Create a realistic video using the provided Tesla video as the scene reference and the uploaded character image as the appearance reference.
Show the person from the character image seated inside the vehicle. Keep the original vehicle, environment, camera framing, lighting, and scene continuity consistent with the reference video.
Maintain natural movements and a consistent appearance. Preserve the original scene as closely as possible.
Show the person from the character image seated inside the vehicle. Keep the original vehicle, environment, camera framing, lighting, and scene continuity consistent with the reference video.
Maintain natural movements and a consistent appearance. Preserve the original scene as closely as possible.
❤3
Edit the image without changing the original identity or any existing details,
including the camera angle, character, clothing, body position, most importantly,
hand position, skin tone, and overall composition.
Add a girl standing beside the boy, holding the same hand that he has extended to
the side and that is visible to the camera. The girl’s face must not be visible; only
her body up to her neck should be shown.
The girl should be wearing a light pink saree with a white blouse. She should have
a fair skin tone and a slim, fit body.
Make sure that the girl is holding the boy’s hand naturally with one hand. Her palm
should be placed directly over the boy’s palm, with her fingers gently gripping his
hand in a realistic and natural way.
Most importantly, ensure that the girl’s hand placement looks completely natural
and realistic. Match the skin tones of the girl’s visible body and the boy’s hand so
that both have exactly the same skin tone, with no noticeable color difference.
The girl should have a slim, fit physique with natural body proportions. Avoid
making her chest or other body features unnecessarily large.
Important: Do not alter the boy’s original identity, face, clothing, camera angle, body
position, hand position, or any other existing details. Only add the girl as described
above, while keeping the original image as realistic and natural as possible.
including the camera angle, character, clothing, body position, most importantly,
hand position, skin tone, and overall composition.
Add a girl standing beside the boy, holding the same hand that he has extended to
the side and that is visible to the camera. The girl’s face must not be visible; only
her body up to her neck should be shown.
The girl should be wearing a light pink saree with a white blouse. She should have
a fair skin tone and a slim, fit body.
Make sure that the girl is holding the boy’s hand naturally with one hand. Her palm
should be placed directly over the boy’s palm, with her fingers gently gripping his
hand in a realistic and natural way.
Most importantly, ensure that the girl’s hand placement looks completely natural
and realistic. Match the skin tones of the girl’s visible body and the boy’s hand so
that both have exactly the same skin tone, with no noticeable color difference.
The girl should have a slim, fit physique with natural body proportions. Avoid
making her chest or other body features unnecessarily large.
Important: Do not alter the boy’s original identity, face, clothing, camera angle, body
position, hand position, or any other existing details. Only add the girl as described
above, while keeping the original image as realistic and natural as possible.
❤4
( Image to video )
Image-to-video, 4 seconds, realistic night scene shot like a selfie-style handheld
POV. Keep the exact framing of the reference image: a medium close-up cropped
below the faces, with the man in a green-and-cream checked shirt on the left and
the woman in a light pink embroidered saree with a cream blouse on the right. Her
hand rests on his forearm. The man holds the camera with his other hand, which is never visible in the frame. Only the one hand at the bottom of the frame appears in
the whole video.
Background: The background stays pitch dark, exactly like the reference image, for
the entire video. It is a plain dark black surface with no new objects, lights,
buildings, trees, people or details appearing. The background never gets brighter
and never changes.
Characters: Both characters' bodies and clothes stay clearly visible with true, vivid
colors throughout: the green-and-cream checked shirt, the light pink saree with
white embroidery, the cream blouse, and natural skin tones. They are softly lit by a
close, subtle front light, like a phone flash or soft light on the subjects only, so they
stand out against the dark background.
0-1 second: The camera stays locked at the same angle and framing. The man's
visible hand gently closes and grips the woman's hand. A soft breeze makes her
saree pallu and loose black hair flutter slightly.
1-4 seconds: Both start speed-walking forward together at a brisk, energetic pace.
The woman holds the man's hand and arm throughout, and the man keeps gripping
her hand. The camera moves with them at the same angle and distance, like a
selfie-style handheld shot with slight natural bounce from the walking. The saree
and hair flow with the movement and breeze, and the arms and fabric swing
naturally.
Realistic skin texture and fabric detail, consistent hands with five fingers, 24fps.
Negative prompt: Bright or changing background, background details appearing,
street lights, new objects, second hand of the man visible in frame, faces appearing
in frame, camera angle change, zoom in/out, hands detaching, extra or distorted
fingers, morphing clothes, outfit or color change, washed-out or dull colors, sudden
camera shake, blur, flicker.
Image-to-video, 4 seconds, realistic night scene shot like a selfie-style handheld
POV. Keep the exact framing of the reference image: a medium close-up cropped
below the faces, with the man in a green-and-cream checked shirt on the left and
the woman in a light pink embroidered saree with a cream blouse on the right. Her
hand rests on his forearm. The man holds the camera with his other hand, which is never visible in the frame. Only the one hand at the bottom of the frame appears in
the whole video.
