Forwarded from اُکتـبر در سیاتـِل
خفن ترین عکسی که گرفتید رو برام بزارید؛
به عنوان یک عکاس تحلیلش کنم 📷
و به عنوان یک نویسنده درموردش بنویسم 🖋
ظرفیت محدود | جوین باش پامکین
ترکیببندی خوبیه؛ خط ساحل و موجها چشم رو از پایین کادر به سمت خورشید هدایت میکنن. کج بودن افق هم به عکس حس حرکت داده، هرچند اگر عمدی نبوده باشه میشد افق رو صافتر گرفت. نور طلایی غروب و انعکاسش روی آب هم نقطه قوت اصلی عکس محسوب میشه.
🖋 Writer's eye
Maybe some sunsets are not meant to be remembered for the sky.
Maybe they stay with us because of the feeling of standing there, with the waves touching our feet, and knowing that for a little while, nothing was asking us to be anywhere else.
Maybe some sunsets are not meant to be remembered for the sky.
Maybe they stay with us because of the feeling of standing there, with the waves touching our feet, and knowing that for a little while, nothing was asking us to be anywhere else.
سوژه خیلی واضح و خوب جدا شده و بافت چوب و طناب جزئیات جذابی به عکس داده. عمق میدان کم باعث شده پسزمینه شلوغی خیابون حواس رو از تابلوی OPEN پرت نکنه؛ انعکاس و نور طبیعی شیشه هم به عکس لایهی بیشتری داده.
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🖋 Writer's eye
“I think some places don't really need to be beautiful.
Sometimes, all they need is a little light, an open door, and a reason to stay.”
“I think some places don't really need to be beautiful.
Sometimes, all they need is a little light, an open door, and a reason to stay.”
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ترکیببندی مینیمال و تمیزه؛ بخش زیادی از کادر به آسمون و دریا اختصاص داده شده و حس وسعت ایجاد کرده. اسکله از گوشهی پایین وارد کادر شده و با خطوط افقی دریا تضاد خوبی ساخته. مهِ پسزمینه هم باعث ایجاد عمق و فاصله بین دریا و شهر شده.
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🖋 Writer's eye
“There was so much blue between me and the city,
I almost forgot it was still there.
Maybe distance isn't always about leaving.
Sometimes, it's just about seeing things from somewhere quieter.”
“There was so much blue between me and the city,
I almost forgot it was still there.
Maybe distance isn't always about leaving.
Sometimes, it's just about seeing things from somewhere quieter.”
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