VIDEO GENERATION PROMPT — SIDE-ENTERING MISSILES + PRE-IMPACT RACK FOCUS + BUILDING EXPLOSION
Use the uploaded photo as the exact first frame and the reference video as the primary guide for missile entry direction, flight paths, timing, scale, explosion placement, and the focus-pulling effect.
Create a photorealistic cinematic video while preserving the original photo's composition, hand, eyeglasses, building, trees, sky, and environment.
SCENE ACTION AND TIMING
1. Opening — Original Composition
Start with the exact uploaded photograph. A hand holds black-framed eyeglasses in the foreground, with the distant building visible in the background.
Initially, the eyeglasses are in sharp focus and the distant background is softly blurred. The camera is completely locked in place.
2. Small Missiles Entering from the Sides
Several small, fast-moving missiles enter the scene from the LEFT and RIGHT EDGES of the frame, following the same general entry direction and visual style as the reference video.
The missiles must enter from the sides of the image, travelling inward and forward through the distant outdoor environment toward the background building. They must NOT emerge from behind the camera, fly out of the viewer's perspective, or approach the eyeglasses.
Keep the missiles relatively small in the composition, appropriate to their distance from the camera. Give them realistic speed, subtle propulsion flames, and thin smoke trails. Their movement should look like distant missiles crossing the sky toward a specific target.
The missiles begin moving toward the building while the eyeglasses remain in the foreground.
3. Simultaneous, Gradual Background Focus Transition — BEFORE IMPACT
This is the most important part of the scene.
As soon as the missiles enter the frame and travel toward the building, gradually begin a smooth cinematic rack focus from the foreground eyeglasses to the distant background.
The focus transition must happen WHILE the missiles are still flying toward the building and are clearly ON THEIR WAY to the target.
As the missiles advance:
- The distant building, sky, and surrounding landscape progressively become sharper.
- The foreground eyeglasses gradually become softer and increasingly out of focus.
- The missiles remain visible as they travel through the background.
- The background becomes fully focused BEFORE the missiles hit the building.
Do not wait until the explosion to shift focus. Do not begin the focus transition only after impact. The rack focus must start during the missiles' approach and finish while the missiles are still in flight.
Make the timing feel continuous and synchronized, like a real camera operator smoothly pulling focus from a nearby object to a distant scene while action unfolds in the background.
4. Missile Impact and Building Explosion
Only AFTER the background has become sharply focused, the incoming missiles reach the building and strike it.
Show convincing impacts on the background building, followed by bright fiery explosions, expanding fireballs, sparks, fragments, and thick smoke rising from the impact points.
The explosions should occur at the building itself, clearly visible in the now-sharp background. Keep the eyeglasses blurred in the foreground throughout the impact and explosion.
The impact must feel like the natural continuation of the missiles' visible flight paths, not a sudden, disconnected explosion.
5. Final Frame
Keep the camera stationary as the fire and smoke develop around the struck building. The background remains sharply focused, while the eyeglasses remain noticeably out of focus. Preserve the original hand position, glasses shape, and framing.
CAMERA AND OPTICAL BEHAVIOR
- Completely static, locked camera.
- No camera movement, zoom, pan, tilt, rotation, or reframing.
- One continuous shot with no cuts.
- Smooth, realistic foreground-to-background rack focus.
- Natural depth of field and realistic lens optics.
- All missile motion occurs within the scene; no camera-relative missile approach.
Use the uploaded photo as the exact first frame and the reference video as the primary guide for missile entry direction, flight paths, timing, scale, explosion placement, and the focus-pulling effect.
Create a photorealistic cinematic video while preserving the original photo's composition, hand, eyeglasses, building, trees, sky, and environment.
SCENE ACTION AND TIMING
1. Opening — Original Composition
Start with the exact uploaded photograph. A hand holds black-framed eyeglasses in the foreground, with the distant building visible in the background.
Initially, the eyeglasses are in sharp focus and the distant background is softly blurred. The camera is completely locked in place.
2. Small Missiles Entering from the Sides
Several small, fast-moving missiles enter the scene from the LEFT and RIGHT EDGES of the frame, following the same general entry direction and visual style as the reference video.
The missiles must enter from the sides of the image, travelling inward and forward through the distant outdoor environment toward the background building. They must NOT emerge from behind the camera, fly out of the viewer's perspective, or approach the eyeglasses.
Keep the missiles relatively small in the composition, appropriate to their distance from the camera. Give them realistic speed, subtle propulsion flames, and thin smoke trails. Their movement should look like distant missiles crossing the sky toward a specific target.
The missiles begin moving toward the building while the eyeglasses remain in the foreground.
3. Simultaneous, Gradual Background Focus Transition — BEFORE IMPACT
This is the most important part of the scene.
As soon as the missiles enter the frame and travel toward the building, gradually begin a smooth cinematic rack focus from the foreground eyeglasses to the distant background.
The focus transition must happen WHILE the missiles are still flying toward the building and are clearly ON THEIR WAY to the target.
As the missiles advance:
- The distant building, sky, and surrounding landscape progressively become sharper.
- The foreground eyeglasses gradually become softer and increasingly out of focus.
- The missiles remain visible as they travel through the background.
- The background becomes fully focused BEFORE the missiles hit the building.
Do not wait until the explosion to shift focus. Do not begin the focus transition only after impact. The rack focus must start during the missiles' approach and finish while the missiles are still in flight.
Make the timing feel continuous and synchronized, like a real camera operator smoothly pulling focus from a nearby object to a distant scene while action unfolds in the background.
4. Missile Impact and Building Explosion
Only AFTER the background has become sharply focused, the incoming missiles reach the building and strike it.
Show convincing impacts on the background building, followed by bright fiery explosions, expanding fireballs, sparks, fragments, and thick smoke rising from the impact points.
The explosions should occur at the building itself, clearly visible in the now-sharp background. Keep the eyeglasses blurred in the foreground throughout the impact and explosion.
The impact must feel like the natural continuation of the missiles' visible flight paths, not a sudden, disconnected explosion.
5. Final Frame
Keep the camera stationary as the fire and smoke develop around the struck building. The background remains sharply focused, while the eyeglasses remain noticeably out of focus. Preserve the original hand position, glasses shape, and framing.
CAMERA AND OPTICAL BEHAVIOR
- Completely static, locked camera.
- No camera movement, zoom, pan, tilt, rotation, or reframing.
- One continuous shot with no cuts.
- Smooth, realistic foreground-to-background rack focus.
- Natural depth of field and realistic lens optics.
- All missile motion occurs within the scene; no camera-relative missile approach.
❤6
- No movement or deformation of the hand or eyeglasses.
NEGATIVE PROMPT
Missiles emerging from behind the camera, missiles approaching the viewer, missiles flying toward the glasses, missiles entering from the center foreground, oversized missiles, missiles appearing suddenly next to the building, instant explosions without visible approach, background focusing only after the explosion, delayed rack focus, abrupt focus changes, camera movement, camera shake, zoom, panning, tilting, cuts, changing the original composition, distorted glasses, moving fingers, background replacement, cartoon VFX, unrealistic flight paths, excessive smoke obscuring the entire building, and flickering.
Duration: 7–8 seconds
Camera: Static / Locked
Missile entry: From the left and right sides, following the reference video
Focus direction: Sharp foreground glasses → sharp distant background
Focus timing: Starts during missile flight and finishes before impact
Explosion timing: After the background reaches sharp focus
Style: Photorealistic cinematic VFX
NEGATIVE PROMPT
Missiles emerging from behind the camera, missiles approaching the viewer, missiles flying toward the glasses, missiles entering from the center foreground, oversized missiles, missiles appearing suddenly next to the building, instant explosions without visible approach, background focusing only after the explosion, delayed rack focus, abrupt focus changes, camera movement, camera shake, zoom, panning, tilting, cuts, changing the original composition, distorted glasses, moving fingers, background replacement, cartoon VFX, unrealistic flight paths, excessive smoke obscuring the entire building, and flickering.
