PampaType (Alejandro Lo Celso) with Julie Luzoir et Francis Ramel
#typedesign #custom #typeface
❤🔥7❤4👍1🔥1
Olympian (1970)
Scan of a panel display about Matthew Carter’s Olympian typeface as reproduced in Typographically Speaking: The Art of Matthew Carter by Margaret Re.
#typedesign
Scan of a panel display about Matthew Carter’s Olympian typeface as reproduced in Typographically Speaking: The Art of Matthew Carter by Margaret Re.
#typedesign
👍4❤1🔥1
Around B Typeface
by Calderon
This version of Around is an exciting bonus title for any user, offering bolder and more daring design options. With a fun and eye-catching look, this family is perfect for logos and magazine titles, adding a fresh and original touch. This family is a unique blend of different sources of inspiration, such as the discretion ligatures li, tt, ti, and tti, based on a discarded version of the logo designed by Walter Ballmer for Olivetti in 1960.
#typeface #ligatures
by Calderon
This version of Around is an exciting bonus title for any user, offering bolder and more daring design options. With a fun and eye-catching look, this family is perfect for logos and magazine titles, adding a fresh and original touch. This family is a unique blend of different sources of inspiration, such as the discretion ligatures li, tt, ti, and tti, based on a discarded version of the logo designed by Walter Ballmer for Olivetti in 1960.
#typeface #ligatures
❤9