Forwarded from BC Neanderthal Mindset
Look into their gods!
If you go back far enough, everyone was pagan.
Native European spirituality was alive and well, way before monotheism was even thought of.
It is natural for us and comes as easy as breathing.
The gods are, in simplest terms, our family.
They are not some unapproachable entity
that need prayers and cowering to avert their wrath.
They see us, they hear us, and they are with us. They smile every time we overcome
hardships in life, as they have had their fair share as well.
I have found that you resonate more with the spiritual culture of your blood ancestry and many others I have spoken
with agree wholeheartedly.
Hold your head high, Hyperborean.
We are the children of the gods.
If you go back far enough, everyone was pagan.
Native European spirituality was alive and well, way before monotheism was even thought of.
It is natural for us and comes as easy as breathing.
The gods are, in simplest terms, our family.
They are not some unapproachable entity
that need prayers and cowering to avert their wrath.
They see us, they hear us, and they are with us. They smile every time we overcome
hardships in life, as they have had their fair share as well.
I have found that you resonate more with the spiritual culture of your blood ancestry and many others I have spoken
with agree wholeheartedly.
Hold your head high, Hyperborean.
We are the children of the gods.
I don’t know about anyone else’s worldview, but I personally know from whom I descend, and it’s definitely not the ape
Forwarded from • Hellas • Ελλάδα • Greece (Maria)
Discovering the remains of Greco-Roman Egypt. Bust of Neilos from the Ancient Egyptian city of Canopus
This 2000 year old bust depicts Neilos, the Nile river god. Neilos appealed to Egyptians and Greeks alike, he was the Greek version of Hapy, the Egyptian personification of the annual Nile flood that brought prosperity and fertility to Egypt. Neilos played a significant role in one of the most popular festivals in Egypt, when the beginning of the annual flood marked the Egyptian New Year. Nilus was one of 3000 river gods children of the Titans Oceanus and his sister wife Tethys.
Canopus was an ancient Egyptian coastal town, located in the Nile Delta. At Canopus was a temple of Zeus-Canobus, whom Greeks and Egyptians held in equal reverence, and a much frequented shrine and oracle of Serapis. The decline of Canopus began with the rise of Alexandreia, and was completed by the introduction of Christianity into Egypt. @GreekLeague
This 2000 year old bust depicts Neilos, the Nile river god. Neilos appealed to Egyptians and Greeks alike, he was the Greek version of Hapy, the Egyptian personification of the annual Nile flood that brought prosperity and fertility to Egypt. Neilos played a significant role in one of the most popular festivals in Egypt, when the beginning of the annual flood marked the Egyptian New Year. Nilus was one of 3000 river gods children of the Titans Oceanus and his sister wife Tethys.
Canopus was an ancient Egyptian coastal town, located in the Nile Delta. At Canopus was a temple of Zeus-Canobus, whom Greeks and Egyptians held in equal reverence, and a much frequented shrine and oracle of Serapis. The decline of Canopus began with the rise of Alexandreia, and was completed by the introduction of Christianity into Egypt. @GreekLeague
Forwarded from Stam van de Vos🦊, hekserij en heidendom van de Lage Landen
In 1866 while levelling a terp (artificial mound) in Frisia, The Netherlands, a labourer found a pot of gold. This hoard has been associated with Frisian Kings. The many pendants contain coins from the Byzantine Empire including some of the sixth-centory emperor Justinian from Ravenna. The coins were taken out of circulation and made into jewelery. This beautiful treasure was buried in the mound around 640 AD near Wiewerd. Look at the detailed handcraft.
Forwarded from Marta_lampshade (Marta lampshade)
Here’s a gentle reminder to live life with a gentle balance. Don’t push yourself so hard that you completely spiral out of control. Don’t keep going until you’re only running on fumes. Take care of yourself, respect your limits, and recharge when you need to.
Forwarded from DukeOfDurham 🦌
Reminder that it’s good to get into the habit of not having your phone on you if you’re camping or hiking or meeting up with likeminded friends. The “New World Order” doesn’t need to implant microchips into people’s skulls when everyone willingly carries around a device that displays their location and records/monitors all you say.
Thank you so much to European Tribalism - Mythology channel for mentioning the name of my channel, and helping to promote it. I’m very grateful, and appreciate your kindness. Anyone who has not yet subscribed to them pls go check them out, and subscribe. If you like the information I post, you’ll definitely like them as well.
Forwarded from European Tribalism - Mythology, European culture, survival
The European Connection
@EuropeanTribalism - myths, metaphysics, survival, crafts
@TheOldWays - Heathen viewpoints with a strong Slavic influence
@GreekLeague - insights into Greek mytholog, art and architecture
@PaganPlaces - spread out places of interest
@NativeEuropeans - covering various European tribes
Share and follow!
Hail to all tribes of Aryan descent!
@EuropeanTribalism - myths, metaphysics, survival, crafts
@TheOldWays - Heathen viewpoints with a strong Slavic influence
@GreekLeague - insights into Greek mytholog, art and architecture
@PaganPlaces - spread out places of interest
@NativeEuropeans - covering various European tribes
Share and follow!
Hail to all tribes of Aryan descent!
Forwarded from Wäinölä 🇫🇮
Robert Wilhelm Ekman (1808 – 1873) 🇫🇮 — Väinämöinen playing the Kantele (1866)
Ekman began working on the painting in 1857, but due to financial difficulties et cetera, he didn't finish it until 1866. Its initial reception was poor — it was too Finnish for the Swedes, and Ekman himself too Swedish for the Finns — but the painting is now considered to be his magnum opus. He also made a sketch of the composition.
Väinämöinen is surrounded by a host of Gods and entities. Pellervoinen, the God of vegetation, is seen planting a sapling on the left. Behind him are the God & Goddess of the forest, Tapio & Mielikki. Behind them, accompanied by a bear, is a hiisi, a tricksterlike entity. On the right are Ahti & Vellamo, the God & Goddess of the sea. The girls in the front, accompanied by a swan, are known as Sotkotars (singular: Sotkotar, i.e. 'Scaupess'). Sitting on the rainbow are the airmaids Päivätär & Kuutar, along with Tähdetär ('Starress'), Otavatar (from Otava, the Big Dipper), and a fifth one.
Ekman began working on the painting in 1857, but due to financial difficulties et cetera, he didn't finish it until 1866. Its initial reception was poor — it was too Finnish for the Swedes, and Ekman himself too Swedish for the Finns — but the painting is now considered to be his magnum opus. He also made a sketch of the composition.
Väinämöinen is surrounded by a host of Gods and entities. Pellervoinen, the God of vegetation, is seen planting a sapling on the left. Behind him are the God & Goddess of the forest, Tapio & Mielikki. Behind them, accompanied by a bear, is a hiisi, a tricksterlike entity. On the right are Ahti & Vellamo, the God & Goddess of the sea. The girls in the front, accompanied by a swan, are known as Sotkotars (singular: Sotkotar, i.e. 'Scaupess'). Sitting on the rainbow are the airmaids Päivätär & Kuutar, along with Tähdetär ('Starress'), Otavatar (from Otava, the Big Dipper), and a fifth one.