Duration: 7–8 seconds
Camera: Static / Locked
Missile entry: From the left and right sides, following the reference video
Focus direction: Sharp foreground glasses → sharp distant background
Focus timing: Starts during missile flight and finishes before impact
Explosion timing: After the background reaches sharp focus
Style: Photorealistic cinematic VFX
❤3
CapCut_19.9.5_64_[Mod].apk
268 MB
📱 CapCut v19.9.5 (64-bit)
✨ Latest features & improvements
🎬 Smooth editing experience
🔄 Update se pehle old version remove karna zaroori ho sakta hai
✨ Latest features & improvements
🎬 Smooth editing experience
🔄 Update se pehle old version remove karna zaroori ho sakta hai
❤4
Use the provided reference video ONLY as a motion, camera, timing, and performance
reference, and use the provided target image as the absolute visual identity reference.
Recreate the video using the person/character from the target image while accurately
transferring the movement and camera behavior from the reference video. The target image
must remain the source of truth for the character's appearance. Keep the character exactly
consistent throughout the entire video: same face, facial structure, eyes, eyebrows, nose,
lips, jawline, skin tone, realistic skin texture, hairstyle, hair length, shape, texture, hairline,
body shape, proportions, clothing, clothing colors, fabric, design, details, accessories, and
overall identity. Do NOT redesign, beautify, replace, modify, age, de-age, or reinterpret the
person. Do not change the outfit or hairstyle when the body moves. Analyze the reference
video frame-by-frame and reproduce its movements as accurately as possible, including
head movement, facial expressions, eye direction, gaze, eyebrow movement, mouth
movement, blinking, neck movement, shoulders, arms, hands, upper-body movement,
walking, posture, natural weight shifting, timing, rhythm, and the exact start and end
positions of movements. The target character must perform the same actions as the person
in the reference video while remaining visually identical to the target image. Copy the
reference video's camera position, angle, distance, height, movement, handheld motion,
camera shake, push-in, pull-out, pan, tilt, tracking, framing, subject positioning, perspective
changes, and movement speed. Do not introduce any camera movements that are not
present in the reference video. Transfer the facial performance naturally and accurately,
matching the original expression intensity, smile or neutral expression, eye movement,
eyebrow movement, head tilt, lip movement, and emotional timing without altering the target
person's identity. The face must remain recognizable as the exact same person from the
target image in every frame. Create highly realistic motion with natural human biomechanics.
Avoid face morphing, identity drift, facial distortion, melting features, unnatural eye
movement, extra or missing fingers, deformed hands, body warping, clothing changes, hair
changes, artificial facial expressions, rubber-like movement, flickering, and frame-to-frame
inconsistencies. Hands, arms, face, hair, and clothing must remain anatomically and visually
consistent throughout the video. Maintain strong temporal consistency so the character's
face, hair, body, clothing, accessories, and skin texture remain stable throughout the entire
sequence, with no random changes between frames. Maintain the same composition and
subject framing as the reference video wherever possible, adapted to a full-frame 16:9
horizontal landscape output. If the person moves closer to or farther from the camera,
reproduce the same relative movement with the target character. Keep the video full-frame
without black bars, letterboxing, pillarboxing, or artificial borders, and do not add
unnecessary background elements. Output: 16:9 horizontal landscape, 1920×1080 Full HD,
30 FPS, normal real-time speed (1×). Create a cinematic but natural-looking landscape
video that looks like the exact person from the target image naturally performing the exact
movements and camera performance from the reference video. PRIORITY ORDER: (1) Target image identity and appearance, (2) Reference video motion and performance, (3)
Reference video camera movement, (4) Natural physics and realism, (5) Visual style.
reference, and use the provided target image as the absolute visual identity reference.
Recreate the video using the person/character from the target image while accurately
transferring the movement and camera behavior from the reference video. The target image
must remain the source of truth for the character's appearance. Keep the character exactly
consistent throughout the entire video: same face, facial structure, eyes, eyebrows, nose,
lips, jawline, skin tone, realistic skin texture, hairstyle, hair length, shape, texture, hairline,
body shape, proportions, clothing, clothing colors, fabric, design, details, accessories, and
overall identity. Do NOT redesign, beautify, replace, modify, age, de-age, or reinterpret the
person. Do not change the outfit or hairstyle when the body moves. Analyze the reference
video frame-by-frame and reproduce its movements as accurately as possible, including
head movement, facial expressions, eye direction, gaze, eyebrow movement, mouth
movement, blinking, neck movement, shoulders, arms, hands, upper-body movement,
walking, posture, natural weight shifting, timing, rhythm, and the exact start and end
positions of movements. The target character must perform the same actions as the person
in the reference video while remaining visually identical to the target image. Copy the
reference video's camera position, angle, distance, height, movement, handheld motion,
camera shake, push-in, pull-out, pan, tilt, tracking, framing, subject positioning, perspective
changes, and movement speed. Do not introduce any camera movements that are not
present in the reference video. Transfer the facial performance naturally and accurately,
matching the original expression intensity, smile or neutral expression, eye movement,
eyebrow movement, head tilt, lip movement, and emotional timing without altering the target
person's identity. The face must remain recognizable as the exact same person from the
target image in every frame. Create highly realistic motion with natural human biomechanics.
Avoid face morphing, identity drift, facial distortion, melting features, unnatural eye
movement, extra or missing fingers, deformed hands, body warping, clothing changes, hair
changes, artificial facial expressions, rubber-like movement, flickering, and frame-to-frame
inconsistencies. Hands, arms, face, hair, and clothing must remain anatomically and visually
consistent throughout the video. Maintain strong temporal consistency so the character's
face, hair, body, clothing, accessories, and skin texture remain stable throughout the entire
sequence, with no random changes between frames. Maintain the same composition and
subject framing as the reference video wherever possible, adapted to a full-frame 16:9
horizontal landscape output. If the person moves closer to or farther from the camera,
reproduce the same relative movement with the target character. Keep the video full-frame
without black bars, letterboxing, pillarboxing, or artificial borders, and do not add
unnecessary background elements. Output: 16:9 horizontal landscape, 1920×1080 Full HD,
30 FPS, normal real-time speed (1×). Create a cinematic but natural-looking landscape
video that looks like the exact person from the target image naturally performing the exact
movements and camera performance from the reference video. PRIORITY ORDER: (1) Target image identity and appearance, (2) Reference video motion and performance, (3)
Reference video camera movement, (4) Natural physics and realism, (5) Visual style.
❤8
VILLAGE CRICKET PULL SHOT – GOOGLE FLOW REFERENCE-VIDEO PROMPT
(Upload: @video1 = cricket_reference_10s_MUTED.mp4, @image1 = your photo. Works for boy or girl. 10s, 9:16)
DURATION: 10 seconds.
ASPECT RATIO: 9:16 vertical.
REFERENCE VIDEO (MASTER)
@video1 is the master reference. Recreate it exactly, frame by frame: the same camera position, camera angle, framing, camera distance, lens look, slow motion timing and the same continuous shot. Copy every movement exactly as in @video1: the active batting stance, the bat waggles, the tap of the bat on the pitch, the backlift, the ball arriving at waist/chest height, the pull shot and the bat swing path, the ball flying up into the sky, the slow-motion one-leg finishing pose, turning to the camera, hiding the face behind the bat, the smile and walking away. Same timing as @video1.
