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expect hot news
very soon.
share this among
your friends who
prefer moons milk
& broccoli only.
@apolvx
very soon.
share this among
your friends who
prefer moons milk
& broccoli only.
@apolvx
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BAD SECTOR aka Massimo Magrini is the perfect counterweight to MERZBOW: precise, calculated, and austerely rational. From the space-program classic Kosmodrom — with its vocabulary of Baikonur and dedication to Tsiolkovsky — to his newer transmissions, Magrini continues to translate invisible fields into audible architecture. He designs and performs with custom gesture-controlled interfaces, treating sound as something to be steered and sculpted rather than merely played. His approach is explicitly technical: with a degree in Computer Science, training in academic electronic music, and a career as a researcher at the Italian National Research Council, Magrini draws on the language of radio artifacts, decaying transmissions, machine pulses, and data-like rhythms. In his live works the vastness of outer space becomes a dark-ambient embrace — far from narrow genre labels, and closer to a sense of the cosmos as an ordered, quietly beautiful system.
@apolvx
@apolvx
OBVIOUSLY LEGENDARY / THIS SUNDAY / MAY 31 / DRUGSTORE / MERZBOW w/ BAD SECTOR
Grab your tix while you can. Comissions-free tickets at Yugovinyl (Cetinska, 15). Online — tickets.rs + RA.
@apolvx
Grab your tix while you can. Comissions-free tickets at Yugovinyl (Cetinska, 15). Online — tickets.rs + RA.
@apolvx
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Apolvx in conspiracy with Doomstar proudly present - the legendary Japanese trio BORIS perform in Serbia for the first time ever as part of their PINK 20th Anniversary Tour 2026, “Do You Remember Pink Days?”.
8 OCTOBER / BEOGRAD / DORCOL PLATZ
Comissions-free physical tickets at Yugovinyl (Cetinjska, 15). Online - Bilet.rs (RSD) + Resident Advisor (EUR)
For more than three decades, BORIS have moved through heavy music less like a conventional band than a force of their own: doom, drone, shoegaze, noise rock, punk, psychedelia and avant-metal bending around them as if through a cracked prism. Formed in Tokyo in 1992, they became one of the rare groups able to speak at once to metal lifers, art-rock obsessives, noise heads and indie listeners who understood that heaviness could be beautiful, not only brutal. The evidence is everywhere: collaborations with Merzbow, Sunn O))) and Keiji Haino; releases on Southern Lord, Hydra Head, Sacred Bones and Third Man; music entering the cinematic world of Jim Jarmusch’s The Limits of Control; and PINK itself, the record that pushed Boris far beyond specialist cult status. Released in Japan in 2005 and internationally through Southern Lord in 2006, PINK was the moment all their different bodies briefly shared one nervous system: the amp-worship of doom, the sugar-rush of garage punk, shoegaze glare, psych-rock vertigo, biker-gang momentum, and feedback left hanging in the air like neon smoke after an electrical fire. Live, BORIS are not “loud” in the ordinary sense. They turn volume into a physical space. They make heaviness feel radiant. They sound like beauty pushed to the edge of collapse.
@apolvx
8 OCTOBER / BEOGRAD / DORCOL PLATZ
Comissions-free physical tickets at Yugovinyl (Cetinjska, 15). Online - Bilet.rs (RSD) + Resident Advisor (EUR)
For more than three decades, BORIS have moved through heavy music less like a conventional band than a force of their own: doom, drone, shoegaze, noise rock, punk, psychedelia and avant-metal bending around them as if through a cracked prism. Formed in Tokyo in 1992, they became one of the rare groups able to speak at once to metal lifers, art-rock obsessives, noise heads and indie listeners who understood that heaviness could be beautiful, not only brutal. The evidence is everywhere: collaborations with Merzbow, Sunn O))) and Keiji Haino; releases on Southern Lord, Hydra Head, Sacred Bones and Third Man; music entering the cinematic world of Jim Jarmusch’s The Limits of Control; and PINK itself, the record that pushed Boris far beyond specialist cult status. Released in Japan in 2005 and internationally through Southern Lord in 2006, PINK was the moment all their different bodies briefly shared one nervous system: the amp-worship of doom, the sugar-rush of garage punk, shoegaze glare, psych-rock vertigo, biker-gang momentum, and feedback left hanging in the air like neon smoke after an electrical fire. Live, BORIS are not “loud” in the ordinary sense. They turn volume into a physical space. They make heaviness feel radiant. They sound like beauty pushed to the edge of collapse.
@apolvx