🔥زیر ۳ ماه با استارت آپ ویزا فنلاند باش✈️

چرا فنلاند؟

-شادترین و یکی از امنترین کشورهای دنیا🇫🇮

-اقامت دو ساله تمام اعضای خانواده بدون نیاز به مدرک زبان
-اجازه کار فول تایم شخص اول و همسر

🏅شرکت ثبت شده رسمی در فنلاند
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🟢The best way to apologize

#Education #Psychology #Relationships #Communication #Mental_Health #TED_Ed #Animation

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🤖اموزش رایگان زبان از طریق بات تلگرام

🟢The best way to apologize

Over the years, people have come up with some truly awful apologies. From classic non-apologies to evasive excuses, and flimsy corporate promises, it’s all too easy to give a bad apology. But researchers have found that good apologies generally share certain elements and thoughtfully considering these factors can help you make amends in a wide variety of situations.
Since public apologies have their own unique complications, we’re going to focus on some person-to-person examples. So, picture this: your new office has free ice cream sandwiches in the communal fridge— or at least that’s what you thought. But on Friday, when you’re helping your co-worker Terence set up another colleague's birthday party, he finds that half the ice cream he bought for the celebration is gone. While this is obviously an embarrassing accident, coming forward and apologizing is still the right thing to do. Understanding and accepting responsibility for your actions is what some researchers call the “centerpiece of an apology.” But it’s okay if this feels difficult and vulnerable— it’s supposed to be! The costly nature of apologies is part of what makes them meaningful. So while you might be tempted to defend your actions as accidental, it’s important to remember that a good apology isn’t about making you feel better. It’s about seeking to understand the perspective of the wronged party and repair the damage to your relationship. This means that while clarifying your intentions non-defensively can be helpful, your mistake being an accident shouldn’t absolve you from offering a sincere apology.
But what if your mistake wasn’t an accident? Consider this: you promised your friend Marie that you’ll attend her championship football match. But another friend just called to offer you an extra ticket for your favorite musician's farewell tour. You know this is a once-in-a-lifetime chance, and you can’t pass it up. Plus, you figure Marie wouldn’t mind if you miss the game— she always has plenty of fans supporting her. But the next day, Marie tells you she was really hurt when she didn’t see you in the crowd.
You feel terrible for upsetting her and genuinely want to apologize. But while you regret hurting Marie, you’re not actually sure if you made the wrong choice. So how can you reach beyond that terrible non-apology, “I’m sorry YOU feel this way”? In situations like this, it can be easy to focus on rationalizing your actions when you should be working to understand the other person’s perspective. Consider asking Marie how you made them feel to better understand your offense. In this case, Marie might explain that she was disappointed you broke your promise, and she was really counting on your support. This kind of clarity can help you recognize your wrongdoing and honestly accept how your actions caused harm. Then you can frame your apology around addressing her concerns, perhaps by admitting that it was wrong of you to break your promise, and you're sorry you weren't there for her.
Clearly acknowledging wrongdoing indicates that you know exactly how you messed up, and it can give Marie faith that you’ll behave differently moving forward. But it’s always helpful to indicate exactly how you’ll change and what you’ll do to repair the damage caused by your offense. Researchers call this the “offer of repair,” and it's often rated as one of the most critical parts of an apology. In some cases, these gestures are straightforward, like offering to replace the ice cream you eat. However, with less tangible transgressions, this might need to be more symbolic, like expressing your love and respect for someone you wronged. One common offer of repair is a verbal commitment not to make the same mistake again, but promising to do better only works if you actually do better.

Taking the victim’s perspective, accepting responsibility, and making concrete offers of repair are just a few of the elements of a good apology. But remember, apologies aren’t about getting forgiveness and moving on; they’re about expressing remorse and accepting accountability. And the best apologies are just the first step on the road to reconciliation.

#Education #Psychology #Relationships #Communication #Mental_Health #TED_Ed #Animation

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🤖اموزش رایگان زبان از طریق بات تلگرام

🔥اگه دوست داری بدونی شبهای فنلاند در این فصل چطوریه پست جدید در اینستاگرام رو حتما ببین 🇫🇮🌱☀️🌑
👇👇
https://www.instagram.com/reel/C7TXJ7ZCXkn/?igsh=eWh2enN5Z3NkdXZ2

💥Who Decides What Art Means?