LOCATION: Keep the location exactly as in @video1 — the same dusty village cricket ground, the same cement pitch, the same three wooden stumps in the same place next to the batter, the same sky-blue building, the same trees and the same hazy evening sky. Do not change or add anything to the location.
IDENTITY
@image1 is the ONLY identity reference. Replace the person in @video1 with the person in @image1 — same face, gender, age, skin tone, body shape and hairstyle as @image1. Do not copy the original person’s face from @video1.
Clothes and shoes come from @image1 (same colours and style), identical in every frame. If the legs or shoes are not visible in @image1, use plain trousers matching the top and white sneakers.
Only one person in the video.
BAT AND BALL: Same bat and ball movement as @video1. Plain wooden bat with no stickers, no brand name, no text.
REALISM: Photorealistic real phone video, natural skin, natural motion, same lighting as @video1.
AUDIO: Preserve the original background music and its timing from @video1 if supported. Do not add dialogue, voice-over or unrelated sound effects. No lip-sync, no speaking.
STRICT RULES
– Do not invent new scenes, do not cut to close-ups, do not change the camera angle.
– No extra people. No text, captions, logos or watermarks.
– Keep 9:16 vertical.
FINAL RESULT: The exact same video as @video1, with only the person replaced by the person from @image1.
(Upload: @video1 = cricket_reference_10s_MUTED.mp4, @image1 = your photo. Works for boy or girl. 10s, 9:16)
DURATION: 10 seconds.
ASPECT RATIO: 9:16 vertical.
REFERENCE VIDEO (MASTER)
@video1 is the master reference. Recreate it exactly, frame by frame: the same camera position, camera angle, framing, camera distance, lens look, slow motion timing and the same continuous shot. Copy every movement exactly as in @video1: the active batting stance, the bat waggles, the tap of the bat on the pitch, the backlift, the ball arriving at waist/chest height, the pull shot and the bat swing path, the ball flying up into the sky, the slow-motion one-leg finishing pose, turning to the camera, hiding the face behind the bat, the smile and walking away. Same timing as @video1.
LOCATION: Keep the location exactly as in @video1 — the same dusty village cricket ground, the same cement pitch, the same three wooden stumps in the same place next to the batter, the same sky-blue building, the same trees and the same hazy evening sky. Do not change or add anything to the location.
IDENTITY
@image1 is the ONLY identity reference. Replace the person in @video1 with the person in @image1 — same face, gender, age, skin tone, body shape and hairstyle as @image1. Do not copy the original person’s face from @video1.
Clothes and shoes come from @image1 (same colours and style), identical in every frame. If the legs or shoes are not visible in @image1, use plain trousers matching the top and white sneakers.
Only one person in the video.
BAT AND BALL: Same bat and ball movement as @video1. Plain wooden bat with no stickers, no brand name, no text.
REALISM: Photorealistic real phone video, natural skin, natural motion, same lighting as @video1.
AUDIO: Preserve the original background music and its timing from @video1 if supported. Do not add dialogue, voice-over or unrelated sound effects. No lip-sync, no speaking.
STRICT RULES
– Do not invent new scenes, do not cut to close-ups, do not change the camera angle.
– No extra people. No text, captions, logos or watermarks.
– Keep 9:16 vertical.
FINAL RESULT: The exact same video as @video1, with only the person replaced by the person from @image1.
❤8
BULLET BHI HAI AUR EK HI HAI JAAN – GOOGLE FLOW REFERENCE-VIDEO PROMPT (Upload: @video1 = muted reference video from this page, @image1 = your photo. 10s, 9:16)
DURATION: 10 seconds.
ASPECT RATIO: 9:16 vertical.
IDENTITY:
@image1 is the ONLY identity reference. The person in the video must be the exact person from @image1: same face, same facial features, same skin tone, same hairstyle and hair length, same body type, same gender and age. Do not copy the original person’s face from @video1. Replace the person in every frame, including frames where the head is tilted back, turned away or partly hidden by hair.
