Создать фотореалистичный праздничный портрет на основе моей фотографии. Мужчина в элегантном чёрном смокинге с бабочкой, уверенная поза, одна рука в кармане, другая держит лацкан пиджака. Позади — огромные объёмные цифры 2026, белые, глянцевые, стоящие на отражающейся мокрой поверхности. В небе светящаяся надпись «С НОВЫМ ГОДОМ!», выполненная из золотых искр и огней, без ошибок в тексте, чёткие русские буквы. Вокруг падает золотой конфетти, праздничная атмосфера. Фон — вечерняя Москва, узнаваемый городской пейзаж с Москва-Сити, небоскрёбы с огнями, мягкое боке, зимний закат. Кинематографический свет, мягкое контровое освещение, высокая детализация лица и одежды. Реалистичный стиль, 85mm lens, shallow depth of field, ultra high resolution, fashion photography, cinematic, luxury, sharp focus.

Uploaded 100% face as reference.
A highly accurate, photorealistic interior scene recreated in the exact visual style of Home Alone 2: Lost in New York, matching the original hotel setting, lighting, character positioning, and early-90s movie realism.
Interior daytime scene inside the hotel lobby. The environment is elegant and classic, with polished floors, tall columns, warm lighting, and refined holiday decorations subtly visible in the background.
Kevin McCallister and I are standing together in the lobby, side by side, facing the hotel concierge. My face perfectly matches the uploaded reference with accurate identity, natural skin texture, and realistic facial proportions, seamlessly integrated into the scene.
The hotel concierge, portrayed exactly like the suspicious hotel employee from the movie, stands in front of us, slightly leaning forward while speaking. His facial features, hairstyle, posture, and formal uniform closely match the original character played by Tim Curry.
Kevin stands confidently beside me, looking up at the concierge with a calm, innocent expression, while I maintain a neutral, composed posture, subtly observing the interaction.
Body language is restrained and realistic: the concierge’s expression shows suspicion and curiosity, Kevin appears composed and polite, and I remain quietly attentive, not overpowering the scene.
Camera angle: static eye-level medium shot, balanced composition showing all three characters clearly, identical to a real movie still. No dramatic angles, no cinematic exaggeration.
Lighting: warm indoor hotel lighting, soft highlights on faces, low contrast shadows, subtle natural film grain, authentic early-90s color grading.
Background details: hotel desk, classic decor, Christmas accents, and architectural elements consistent with the original film’s set design.
Ultra-realistic realism, correct scale and proportions, accurate facial expressions, no distortion, no stylization, no modern elements.
The final result should look like a genuine unseen frame from the movie, tense yet subtle, perfectly fitting into the original hotel storyline.