Background: The background stays pitch dark, exactly like the reference image, for
the entire video. It is a plain dark black surface with no new objects, lights,
buildings, trees, people or details appearing. The background never gets brighter
and never changes.
Characters: Both characters' bodies and clothes stay clearly visible with true, vivid
colors throughout: the green-and-cream checked shirt, the light pink saree with
white embroidery, the cream blouse, and natural skin tones. They are softly lit by a
close, subtle front light, like a phone flash or soft light on the subjects only, so they
stand out against the dark background.
0-1 second: The camera stays locked at the same angle and framing. The man's
visible hand gently closes and grips the woman's hand. A soft breeze makes her
saree pallu and loose black hair flutter slightly.
1-4 seconds: Both start speed-walking forward together at a brisk, energetic pace.
The woman holds the man's hand and arm throughout, and the man keeps gripping
her hand. The camera moves with them at the same angle and distance, like a
selfie-style handheld shot with slight natural bounce from the walking. The saree
and hair flow with the movement and breeze, and the arms and fabric swing
naturally.
Realistic skin texture and fabric detail, consistent hands with five fingers, 24fps.
Negative prompt: Bright or changing background, background details appearing,
street lights, new objects, second hand of the man visible in frame, faces appearing
in frame, camera angle change, zoom in/out, hands detaching, extra or distorted
fingers, morphing clothes, outfit or color change, washed-out or dull colors, sudden
camera shake, blur, flicker.
❤8
VIDEO GENERATION PROMPT — SIDE-ENTERING MISSILES + PRE-IMPACT RACK FOCUS + BUILDING EXPLOSION
Use the uploaded photo as the exact first frame and the reference video as the primary guide for missile entry direction, flight paths, timing, scale, explosion placement, and the focus-pulling effect.
Create a photorealistic cinematic video while preserving the original photo's composition, hand, eyeglasses, building, trees, sky, and environment.
SCENE ACTION AND TIMING
1. Opening — Original Composition
Start with the exact uploaded photograph. A hand holds black-framed eyeglasses in the foreground, with the distant building visible in the background.
Initially, the eyeglasses are in sharp focus and the distant background is softly blurred. The camera is completely locked in place.
2. Small Missiles Entering from the Sides
Several small, fast-moving missiles enter the scene from the LEFT and RIGHT EDGES of the frame, following the same general entry direction and visual style as the reference video.
The missiles must enter from the sides of the image, travelling inward and forward through the distant outdoor environment toward the background building. They must NOT emerge from behind the camera, fly out of the viewer's perspective, or approach the eyeglasses.
Keep the missiles relatively small in the composition, appropriate to their distance from the camera. Give them realistic speed, subtle propulsion flames, and thin smoke trails. Their movement should look like distant missiles crossing the sky toward a specific target.
The missiles begin moving toward the building while the eyeglasses remain in the foreground.
3. Simultaneous, Gradual Background Focus Transition — BEFORE IMPACT
This is the most important part of the scene.
As soon as the missiles enter the frame and travel toward the building, gradually begin a smooth cinematic rack focus from the foreground eyeglasses to the distant background.
The focus transition must happen WHILE the missiles are still flying toward the building and are clearly ON THEIR WAY to the target.
As the missiles advance:
- The distant building, sky, and surrounding landscape progressively become sharper.
- The foreground eyeglasses gradually become softer and increasingly out of focus.
- The missiles remain visible as they travel through the background.
- The background becomes fully focused BEFORE the missiles hit the building.
Do not wait until the explosion to shift focus. Do not begin the focus transition only after impact. The rack focus must start during the missiles' approach and finish while the missiles are still in flight.
Make the timing feel continuous and synchronized, like a real camera operator smoothly pulling focus from a nearby object to a distant scene while action unfolds in the background.
4. Missile Impact and Building Explosion
Only AFTER the background has become sharply focused, the incoming missiles reach the building and strike it.
Show convincing impacts on the background building, followed by bright fiery explosions, expanding fireballs, sparks, fragments, and thick smoke rising from the impact points.
The explosions should occur at the building itself, clearly visible in the now-sharp background. Keep the eyeglasses blurred in the foreground throughout the impact and explosion.
The impact must feel like the natural continuation of the missiles' visible flight paths, not a sudden, disconnected explosion.
5. Final Frame
Keep the camera stationary as the fire and smoke develop around the struck building. The background remains sharply focused, while the eyeglasses remain noticeably out of focus. Preserve the original hand position, glasses shape, and framing.
CAMERA AND OPTICAL BEHAVIOR
- Completely static, locked camera.
- No camera movement, zoom, pan, tilt, rotation, or reframing.
- One continuous shot with no cuts.
- Smooth, realistic foreground-to-background rack focus.
- Natural depth of field and realistic lens optics.
- All missile motion occurs within the scene; no camera-relative missile approach.
Use the uploaded photo as the exact first frame and the reference video as the primary guide for missile entry direction, flight paths, timing, scale, explosion placement, and the focus-pulling effect.
Create a photorealistic cinematic video while preserving the original photo's composition, hand, eyeglasses, building, trees, sky, and environment.
SCENE ACTION AND TIMING
1. Opening — Original Composition
Start with the exact uploaded photograph. A hand holds black-framed eyeglasses in the foreground, with the distant building visible in the background.
Initially, the eyeglasses are in sharp focus and the distant background is softly blurred. The camera is completely locked in place.
2. Small Missiles Entering from the Sides
Several small, fast-moving missiles enter the scene from the LEFT and RIGHT EDGES of the frame, following the same general entry direction and visual style as the reference video.
The missiles must enter from the sides of the image, travelling inward and forward through the distant outdoor environment toward the background building. They must NOT emerge from behind the camera, fly out of the viewer's perspective, or approach the eyeglasses.
Keep the missiles relatively small in the composition, appropriate to their distance from the camera. Give them realistic speed, subtle propulsion flames, and thin smoke trails. Their movement should look like distant missiles crossing the sky toward a specific target.
The missiles begin moving toward the building while the eyeglasses remain in the foreground.
3. Simultaneous, Gradual Background Focus Transition — BEFORE IMPACT
This is the most important part of the scene.
As soon as the missiles enter the frame and travel toward the building, gradually begin a smooth cinematic rack focus from the foreground eyeglasses to the distant background.
The focus transition must happen WHILE the missiles are still flying toward the building and are clearly ON THEIR WAY to the target.
As the missiles advance:
- The distant building, sky, and surrounding landscape progressively become sharper.
- The foreground eyeglasses gradually become softer and increasingly out of focus.
- The missiles remain visible as they travel through the background.
- The background becomes fully focused BEFORE the missiles hit the building.
Do not wait until the explosion to shift focus. Do not begin the focus transition only after impact. The rack focus must start during the missiles' approach and finish while the missiles are still in flight.
Make the timing feel continuous and synchronized, like a real camera operator smoothly pulling focus from a nearby object to a distant scene while action unfolds in the background.
4. Missile Impact and Building Explosion
Only AFTER the background has become sharply focused, the incoming missiles reach the building and strike it.
Show convincing impacts on the background building, followed by bright fiery explosions, expanding fireballs, sparks, fragments, and thick smoke rising from the impact points.
The explosions should occur at the building itself, clearly visible in the now-sharp background. Keep the eyeglasses blurred in the foreground throughout the impact and explosion.
The impact must feel like the natural continuation of the missiles' visible flight paths, not a sudden, disconnected explosion.
5. Final Frame
Keep the camera stationary as the fire and smoke develop around the struck building. The background remains sharply focused, while the eyeglasses remain noticeably out of focus. Preserve the original hand position, glasses shape, and framing.
CAMERA AND OPTICAL BEHAVIOR
- Completely static, locked camera.
- No camera movement, zoom, pan, tilt, rotation, or reframing.
- One continuous shot with no cuts.
- Smooth, realistic foreground-to-background rack focus.
- Natural depth of field and realistic lens optics.
- All missile motion occurs within the scene; no camera-relative missile approach.
❤6
- No movement or deformation of the hand or eyeglasses.
NEGATIVE PROMPT
Missiles emerging from behind the camera, missiles approaching the viewer, missiles flying toward the glasses, missiles entering from the center foreground, oversized missiles, missiles appearing suddenly next to the building, instant explosions without visible approach, background focusing only after the explosion, delayed rack focus, abrupt focus changes, camera movement, camera shake, zoom, panning, tilting, cuts, changing the original composition, distorted glasses, moving fingers, background replacement, cartoon VFX, unrealistic flight paths, excessive smoke obscuring the entire building, and flickering.
Duration: 7–8 seconds
Camera: Static / Locked
Missile entry: From the left and right sides, following the reference video
Focus direction: Sharp foreground glasses → sharp distant background
Focus timing: Starts during missile flight and finishes before impact
Explosion timing: After the background reaches sharp focus
Style: Photorealistic cinematic VFX
NEGATIVE PROMPT
Missiles emerging from behind the camera, missiles approaching the viewer, missiles flying toward the glasses, missiles entering from the center foreground, oversized missiles, missiles appearing suddenly next to the building, instant explosions without visible approach, background focusing only after the explosion, delayed rack focus, abrupt focus changes, camera movement, camera shake, zoom, panning, tilting, cuts, changing the original composition, distorted glasses, moving fingers, background replacement, cartoon VFX, unrealistic flight paths, excessive smoke obscuring the entire building, and flickering.
Duration: 7–8 seconds
Camera: Static / Locked
Missile entry: From the left and right sides, following the reference video
Focus direction: Sharp foreground glasses → sharp distant background
Focus timing: Starts during missile flight and finishes before impact
Explosion timing: After the background reaches sharp focus
Style: Photorealistic cinematic VFX
❤3