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Forwarded from ֍ Folklore_0x ::: Drip
NETWORKED OFFLINE: "We have no choice but to take social media offline if we wish to engage in healthy social lives. Social media, online, will continue to lose relevance for us. Social media, offline, will gain mass appeal. The future of social media is offline and full of immersive art exhibits and live AR experiences. Most of it will take place in speakeasies and pop-ups. This return to private life will be spiritually rewarding for so many of us who were once slaves to the algorithm."

via Folklore
Published on August 05, 2024 at 10:30AM

Link: https://ift.tt/yibaHBd

Curator: 0xe62d071Ea99A63798Fec7222c483c53e87F2A32E (0xe62d071Ea99A63798Fec7222c483c53e87F2A32E)
Forwarded from Open Tab History
The problem, as illustrated by the vibes of Venmo and Github, is that the base medium sets the message of the medium. When messages ride smart financial pipes, the resulting sociology takes on a decidedly economic character. When they ride code-commit pipes, they take on decidedly engineering vibes. I don’t know if that’s good or bad. But I do know it will have consequences.

https://www.ribbonfarm.com/2024/02/02/thoughts-on-xmtp/
Forwarded from Open Tab History
The best spokesperson for any endeavor is not the one who has the most polish, the longest tenure, or the "right" credentials. It’s the person who holds the secret knowledge upon which the enterprise is built, the person who can not only describe the idea but, in the face of inevitable opposition, fight for it and win.

Founders need to take their narrative as seriously as they take the rockets or robots. They would never outsource their product — and when it comes to convincing others to support the mission, the story is the product. Outsourcing comms is as bad as outsourcing code.

https://www.rostra.co/
Forwarded from ֍ Folklore_0x ::: Drip
TEXT-IMAGE COLLAPSE: The AI service that I’ve been using to summarise and query PDFs just added OCR support, making it possible to upload an image of a book or article and instantaneously interact with it as a textual object. This technical (but accessible) piece on OCR reveals how language is parsed inbetween pictorial and textual states, and elaborates some of the sociological implications of these processes. “If you are reading this online, it’s likely you can select this phrase from your browser, and copy-paste it into some other application. Moving text around digital spaces is engineered to appear seamless to us. However, the information captured by your computer when you make a keystroke has a very different structure from the pixel grid of light and dark your computer renders on the screen.”

via Folklore
Published on August 27, 2024 at 09:25PM

Link: https://ift.tt/XWYLmNJ

Curator: 0x6e31d9d4ED8eD93C2871FFb320f68b3CB4e81a25 (0x6e31d9d4ED8eD93C2871FFb320f68b3CB4e81a25)
Forwarded from ֍ Folklore_0x ::: Drip
ARTISTIC SELF-EXPRESSION IS CONFORMITY! Adam Curtis, in conversation with Yancey Strickler in 2017: “Computers can see us as large groups, but they’re glum and only aggregate us to sell us stuff. In reality, the computers give great insight into the power of common identity between groups. No one’s using that. What’s sitting with the computers is a way of seeing new groups, new common identities between people.”

via Folklore
Published on September 03, 2024 at 07:00AM

Link: https://ift.tt/DKT9Otu

Curator: 0x6e31d9d4ED8eD93C2871FFb320f68b3CB4e81a25 (0x6e31d9d4ED8eD93C2871FFb320f68b3CB4e81a25)
Forwarded from ֍ Folklore_0x ::: Drip
UBIQUITOUS, ENDLESS: The meander, or self-avoiding line, winds its way through time. It traverses Ancient Greek pottery, Zapotec architecture, Imperial Chinese woodwork, and Navajo weaving. It animates surfaces, defines boundaries, fills space. Known variously as a Greek or Chinese key, fret, running dog, or Xicalcoliuhqui, it shows up today on tilework, coffee cups, and clothing — and in art. More than a decorative motif, the meander is metaphor and method, an unstudied artistic generator.

via Folklore
Published on August 30, 2024 at 03:47PM

Link: https://ift.tt/DfBmzaw

Curator: 0x6e31d9d4ED8eD93C2871FFb320f68b3CB4e81a25 (0x6e31d9d4ED8eD93C2871FFb320f68b3CB4e81a25)
Forwarded from Open Tab History
this is kind of cool:

https://getdecode.dev/
Forwarded from ֍ Folklore_0x ::: Drip
DIGITAL PIRACY AS CONSERVATION: This decade-old piece on ‘shadow libraries’ and the relative lack of profitability of text as an object of copyright enforcement (compared to music and video) has a new resonance in the age of the LLM. “On the one side, an argument is made for unrestricted access to information as a prerequisite to properly deliberative democracy. … The other side offers pragmatic reasoning related to the long-term sustainability of the cultural sphere, which, in order to prosper, must provide proper economic incentives to content creators.”

via Folklore
Published on September 06, 2024 at 09:33AM

Link: https://ift.tt/VGZQvui

Curator: 0x6e31d9d4ED8eD93C2871FFb320f68b3CB4e81a25 (0x6e31d9d4ED8eD93C2871FFb320f68b3CB4e81a25)
Forwarded from Open Tab History
Today websites are not just used to provide information to people, but they are also used to provide information to large language models. For instance, language models are often used to enhance development environments used by coders, with many systems including an option to ingest information about programming libraries and APIs from website documentation.

https://llmstxt.org/
Forwarded from ֍ Folklore_0x ::: Drip
WHO ARE THEY FOR, AND HOW WILL THEY FIT INTO OUR LIVES? Computerised companions. Will they be ‘designed’ to fulfil emotional needs of human users, or will they exist beyond the scope of design? “They’re being designed by AI startups run by 20-somethings, backed by billions in investment. As we discussed, the key design and ethical concern is connection—should you actively design to pull people into a care loop, creating emotional bonds, or is it more ethical to let that happen organically as a byproduct of the system?”

via Folklore
Published on September 18, 2024 at 04:37PM

Link: https://ift.tt/KeapvCi

Curator: 0x6e31d9d4ED8eD93C2871FFb320f68b3CB4e81a25 (0x6e31d9d4ED8eD93C2871FFb320f68b3CB4e81a25)
Forwarded from ֍ Folklore_0x ::: Drip
LARGE LORE MODELS: there is a very sticky analogy for the fostering of lore in this piece, by part of the team behind this year’s Serpentine Galleries Future Art Ecosystems report. “Here we take the core features of an autonomous knowledge commons to be noncentralized yet formalized access to both the means of narrative creation, linked to a permanent record of events, alongside the right to redeploy, or reseed, the results elsewhere.”

via Folklore
Published on September 16, 2024 at 10:17AM

Link: https://ift.tt/Mkc5FZ9

Curator: 0x6e31d9d4ED8eD93C2871FFb320f68b3CB4e81a25 (0x6e31d9d4ED8eD93C2871FFb320f68b3CB4e81a25)
Forwarded from ֍ Folklore_0x ::: Drip
DIGITAL BELONGING, LOCALLY: Alice Yuan Zhang’s brief primer on bioregional computing. “What if data didn’t have to travel so far, especially when communicating with others around you? What if search algorithms prioritized results that were closer-to-home? What if devices could be locally sourced and re-assembled? What if the traversals of the World Wide Web can also strengthen the affinity of the local web?”

via Folklore
Published on September 12, 2024 at 10:39PM

Link: https://ift.tt/xvmdRlt

Curator: 0x6e31d9d4ED8eD93C2871FFb320f68b3CB4e81a25 (0x6e31d9d4ED8eD93C2871FFb320f68b3CB4e81a25)
Forwarded from ֍ Folklore_0x ::: Drip
PARASOCIAL WORLDS: On who has been absorbed by who. “In historical critiques, reading was condemned not just as a form of insubordination but as an addictive process that threatened the reader’s ability to come back from fantasy and into reality again.”

via Folklore
Published on September 22, 2024 at 06:07PM

Link: https://ift.tt/vz4oY8X

Curator: 0x6e31d9d4ED8eD93C2871FFb320f68b3CB4e81a25 (0x6e31d9d4ED8eD93C2871FFb320f68b3CB4e81a25)