#TED_Ed #Art #History #Culture #Arts #Painting #World_Cultures

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🤖اموزش رایگان زبان از طریق بات تلگرام

😮Who Decides What Art Means?

Imagine you and a friend are strolling through an art exhibit and a striking painting catches your eye. The vibrant red appears to you as a symbol of love, but your friend is convinced it's a symbol of war. And where you see stars in a romantic sky, your friend interprets global warming-inducing pollutants. To settle the debate, you turn to the internet, where you read that the painting is a replica of the artist's first-grade art project: Red was her favorite color and the silver dots are fairies.
You now know the exact intentions that led to the creation of this work. Are you wrong to have enjoyed it as something the artist didn’t intend? Do you enjoy it less now that you know the truth? Just how much should the artist's intention affect your interpretation of the painting? It's a question that's been tossed around by philosophers and art critics for decades, with no consensus in sight.
In the mid-20th century, literary critic W.K. Wimsatt and philosopher Monroe Beardsley argued that artistic intention was irrelevant. They called this the Intentional Fallacy: the belief that valuing an artist's intentions was misguided. Their argument was twofold: First, the artists we study are no longer living, never recorded their intentions, or are simply unavailable to answer questions about their work. Second, even if there were a bounty of relevant information, Wimsatt and Beardsley believed it would distract us from the qualities of the work itself. They compared art to a dessert: When you taste a pudding, the chef's intentions don't affect whether you enjoy its flavor or texture. All that matters, they said, is that the pudding "works."
Of course, what "works" for one person might not "work" for another. And since different interpretations appeal to different people, the silver dots in our painting could be reasonably interpreted as fairies, stars, or pollutants. By Wimsatt and Beardsley's logic, the artist's interpretation of her own work would just be one among many equally acceptable possibilities.
If you find this problematic, you might be more in line with Steven Knapp and Walter Benn Michaels, two literary theorists who rejected the Intentional Fallacy. They argued that an artist's intended meaning was not just one possible interpretation, but the only possible interpretation. For example, suppose you're walking along a beach and come across a series of marks in the sand that spell out a verse of poetry. Knapp and Michaels believed the poem would lose all meaning if you discovered these marks were not the work of a human being, but an odd coincidence produced by the waves. They believed an intentional creator is what makes the poem subject to understanding at all.
Other thinkers advocate for a middle ground, suggesting that intention is just one piece in a larger puzzle. Contemporary philosopher Noel Carroll took this stance, arguing that an artist's intentions are relevant to their audience the same way a speaker's intentions are relevant to the person they’re engaging in conversation. To understand how intentions function in conversation, Carroll said to imagine someone holding a cigarette and asking for a match. You respond by handing them a lighter, gathering that their motivation is to light their cigarette. The words they used to ask the question are important, but the intentions behind the question dictate your understanding and ultimately, your response.
So which end of this spectrum do you lean towards? Do you, like Wimsatt and Beardsley, believe that when it comes to art, the proof should be in the pudding? Or do you think that an artist's plans and motivations for their work affect its meaning? Artistic interpretation is a complex web that will probably never offer a definitive answer.

#TED_Ed #Art #History #Culture #Arts #Painting #World_Cultures

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🤖اموزش رایگان زبان از طریق بات تلگرام

در فنلاند مکان‌هایی به نام "مکان‌های شستشوی فرش" وجود دارد که مردم می‌توانند در ماه هایی که هوا خوب است فرش‌های خود را به آنجا بیاورند و بشویند. این مکان‌ها معمولاً در فضای باز و نزدیک به آب، مانند دریاچه‌ها یا رودخانه‌ها قرار دارند. پس از شستشو، فرش‌ها را در آفتاب پهن می‌کنند تا خشک شوند. این روش سنتی و محبوب به مردم این امکان را می‌دهد که فرش‌های خود را تمیز نگه دارند.🇫🇮🌱💧

