Musée d’Orsay, custom typeface (Rafael Ribas • Styles: Roman, 858 glyphs & Italic, 854 glyphs), ad campaign & programm, parts of the global rebranding of the museum. Art direction by zoo, designers graphiques, font mastering by Jérôme Knebusch, 2023

#custom #typeface

Gotico-Antiqua, Proto-Roman, Hybrid, 15 typefaces, basic latin (1939 glyphs), design and production Rafael Ribas with Alexis Faudot, supervision Jérôme Knebusch & ANRT Team, 2017–2019. All fonts and specimen available here.

Проекту пять лет, но 🌟

#typeface #wow

Golgotha Atlas & Axis, typeface, basic latin (620 glyphs), 2016–…

Чередование узкого и широкого как прием типографики.

#typography #trick #typeface #editorial

Замена буквы на знак. Шифровка.

#trick #typography #editorial

Rudolf Arnheim • Visual Thinking

University of California Press
Berkeley and Los Angeles
1969 • First edition

k —— ❤️

#typography #bookcover

Pieter Roozen – Mart Warmerdam

H9lland Fe2tival: Luigi Nono, Holland Festival
Amsterdam, June 1-30, 1992 [NAGO – Nederlands Archief Grafisch Ontwerpers]

Цифры в буквы: (😍) год проведения фестиваля — в название фестиваля.

#typography #trick #logo

DEEMER (Logo by CARLOS MAYO)

Design furniture and manufacturing studio based in Madrid which aim is to recover the values of durability, sustainability and customized production. Brand identity, custom typeface, website development and e–commerce (2019).

#logo

HELIOT EMIL
Pushing the boundaries of creative expression, the Copenhagen–based label HELIOT EMIL explores the lines between form and function through experiments in futuristic streetwear, objects, and accessories.

#wow

Дизайнеры шрифта прикидывают ширину начертания Extended.