American Heart Association: "We conclude that the mRNA vaccines dramatically increase inflammation on the endothelium and T cell infiltration of cardiac muscle and may account for the observations of increased thrombosis, cardiomyopathy, and other vascular events following vaccination"
2 GETTING STARTED INVESTING - Tips
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The (Spanish language) researchers in English; http://republicbroadcasting.org/news/graphene-oxide-wireless-network-bioweapon-shots-contain-wireless-nanosensor/ Note; if vaxxed, you're emitting BLUETOOTH frequencies 😉
Republic Broadcasting Network
Graphene Oxide Wireless Network: Bioweapon Shots Contain Wireless Nanosensor
Source: Rumble | Stew Peters Show !function(r,u,m,b,l,e){r._Rumble=b,r[b]||(r[b]=function(){(r[b]._=r[b]._||[]).push(arguments);if(r[b]._.length==1){l=u.createElement(m),e=u.getElemen…
“It has been noted that certain infrasonic frequencies plug straight into the algorithms of the brain and nervous system. Frequencies of 7 hertz, for example, coincide with theta rhythms, thought to induce moods of fear and anger.” (Goodman, 2010). It is within the psychological change that we begin to question the reasoning behind it, many of the studies in the next chapter of this study suggest that resonance is perhaps the reason as to why there could be an emotional and psychological change to human’s when exposed to infrasonic frequencies.
We do know, however, that high- intensity infrasound causes headache, fatigue, and anxiety . . . Our internal organs (heart, liver, stomach, kidneys) are attached to the bones by elastic connective tissue, and at low frequencies may be considered simple oscillators. The natural frequencies of most of them are below 12 Hz (which is in the infrasonic range). Thus, the organs may resonate. Of course, the amplitude of any resonance vibrations depends significantly on damping, which transforms mechanical energy into thermal energy . . . this amplitude decreases as the damping increases. Also, the amplitude is proportional to the amplitude of the harmonic force causing the vibrations . . .”
The frequency that forms our own perception of sound sits between 20Hz — 20,000Hz, though only constituting a small amount of frequency spectrum, our auditory range can play an important role on our body; such as our equilibrioception (balance), proprioception and kinaesthesia (joint motion and acceleration), time, nociception (pain), magnetoception (direction), and thermoception (temperature differences) (HEYS, 2011). In order to full understand how the military application of sound can impact subjects psychologically, we must first understand how sound effects us mentally. Drawing from research collated pioneers within the sound-emotion connection, (Berlyne, 1971), (Meyer & Meyer, 1961), (Juslin & Sloboda, 2001) & (Liljeström, 2011) suggest six main mechanisms that happen when we perceive sound:
The use of sound within our auditory range has been used to effect targets negatively from the mid-1900s. After analysing previously explored research within this field, a large amount of research refers to the United State’s military and their Psychological Operations Units (PsyOps) (United States Military, 1996)
In many cases, we see the application of sound utilised in order to effect the six mechanisms discussed in chapter 3.2, allowing them to apply the use of sound for non-lethal warfare. As early as World War 2, we see strong evidence for the the deployment of sound, used in order to effect the psychology of enemies. The U.S militaries 23rd Special Troops, often referred to as the ‘Ghost Army’ were a troop of sound and radio engineers assigned to fabricate the sounds of marching troops, tanks, landing crafts allowing for sonic deception of their enemies (Goodman, 2009, p. 41). This perhaps was a result of that described in Philip Gerard’s book Secret Soldiers: How a Troupe of American Artists, Designers and Sonic Wizards Won World War II’s Battles of Deception Against the Germans:
We do know, however, that high- intensity infrasound causes headache, fatigue, and anxiety . . . Our internal organs (heart, liver, stomach, kidneys) are attached to the bones by elastic connective tissue, and at low frequencies may be considered simple oscillators. The natural frequencies of most of them are below 12 Hz (which is in the infrasonic range). Thus, the organs may resonate. Of course, the amplitude of any resonance vibrations depends significantly on damping, which transforms mechanical energy into thermal energy . . . this amplitude decreases as the damping increases. Also, the amplitude is proportional to the amplitude of the harmonic force causing the vibrations . . .”
The frequency that forms our own perception of sound sits between 20Hz — 20,000Hz, though only constituting a small amount of frequency spectrum, our auditory range can play an important role on our body; such as our equilibrioception (balance), proprioception and kinaesthesia (joint motion and acceleration), time, nociception (pain), magnetoception (direction), and thermoception (temperature differences) (HEYS, 2011). In order to full understand how the military application of sound can impact subjects psychologically, we must first understand how sound effects us mentally. Drawing from research collated pioneers within the sound-emotion connection, (Berlyne, 1971), (Meyer & Meyer, 1961), (Juslin & Sloboda, 2001) & (Liljeström, 2011) suggest six main mechanisms that happen when we perceive sound:
The use of sound within our auditory range has been used to effect targets negatively from the mid-1900s. After analysing previously explored research within this field, a large amount of research refers to the United State’s military and their Psychological Operations Units (PsyOps) (United States Military, 1996)
In many cases, we see the application of sound utilised in order to effect the six mechanisms discussed in chapter 3.2, allowing them to apply the use of sound for non-lethal warfare. As early as World War 2, we see strong evidence for the the deployment of sound, used in order to effect the psychology of enemies. The U.S militaries 23rd Special Troops, often referred to as the ‘Ghost Army’ were a troop of sound and radio engineers assigned to fabricate the sounds of marching troops, tanks, landing crafts allowing for sonic deception of their enemies (Goodman, 2009, p. 41). This perhaps was a result of that described in Philip Gerard’s book Secret Soldiers: How a Troupe of American Artists, Designers and Sonic Wizards Won World War II’s Battles of Deception Against the Germans: