Remove unnecessary details and retain only the visual information needed for immediate recognition. Use: Delicate, slightly imperfect hand-drawn lines A small number of bold, clearly defined acrylic-style flat color shapes Rough paper texture Visible handmade brush marks Slightly irregular, organic edges Subtle imperfections that make it feel genuinely handmade The main illustrated subject should be small, centered, and carefully composed, occupying approximately 10–20% of the bottom half. Leave a large amount of negative space around the illustration. The background should primarily resemble: Rough white paper Warm off-white paper Pale natural paper Minimal editorial book-cover stock Use only a few lines or small color shapes to suggest the surrounding environment. COLOR PALETTE Extract the dominant colors directly from the original photograph. Compress the palette into no more than 4 main colors. Keep the colors restrained, sophisticated, and harmonious. Use bold but controlled flat color blocks. Avoid excessive color variation. Preserve subtle paper grain and handmade brush texture. The illustration should visually feel like a simplified color interpretation of the photograph. TYPOGRAPHY A small amount of simple typography may be included when appropriate. Possible elements: A short title Keyword Object name Location Year Number Short phrase Text should be minimal, understated, and editorial. Typography should naturally interact with the large areas of negative space and the small illustration, evoking: Art book covers Independent publishing Contemporary editorial design Thoughtful children's picture books Do not force text into the composition if it does not naturally fit the photograph. VISUAL LANGUAGE The final poster should feel: Quiet · Poetic · Refined · Minimal · Innocent · Relaxed · Artistic · Thoughtful · High-recognition · Premium The visual concept should be: “A small subject surrounded by a large amount of empty space.” The result should resemble a carefully designed independent art publication cover, rather than a commercial advertisement. AVOID Do not use: Colored-pencil aesthetics Crayon textures Bleeding watercolor Pure line-art illustration Complex realistic illustration Heavy oil-painting effects Smooth polished digital illustration 3D rendering Glossy 3D textures Commercial cartoon aesthetics Cute commercial character design E-commerce advertising aesthetics Generic poster templates Excessive decorative elements Busy compositions Excessive typography FINAL ART DIRECTION The top half should feel like a beautiful, authentic editorial photograph. The bottom half should feel like a small, handmade visual poem derived from that photograph. The two halves should clearly belong to the same visual story, while maintaining a strong contrast between photographic realism above and minimal handmade illustration below. Prioritize recognition, restraint, negative space, material texture, subtle imperfection, editorial sophistication, and artistic storytelling over decorative complexity

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