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چرا فنلاندی ها شادترین مردم دنیا هستن؟
این ریلز رو ببین تا متوجه بشی! 😁😉😄🇫🇮
👇👇
https://www.instagram.com/reel/C7wm861CnOp/?igsh=OGJhZDRxaGxucTEx

🔥کشور زیبای فنلاند رو اگه میخوای بیشتر بشناسی به چنل یوتیوب ما حتما سر بزن🇫🇮
👇👇
http://www.youtube.com/@FinlandAdventure



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به اموزش زبان انگلیسی در مدارس فنلاند از دوران کودکی اهمیت بسیار زیادی داده میشه. آموزش زبان انگلیسی برای همه اجباری است و این به دلیل کیفیت بالای سیستم آموزشی و معلمان بسیار تحصیلکرده است. وقتی که کودکان فنلاندی بزرگ می‌شوند خیلی روان و مانند افراد انگلیسی زبان صحبت می‌کنند. این معنای بهترین سیستم اموزشی دنیاست....🇫🇮🌱

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🟢Possible futures from the intersection of nature, tech and society

#Biology #Science #Innovation #Future #Technology #Design #Collaboration

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🤖اموزش رایگان زبان از طریق بات تلگرام

🟢Possible futures from the intersection of nature, tech and society

In 1998, my friends and I won a national art competition. The prize was a week in Disneyland Paris, with hundreds of other children from across the world, as delegates to UNESCO's International Children's Summit. Now this was no ordinary trip to Disneyland. Between running riot in the park and making friends, we workshopped the future of this planet. How could we overcome the problems of pollution and their threats to human and environmental health? How could we guarantee universal human rights of equality, justice and dignity?
Towards the end of the summit, we created a 20-year time capsule, with each country planting a vision of the future they hoped for. But as I look around today, it's clear to me that those visions have not come true yet. We're confronted by the same crises, made infinitely worse through decades of geopolitical inaction. We now face global existential risks as a result of the climate emergency, with the world's least-resourced and most disenfranchised made more vulnerable despite having contributed least to the problem. That trip to Disneyland taught me that art and design had the power to imagine other possible futures. The question is: "How do we actually build them?"
Today, I lead a design agency called Faber Futures, and my team and I design at the intersection of biology, technology and society. Through research and development collaborations, partnerships, and other strategies, we model a future in which both people and planet can thrive and where the role that biotechnology plays is shaped through plural visions.
Our design work prototypes the future. We have developed toxin-free, water-efficient textile dye processes with a pigment-producing bacterium, pioneering new ways of thinking about circular design for the textile and fashion industries.
You've probably already heard of data surveillance, but what if it was biological? Using open-source data on the human microbiome, we’ve created experiential artworks that engage with the ethics of DNA mining. How can we embed a culture of multidisciplinary codesign from within the industry of biotechnology? To find out, we designed the Ginkgo Creative Residency, which invites creative practitioners to spend several months developing their own projects from within the Ginkgo Bioworks foundry. We also generate and publish unique and expansive dialogues between people with different types of knowledges -- Afrofuturists with astrobiologists, food researchers with Indigenous campaigners. The stories that they and others tell give us the tools we need to imagine other biological futures.
Design deeply permeates all of our lives, and yet we tend to recognize things and not the complex systems that actually produce them. My team and I explore these systems, connecting fields like culture and technology, ecology and economics. We identify problems, and where value and values can be created. We like to think about a design brief as an instruction manual, mapping the context of the problem, and where we might find solutions.
Getting there might involve establishing new networks, building new tools, and even infrastructure. How all of these pieces interact with one another can determine research and development, material specification, manufacturing and distribution. Who ultimately benefits, and at what environmental cost. So you can start to imagine the kinds of systems that might drive the design of your smartphone or even a rideshare service. But when it comes to the design of biology, things become a little bit more abstract.
Organism engineers design microbes to do industrially useful things, like bioremediate toxic waste sites or replace petroleum-based textiles with renewable ones. To architect this level of biological precision and performance at scale, tools like DNA sequencing, automation and machine learning are essential. They allow the organism engineers to really zoom in on biology, asking scientific questions to solve deep technical challenges.

