TMB (Concept) 2013
Eric Codina

Propuesta de identidad gráfica para Transports Metropolitans de Barcelona. Concepto basado en el movimiento y la trayectoria que dibuja.

Идентификационная программа для транспорта Барселоны.

#logo #identity #trick #3D

Немного красного в ленту.

TAT by Asyl (не первый раз).

#logo #3D#japan

Когда надо подровнять содержание всех строк по ширине формата.

#typography #trick #japan

Лигатуры в моноширинном шрифте Aether.

Aether plays with light, callenging the uniform grey tone within letters. Derived from 19th Century modern faces, and grounded in a geometric framework, Aether incorporates a set of predefined curves on a rhythmic system. This ensures an identical stem interval within and between letters for a consistent and rational appearance.
The family contains two stylistic variations emphasizing the parametric construction: Aether A, without optical adjustments, results in dark brackets and joints for a bold and distinctive look. Aether B incorporates optical adjustments to enhance legibility and refine the overall design.

Интересная логика построения формы знака.

#logico #typedesign #ligatures #mono

#modulus #typedesign

Pixel Perfect

#modulus #pixel #japan

Прием не новый (<•>|<•>), но и год — 2015.

#typography #trick

The iconic poster “Temple und Tee-haus in Japan” designed by graphic designer master Armin Hofmann in 1955.

Все моноширинные и внезапно «Н».

#typography #logico

Aoki typeface was conceived with two weights within the same character set creating a distinct and playful contrast.

In collaboration with LA-based graphic designer Brian Roettinger, Optimo developed a custom display typeface with a powerful graphic identity. Intended for the musician Steve Aoki’s Neon Future album campaign, the typeface draws inspiration from an iconic Swiss graphic design artwork.

#custom #typeface

1929-10-20,
France de Bordeaux et du Sud-Ouest (La)-Inauguration des meubles Gallien.

#wow #old_good_things #typography

Mark by Everton Gargioni

👁 ——>> wwwww

#logo #modulus

Пилорама • 2019

Юлия Плотник разработала шрифт Пилорама в рамках курса «Четыре шага к построению шрифта» (Программа «Практика шрифта для дизайнера», В. Голыженков).

#typedesign #typeface

2005 • Шрифт Ano для журнала Another Magazine
Gareth Hague

#custom #typeface #editorial #typography #ligatures

#ligatures #old_good_things