Прием не новый (<•>|<•>), но и год — 2015.

#typography #trick

The iconic poster “Temple und Tee-haus in Japan” designed by graphic designer master Armin Hofmann in 1955.

Все моноширинные и внезапно «Н».

#typography #logico

Aoki typeface was conceived with two weights within the same character set creating a distinct and playful contrast.

In collaboration with LA-based graphic designer Brian Roettinger, Optimo developed a custom display typeface with a powerful graphic identity. Intended for the musician Steve Aoki’s Neon Future album campaign, the typeface draws inspiration from an iconic Swiss graphic design artwork.

#custom #typeface

1929-10-20,
France de Bordeaux et du Sud-Ouest (La)-Inauguration des meubles Gallien.

#wow #old_good_things #typography

Mark by Everton Gargioni

👁 ——>> wwwww

#logo #modulus

Пилорама • 2019

Юлия Плотник разработала шрифт Пилорама в рамках курса «Четыре шага к построению шрифта» (Программа «Практика шрифта для дизайнера», В. Голыженков).

#typedesign #typeface

2005 • Шрифт Ano для журнала Another Magazine
Gareth Hague

#custom #typeface #editorial #typography #ligatures

#ligatures #old_good_things

Tiemann Revival (Ferum probbably) by Janos Honor Vari

János Hunor Vári is a type and graphic designer, art director originally from Hungary, based in Lausanne, Switzerland. Recent graduate of the Master Type Design programme of ECAL – Ecole Cantonale d’Art de Lausanne. His practice is built on experimenting with unexpected tools and materials, and on a speculative and playful approach to serve both cultural and commercial purposes.

#ligatures #typeface

IRÓN
Minjong Kim, János Hunor Vári, Paul Sturm
2022

IRÓN is a unique writing gear designed and created by first-year students Minjong Kim, Paul Sturm and János Hunor Vári during the 2021–22 Autumn semester, in the class Tools Make Shapes of Kai Bernau. The tool itself is built with small metallic elements from a local DIY store, and one bold bearing assembled with screws to hold two pencils or markers. The concept of IRÓN comes from what we call ‘lazy line’, when two endpoints of the writing tool are inaccurately moving together or the second axis improperly follows the path of the first one.

#typeface

Логика.

#logico #typedesign

люблю такое
пересчитали буквы и сделали.

Daniel Sisnel exhibition catalog. Mousse Publishing, 2011 (дизайнер не указан)
#bookdesign

Омажное в работе.

#typedesign #logico