Jarlshof is the best known prehistoric archaeological site in Shetland, Scotland. It lies near the southern tip of the Shetland Mainland and has been described as "one of the most remarkable archaeological sites ever excavated in the British Isles". It contains remains dating from 2500 BC up to the 17th century AD.
The Bronze Age settlers left evidence of several small oval houses with thick stone walls and various artefacts including a decorated bone object. The Iron Age ruins include several different types of structures, including a broch and a defensive wall around the site. The Pictish period provides various works of art including a painted pebble and a symbol stone. The Viking age ruins make up the largest such site visible anywhere in Britain and include a longhouse; excavations provided numerous tools and a detailed insight into life in Shetland at this time. The most visible structures on the site are the walls of the Scottish period fortified manor house.
The Bronze Age settlers left evidence of several small oval houses with thick stone walls and various artefacts including a decorated bone object. The Iron Age ruins include several different types of structures, including a broch and a defensive wall around the site. The Pictish period provides various works of art including a painted pebble and a symbol stone. The Viking age ruins make up the largest such site visible anywhere in Britain and include a longhouse; excavations provided numerous tools and a detailed insight into life in Shetland at this time. The most visible structures on the site are the walls of the Scottish period fortified manor house.
This epic colossus, half man, half mountain, was erected in the late 1500s by renowned Italian sculptor Giambologna as a symbol of Italy’s rugged Appenine mountains. This mountain god, fittingly named Appennino, stand 35 feet tall over the ground of the Villa di Pratolino in Tuscany.
The rugged, mountainous statue hides a wonderful secret – his interior hides several rooms with different functions that made this colossus come to life. The monster that his left hand holds spewed water from an underground stream, and it is rumored that space in his head was made for a fireplace which, when lit, would blow smoke out of his nostrils.
The rugged, mountainous statue hides a wonderful secret – his interior hides several rooms with different functions that made this colossus come to life. The monster that his left hand holds spewed water from an underground stream, and it is rumored that space in his head was made for a fireplace which, when lit, would blow smoke out of his nostrils.
Knights of the Livonian Order at Wesenberg 1268, Great Northern Crusade
The painting depicts the single combat supposedly fought between the Lithunian-Russian Prince Dovmont (Daumantas) of Pskov, and the Master of the Livonian Branch of the Teutonic Knights, Otto von Lutterberg, during the rout of part of the Catholic army. This may or may not have happened, but it certainly makes for an exciting scene to illustrate the battle.
The painting depicts the single combat supposedly fought between the Lithunian-Russian Prince Dovmont (Daumantas) of Pskov, and the Master of the Livonian Branch of the Teutonic Knights, Otto von Lutterberg, during the rout of part of the Catholic army. This may or may not have happened, but it certainly makes for an exciting scene to illustrate the battle.
Dating back to around the 1st century CE, the Mouth of Truth is a tall stone disc carved into a humanoid face with hollow holes for eyes and its gaping mouth. The original purpose of the large medallion has been theorized as everything from a ceremonial well cover, to a piece of fountain decoration, to a manhole cover.
The face itself has been said to represent a pagan god although exactly which one is up for debate with scholars guessing at everyone from forest god Faunus, to sea god Oceanus, to a local river god.
While the origin is up for debate the one unifying legend surrounding the stone carving is that if one were to stick their hand inside the disc’s mouth and tell a lie, the rocky maw would bite the offending hand off. This belief seems to have originated during the Middle Ages when the disc was supposedly used during trials having the accused put their hand in the slot and if found to be untruthful a hidden axeman would lop off the appendage.
The face itself has been said to represent a pagan god although exactly which one is up for debate with scholars guessing at everyone from forest god Faunus, to sea god Oceanus, to a local river god.
While the origin is up for debate the one unifying legend surrounding the stone carving is that if one were to stick their hand inside the disc’s mouth and tell a lie, the rocky maw would bite the offending hand off. This belief seems to have originated during the Middle Ages when the disc was supposedly used during trials having the accused put their hand in the slot and if found to be untruthful a hidden axeman would lop off the appendage.