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18...Nd4 19.Ne7+ Kh8 20.Rh3 f4 21.Kb1!
Black has no moves to strengthen his position, so White permits himself some prophylaxis – the king moves away from the knight check.
21...b4 22.Be2! f3 23.gxf3 Nxe2 24.Qxc5 Nf4 25.Qf5 Ng6 26.h5 Qxe7 27.hxg6
Black resigned.
Anatoly Karpov 2700
Jan Timman 2645
Brussels 1986
White to move
Unity Chess Club
Anatoly Karpov 2700 Jan Timman 2645 Brussels 1986 White to move
Black threatens perpetual check, so White must seek a way to advance his pawn with tempo.
87.d8=N+!
Promoting to a queen is no good, so we promote to a knight! The white forces are sufficient to cope with the lone black queen.
87...Ka7 88.Rc7+ Kb8 89.Rd7 Qb1+ 90.Kc4 Qf1+ 91.Kd5 Qf3+ 92.Kd6 Qf8+ 93.Ke6 Qh6+ 94.Kxe5 Qe3+ 95.Kd6 Qf4+ 96.Kc5 Qe3+ 97.Kc4 Kc8 98.Nf7 Qe4+ 99.Kc5 Qe3+ 100.Kc6 Qxc3+ 101.Kb6 Qe3+ 102.Ka6 Qe6+ 103.Nd6+ Kb8 104.Rd8+ Kc7 105.Rc8+ 1-0
Vasily Smyslov
Mikhail Botvinnik
Moscow ch-URS 1941
Black to move
Unity Chess Club
Vasily Smyslov Mikhail Botvinnik Moscow ch-URS 1941 Black to move
Both sides’ passed pawns are very far advanced, and each is a potential queen. Therefore, to gain a tempo, Black sacrifices a rook:
56...Rxb6! 57.Rxb6 d3!
The armada of black pawns marches unstoppably to the promotion squares.
58.Rg1
58.a7 d2 59.Rg1 c2 60.Rb8 c1=Q 61.a8=Q Qxg1+ 62.Kxg1 d1=Q+ 63.Kg2 Rc2+–+.
58...d2 59.Rxf6 Rc7
Careful! After 59...c2?, White manages to create threats against the black king: 60.Rf7+ Kh8 61.Rf6=. Black could also win with 59...d1=Q 60.Rxd1 c2–+.
60.Rfg6 d1=Q
White resigned, since after 61.Rxd1 c2, Black makes a queen with tempo. Incidentally, Black avoided a cunning trap: after 60...c2 61.R6g5, Black cannot avoid move repetition.
Lev Psakhis
Alexei Vyzmanavin
Moscow 1981
White to move
Unity Chess Club
Lev Psakhis Alexei Vyzmanavin Moscow 1981 White to move
It is obvious that in the current pawn battle, White has the better chances. However, after an exchange of one pair of pawns on the queenside and the appearance there of the black knight, the win would be problematical. White’s solution is elegant and convincing: