Tass Notes 132 🫧✍🏼
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My notes from listening to Charlie Freak, Colleen, G, JJ, Q, & FreaQsense Fam. That also became a walk through my right brain. In the search for pearls and storms; doves, pens, braids and bubbles. White hats, Dark Knights, white wings and black umbrellas
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L♾️P is posting lots of dragon masters:
Tass Notes 132 🫧✍🏼
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I am the Alpha and Omega ~ 154
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Tass Notes 132 🫧✍🏼
13 tracks
”I love you, it’s ruining my life”
Taylor’s 11th album,
to be released April 19

How many tracks?
- 17
Name of track No.17?
- The manuscript
4
Tass Notes 132 🫧✍🏼
Taylor’s 11th album, to be released April 19 How many tracks? - 17 Name of track No.17? - The manuscript
The Tortured Poets Department

Other titles include: “I Can Fix Him (No Really I Can),” “My Boy Only Breaks His Favorite Toys,” “But Daddy I Love Him,” ”I Can Do It With a Broken Heart”, and…

”Alchemy”.

The first track, “Fortnight,” includes a feature by Post Malone and the song “Florida!!!” features Florence and the Machine.
TIME
🕰️

”Taylor Swift is telling me a story, and when Taylor Swift tells you a story, you listen, because you know it’s going to be good—not only because she’s had an extraordinary life, but because she’s an extraordinary storyteller.”

She was 17, she says……”
”It feels like the breakthrough moment of my career, happening at 33,” she says. “And for the first time in my life, I was mentally tough enough to take what comes with that.” This is her story—even if she’s now so high that it’s hard to believe she was ever low.”
”As a pop star, she sits in rarefied company, alongside Elvis Presley, Michael Jackson, and Madonna; as a songwriter, she has been compared to Bob Dylan, Paul McCartney, and Joni Mitchell.”

”But this year, something shifted. To discuss her movements felt like discussing politics or the weather—a language spoken so widely it needed no context. She became the main character of the world.”
”Her epic career-retrospective tour recounting her artistic “eras,” which played 66 dates across the Americas this year, is projected to become the biggest of all time.”
”It’s hard to see history when you’re in the middle of it, harder still to distinguish Swift’s impact on the culture from her celebrity, which emits so much light it can be blinding. But something unusual is happening with Swift, without a contemporary precedent. She deploys the most efficient medium of the day—the pop song—to tell her story. Yet over time, she has harnessed the power of the media, both traditional and new, to create something wholly unique—a narrative world, in which her music is just one piece in an interactive, shape-shifting story. Swift is that story’s architect and hero, protagonist and narrator.”

This was the year she perfected her craft—not just with her music, but in her position as the master storyteller of the modern era.”

🕰️
https://time.com/6342806/person-of-the-year-2023-taylor-swift/
”” She worked with choreographer Mandy Moore—recommended by her friend Emma Stone, who worked with Moore on La La Land—since, as Swift says, “Learning choreography is not my strong suit.” With the exception of Grammy night—which was “hilarious,” she says—she also stopped drinking. “Doing that show with a hangover,” she says ominously. “I don’t want to know that world.””