OUTFIT (FIXED — ignore the clothes in @image1):
Whatever clothes the person wears in @image1, do NOT use them. The outfit is fixed:
– If the person in @image1 is a woman/girl: she wears EXACTLY the same outfit as the woman in @video1 — copy it 1:1: a black lehenga / anarkali-style long dress with a very wide, flowing, floor-length flared skirt in black with the same white-grey printed elephant and floral motifs and the same printed border bands near the hem, and the same black fitted top with long sleeves. Same pattern, same colours, same flare and volume as in @video1. When she lies back, the wide printed skirt spreads and drapes over the motorcycle exactly like in @video1.
– If the person in @image1 is a man/boy: he wears an all-black formal outfit — black formal full-sleeve shirt, black formal trousers, black belt, black leather formal shoes (a black blazer is optional). Clean, sharp and elegant, fully black.
The outfit is the same in every frame of both shots. No logos, no text on the clothes.
REFERENCE VIDEO (MASTER):
@video1 is the master reference. Recreate it exactly, frame by frame: the same camera position, camera angle, framing, camera distance, lens look, timing, the same cut and the same two shots. Keep the same on-screen text overlays, the same motorcycle, the same street, the same buildings covered with warm golden fairy lights, the same night sky and moon, and the same lighting as in @video1.
ACTION AND TIMING (copy from @video1):
– 0–3 seconds: low side view of the parked black motorcycle. The person sits sideways on the seat facing the camera, one hand resting on the seat, looking down with a soft smile, relaxed.
– Around 3 seconds: the same quick dark blink transition as in @video1.
– 3–6.6 seconds: the person is now lying back across the motorcycle seat: back resting on the seat, legs stretched over the fuel tank toward the front of the bike, head tilted back over the rear of the bike, hair falling down, arms hanging relaxed, the outfit draped over the bike. They slowly settle into this peaceful pose with eyes closed, like in @video1.
– At 6.6 seconds: the same cut as in @video1 to the second, slightly lower and closer angle of the bike with the red tail light glowing.
– 6.6–10 seconds: the person stays lying back peacefully on the motorcycle in the same pose, completely calm, with only tiny natural movements (breathing, a little hair movement).
MOTORCYCLE:
Keep the motorcycle exactly as in @video1: black retro cruiser, round headlight, black spoke-pattern alloy wheels, parked on its side stand, engine off. Do not change its shape or colour. No logos, no brand names, no number plate text.
REALISM:
Photorealistic night video, real phone camera look, warm golden light from the fairy-lit buildings on the person and the bike, natural skin texture, natural body weight on the bike. The pose must look comfortable and safe — the motorcycle is parked and does not move.
AUDIO:
@video1 is silent. Keep the video silent or with only very soft night street ambience if supported. Do not add dialogue, voice-over, singing or lyrics. No lip-sync.
STRICT RULES:
– Only the person changes: face, hair and body from @image1, and ALWAYS the fixed outfit described above — for a woman the exact black printed lehenga from @video1, for a man the all-black formal outfit (never the clothes from @image1). Everything else stays exactly as in @video1.
DURATION: 10 seconds.
ASPECT RATIO: 9:16 vertical.
IDENTITY:
@image1 is the ONLY identity reference. The person in the video must be the exact person from @image1: same face, same facial features, same skin tone, same hairstyle and hair length, same body type, same gender and age. Do not copy the original person’s face from @video1. Replace the person in every frame, including frames where the head is tilted back, turned away or partly hidden by hair.
OUTFIT (FIXED — ignore the clothes in @image1):
Whatever clothes the person wears in @image1, do NOT use them. The outfit is fixed:
– If the person in @image1 is a woman/girl: she wears EXACTLY the same outfit as the woman in @video1 — copy it 1:1: a black lehenga / anarkali-style long dress with a very wide, flowing, floor-length flared skirt in black with the same white-grey printed elephant and floral motifs and the same printed border bands near the hem, and the same black fitted top with long sleeves. Same pattern, same colours, same flare and volume as in @video1. When she lies back, the wide printed skirt spreads and drapes over the motorcycle exactly like in @video1.
– If the person in @image1 is a man/boy: he wears an all-black formal outfit — black formal full-sleeve shirt, black formal trousers, black belt, black leather formal shoes (a black blazer is optional). Clean, sharp and elegant, fully black.
The outfit is the same in every frame of both shots. No logos, no text on the clothes.
REFERENCE VIDEO (MASTER):
@video1 is the master reference. Recreate it exactly, frame by frame: the same camera position, camera angle, framing, camera distance, lens look, timing, the same cut and the same two shots. Keep the same on-screen text overlays, the same motorcycle, the same street, the same buildings covered with warm golden fairy lights, the same night sky and moon, and the same lighting as in @video1.
ACTION AND TIMING (copy from @video1):
– 0–3 seconds: low side view of the parked black motorcycle. The person sits sideways on the seat facing the camera, one hand resting on the seat, looking down with a soft smile, relaxed.
– Around 3 seconds: the same quick dark blink transition as in @video1.
– 3–6.6 seconds: the person is now lying back across the motorcycle seat: back resting on the seat, legs stretched over the fuel tank toward the front of the bike, head tilted back over the rear of the bike, hair falling down, arms hanging relaxed, the outfit draped over the bike. They slowly settle into this peaceful pose with eyes closed, like in @video1.
– At 6.6 seconds: the same cut as in @video1 to the second, slightly lower and closer angle of the bike with the red tail light glowing.
– 6.6–10 seconds: the person stays lying back peacefully on the motorcycle in the same pose, completely calm, with only tiny natural movements (breathing, a little hair movement).
MOTORCYCLE:
Keep the motorcycle exactly as in @video1: black retro cruiser, round headlight, black spoke-pattern alloy wheels, parked on its side stand, engine off. Do not change its shape or colour. No logos, no brand names, no number plate text.
REALISM:
Photorealistic night video, real phone camera look, warm golden light from the fairy-lit buildings on the person and the bike, natural skin texture, natural body weight on the bike. The pose must look comfortable and safe — the motorcycle is parked and does not move.
AUDIO:
@video1 is silent. Keep the video silent or with only very soft night street ambience if supported. Do not add dialogue, voice-over, singing or lyrics. No lip-sync.
STRICT RULES:
– Only the person changes: face, hair and body from @image1, and ALWAYS the fixed outfit described above — for a woman the exact black printed lehenga from @video1, for a man the all-black formal outfit (never the clothes from @image1). Everything else stays exactly as in @video1.
❤2
– Do not invent additional scenes. Do not create new shots that are not in @video1.
– Only one person. No extra people.
– Keep the on-screen text exactly as in @video1: the same words, same font style, same position and same timing (the English line with the emoji in the first shot, and the Hindi lyric lines appearing word by word in the second shot). Do not add any other text. No logos or watermarks.
– Keep 9:16 vertical.
FINAL RESULT:
The exact same video as @video1 — sitting on the parked motorcycle, then lying back peacefully across it under the golden fairy-light buildings at night — with only the person replaced by the person from @image1, wearing the fixed outfit (woman: the exact black printed lehenga from @video1; man: all-black formal).
– Only one person. No extra people.
– Keep the on-screen text exactly as in @video1: the same words, same font style, same position and same timing (the English line with the emoji in the first shot, and the Hindi lyric lines appearing word by word in the second shot). Do not add any other text. No logos or watermarks.
– Keep 9:16 vertical.
FINAL RESULT:
The exact same video as @video1 — sitting on the parked motorcycle, then lying back peacefully across it under the golden fairy-light buildings at night — with only the person replaced by the person from @image1, wearing the fixed outfit (woman: the exact black printed lehenga from @video1; man: all-black formal).