Successful solutions designed at a molecular scale eventually interact with those at a planetary one. But if all of the research and development focuses on the technical question alone, then what do we risk by excluding the broader context? We've all spent over a year now living at an unprecedented intersection between biology, technology and society. We've witnessed, with the rapid development of the COVID-19 vaccine, that although techno-fixes offer us a critical remedy, they don't always provide a panaceum, and that’s because the real world is a complex social and economic one, where dominant systems determine the distribution of benefits.
It will be another two years before hundreds of millions across the world receive their emergency vaccines, which, in a globalized world, risks undermining its efficacy on all our communities.
Scientific endeavors have long been considered separate to real-world contexts, an idea that places profound limitations on the promises of biotechnology. By missing the full scope of design, we may think we’re solving problems and realize later that actually, not much has changed.
And a similar logic is emerging in biotechnology for consumer goods and industry. So far, it offers innovations for commodities markets, drop-in replacements that change problematic ingredients, and yet sustain prevailing mindsets and dynamics of power. Again, technically sound solutions that unwittingly reinforce social and ecological inequities.
Addressing these asymmetries requires us to take a more revolutionary approach, one that begins by asking "What kind of a world do we wish for?" So what if we could do both? What if we could design at the molecular scale, with the real world in mind? A more integrated approach to designing with biology requires us to ask more nuanced questions; not "What will people buy," but "What if we put communities, rather than commodities, first." "Could distributed biotechnology enable people to find local solutions to local problems?" "Can we move beyond a biotechnology that creates monocultures to one which, like nature itself, embraces a multiplicity of adaptations?" "How do we equip the next generation with the tools, spaces and communities they need to broaden their skills, knowledge and ideas?" An incredible amount of work that begins to address these questions is already underway.
The Open Bioeconomy Lab, which has nodes in the UK, Ghana and Cameroon, designs open-source research tools to expand geographies of innovation into resource-constrained contexts. Over thousands of years, we've domesticated plants to make them edible, creating nutrient-rich, diverse and delicious food cultures. MicroByre wants to do the same, but for microbes. The San Francisco based start-up assembles diverse microbial libraries for a more resilient biological toolkit. Imagine the expanded color palettes and different applications, from different types of pigment-producing bacteria. And from London's famed art school, Central Saint Martins, students from different disciplines are generating new sustainable design practices from biological medium. You'll find them at work in a wet lab, nested between historic fashion textiles and architecture departments, a radical reunification of the arts and sciences in education. Many examples of this type of systemic design work in biotechnology exist -- piece them together, and you start to glimpse different visions of our biological futures.

I don't know what happened to the time capsule we left behind in Paris, but I do remember wishing for a more just and meaningful world, where all of nature can thrive. In their own significant ways, technology and design have played their role in denying us this, but it's in our power to change that. Fundamentally, this means recognizing that the design of, with and from biology is designing systems and not stuff, and that with a truly ambitious design proposition, one that’s based on values that center flourishing, caretaking and equity. We have the opportunity to build truly transformative systems, systems that open up holistic measures of value and impact, and how we think about scaling innovation and doing business for the futures we now need.

#Biology #Science #Innovation #Future #Technology #Design #Collaboration

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🤖اموزش رایگان زبان از طریق بات تلگرام

🟢The emotions behind your money habits

#Relationships #Money #Personal_Growth #Emotions #Finance

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🤖اموزش رایگان زبان از طریق بات تلگرام

🟢The emotions behind your money habits

I am an accountant with a numbers problem. I mean, I'm good with numbers and using them to report what's happening, but I'm also concerned with the full story behind those numbers, the part that gets lost in translation, the part that numbers can't quite tell, the story that goes deeper than mere strategies for saving and earning money. And without that story, I don't think I'm doing my job well. That's why I've dedicated my career to figuring out how my work as an accountant can tell stories about people, stories that will ultimately help them improve their lives. Let me explain.
It all started when someone told me, "You're obsessed with chocolate." And I was like, "What? No, I'm not." But then I wondered, could I be in denial about my own obsession? Was I actually spending a lot of money on chocolate but blind to it? Well, here was a chance for me to test this theory. Using my accountant lens, off I went tracking my spending on chocolate -- and there it was, my love for chocolate. I was spending about 50 dollars a month on chocolate, especially in months when I was overstressed and months when I was overjoyed.
Analyzing my expenses helped me to understand that I had an emotional pattern where when I'm struggling or celebrating, I binge on chocolate. I had struggled with my weight for a very long time and I was convinced that my diet was not the problem. I was convinced that it was my lack of effort in exercise, and certainly not chocolate. Tracking my spending on chocolate, though, helped me realize that I was afraid of facing myself in the mirror, literally and figuratively, and that I lack the courage to deal with the real problem, my diet. So I continued to exercise, but devoted less time to it and instead shifted my focus and energy towards developing a more healthful diet. That year I lost 50 pounds.
Our relationship with money represents our relationship with life. The accounting of my own chocolate behavior told me the story of my own denial. I realized that perhaps I could also help my clients see what they were overlooking in their own lives and help them realize their own emotional patterns through their tracking and spending of their expenses.
So I started to pay close attention to the story behind my clients' expenses that may be hidden to them. One of my clients, a critical care nurse, was convinced that her personal budget was reasonable and expenses justifiable. She had struggled to build up her savings and I noticed that she had minimal records of her expenses. I suggested to her that her lack of savings could be due to more than just a gap in her financial knowledge and offered to help identify the problem. I encouraged her to start tracking and charting her expenses. After a few months, her financial records revealed that most of her spending was on expensive clothing and shoes. As we sat together, she was genuinely surprised to see just how much of her budget was going towards fashion. She remarked, "Wow, these are impulsive purchases, aren't they? I guess I didn't realize that."
She analyzed further and realized that she was buying clothes in an attempt to impress and appear successful to her friends. And also when her confidence was low, buying clothes temporarily boosted it. She told me that buying clothing was her attempt to find meaning in life and feel valued. She sighed, and she set a goal for herself and her finances. Six months later, she called me to tell me she had saved a bunch of money by reducing her spending on shopping and instead choosing to exercise when she felt the urge to shop. She's much happier around her friends. Three years later, home ownership is on the horizon.

Sometimes, though, charting expenses may not reveal something specific, as a chocolate addiction or shopping problem, but what it reveals can be just as valuable. A marketing strategist and upcoming musician needed help with her taxes. When I met with her, I immediately took note of the fear in her face as she looked through her records and expenses. I checked in with her and she expressed to me that some things in her life didn't quite seem to work out, including her relationships. She was afraid of facing how much money she was about to lose after taxes. As we continued talking about her finances, she started to notice a connection between her fear of losing money and her fear of losing relationships. She went on to tell me that she was afraid of committing to anyone because she didn't want to get hurt. She expressed that she had not been close to anyone in over seven years because she feared failure. And maybe she might have an avoidance strategy around both her money and her relationships.
It's been six years since I first help her chart her finances, and she's still consistently keeping up with her spreadsheet. As she confronted her personal accounting and grew her savings in advance of each tax season, she developed less fear of loss and grew more open to relationships. She tells me that she even has the courage to walk away from a relationship when it's not serving her. She recently told me, "My spreadsheet is basically a story of my life's progression and I can see it through the numbers.”
I believe we can all do this type of audit of our own financial behavior and that we can learn surprising things about ourselves through tracking and charting our expenses. Here's how. Number one, take a look at your bank statement for the last six months and categorize the expenses by type for a more holistic view. For example, your spending on shopping versus transport versus entertainment.
Number two, when an expensive pattern emerges, see what that pattern says about yourself. Be curious and inquisitive. At first, it may not be that obvious, but asking yourself what led you to make that choice in a given moment can provide some clues. Do you buy pizza every Wednesday night because that's when you're too tired to cook after a stressful weekly meeting?
Number three, observe if there are any line items that you are shocked by in terms of value or volume and see what patterns emerge. For example, did you buy that new smartphone just before a major function or event so that your friends would notice? Or do you tell yourself you only take taxis late at night, but then realize that you're taking way more taxes every month than you thought? Are you working late more than you thought?
There's so much that we can learn about ourselves if we take the time to look. And sometimes our money knows us better than we know ourselves. Tracking our finances can reveal what we are in denial of, our hidden biases, our fears and what might be holding us back. Though it can be difficult and uncomfortable to take a good, hard look at our financial behavior, it can reveal some deep emotional truths. Some truths that can help us re-evaluate our careers, our relationships and our priorities. So give it a try. The payoff could be huge.
Thank you.

#Relationships #Money #Personal_Growth #Emotions #Finance

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🟢The kingdom hidden in Brazil

#Education #History #Brazil #Slavery #TED_Ed #Animation

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🤖اموزش رایگان زبان از طریق بات تلگرام

🟢The kingdom hidden in Brazil

During the 1600s, an expansive autonomous settlement called Palmares reached its height in northeastern Brazil. It was founded and led by people escaping from slavery, also called maroons. In fact, it was one of the world’s largest maroon communities, its population reaching beyond 10,000. And its citizens were at constant war with colonial forces. The records we have about Palmares mainly come from biased Dutch and Portuguese sources, but historians have managed to piece much of its story together.
During the Trans-Atlantic slave trade, which began in the 1500s, nearly half of all enslaved African people were sent to Portugal’s American colony: Brazil. Some escaped and sought shelter in Brazil’s interior regions, where they formed settlements called mocambos or quilombos. Fugitives from slavery probably arrived in the northeast in the late 1500s. By the 1660s, their camps had consolidated into a powerful confederation known today as the Quilombo of Palmares.
It consisted of a central capital linking dozens of villages, which specialized in particular agricultural goods or served as military training grounds. Citizens of Palmares, or Palmaristas, were governed by a king and defended by an organized military. African people and Brazilian-born Black and Indigenous people all came seeking refuge. They collectively fished, hunted, raised livestock, planted orchards, and grew crops like cassava, corn, and sugarcane. They also made use of the abundant palm trees for which Palmares was named, turning palm products into butter, wine, and light. Palmaristas crafted palm husks into pipes and leaves into mats and baskets. They traded some of these goods with Portuguese settlers for products like gunpowder and salt. In turn, settlers avoided Palmares’ raids during which they’d seize weapons and take captives.
The Portuguese were concerned with other invading imperialists, but regarded Indigenous uprisings and Palmares as their internal threats. Palmares endangered the very institution of slavery— the foundation of Brazil's economy. During the 1670s, the Portuguese escalated their attacks.
By this time, Ganga-Zumba was Palmares’ leader. He ruled from the Macaco, which functioned as the capital. His allies and family members governed the other villages— with women playing crucial roles in operation and defense. As they fought the Portuguese, Palmaristas used the landscape to their advantage. Camouflaged and built in high places, their mocambos offered superior lookouts. They constructed hidden ditches lined with sharp stakes that swallowed unsuspecting soldiers and false roads that led to ambushes. They launched counterattacks under the cover of night and were constantly abandoning and building settlements to elude the Portuguese.
In 1678, after years of failed attacks, the Portuguese offered to negotiate a peace treaty with Ganga-Zumba. The terms they agreed upon recognized Palmares’ independence and the freedom of anyone born there. However, the treaty demanded that Palmares pledge loyalty to the crown and return all past and future fugitives from slavery. Many Palmaristas dissented, among them Zumbi— Ganga-Zumba’s nephew— a rising leader himself.
Before long, Ganga-Zumba was killed, likely by a group affiliated with his nephew. As Palmares’ new leader, Zumbi rejected the treaty and resumed resistance for another 15 years. But in February of 1694, the Portuguese captured the capital after a devastating siege. Zumbi escaped, but they eventually found and ambushed him. And on November 20th, 1695, Portuguese forces killed Zumbi.
His death was not the end of Palmares, but it was a crushing blow. After years of warfare, there were far fewer rebels in the area. Those who remained rallied around new leaders and maintained a presence, however small, through the 1760s.