🩷 After Ivan burns her frog skin, forcing her to return to Koshchei's realm, she doesn't just wait to be rescued. She sends him messages and instructions on how to find her, guiding his quest and ultimately using her own magic (weaving a carpet, creating a lake) to help him complete the tasks set by her father.
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🩷 In the fairy tale Finist the Bright Falcon the heroine, a merchant's youngest daughter, embarks on an epic quest to find her magical husband, Finist, who has been enchanted and taken away. She wears out "three pairs of iron shoes, breaks three iron staffs, and eats three stone-hard loaves of bread" on her journey—the ultimate symbol of perseverance. She actively seeks out Baba Yaga's help and uses the gifts she receives to break the enchantment.
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🇷🇺🎨Today we’d like to present you with a short video about the Tretyakov Gallery located in Moscow. It is the premier museum of national art in Russia, reflecting its unique contribution to the world culture.
🔸It is a welcoming museum known for its rich collection and the variety of ideas represented.
🔸Having begun collecting paintings by Russian artists in 1856, Pavel Tretyakov placed them in living rooms. As the collection grew, new rooms were required for exhibits, and starting 1872 additions were made to the house.
🏛Today the historic building of the Tretyakov Gallery accommodates the exposition of Russian art of the 12th - beginning of the 20th century. It occupies 62 halls on two floors, arranged in chronological sections, and gives an idea of the development of national artistic tradition.
🔸The building is a cultural heritage object of federal significance.
#RussianCulture@TCofRus
🔸It is a welcoming museum known for its rich collection and the variety of ideas represented.
🔸Having begun collecting paintings by Russian artists in 1856, Pavel Tretyakov placed them in living rooms. As the collection grew, new rooms were required for exhibits, and starting 1872 additions were made to the house.
🏛Today the historic building of the Tretyakov Gallery accommodates the exposition of Russian art of the 12th - beginning of the 20th century. It occupies 62 halls on two floors, arranged in chronological sections, and gives an idea of the development of national artistic tradition.
🔸The building is a cultural heritage object of federal significance.
#RussianCulture@TCofRus
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"Bogatyrs" by Viktor Vasnetsov: A Historical Masterpiece
🏹 Bogatyrs (1898) is a celebrated painting by Russian artist Viktor Vasnetsov, depicting three legendary heroes of Russian folklore—Dobrynya Nikitich, Ilya Muromets, and Alyosha Popovich. These figures, known as bogatyrs (mighty superheroes), were warrior-knights featured in ancient East Slavic epic poems called byliny. Vasnetsov's work embodies the spirit of Russia and the rich storytelling tradition of the Russian people.
🏹 The central figure, Ilya Muromets, symbolizes strength and courage. According to legend, he was a peasant who miraculously gained strength after being paralyzed for 33 years, becoming a great defender of the Russian state. To his left, Dobrynya Nikitich is depicted as a nobleman, renowned for his diplomatic skills and for slaying the dragon Zmey Gorynych. On the right, Alyosha Popovich, the youngest and most cunning of the trio, is shown with a bow, known for his wit and musical talents rather than just strength.
🏹 Vasnetsov's painting was inspired by Russian history and a revival of national identity during the late 19th century. The work reflects the romanticism of Russia’s past, aligning with the growing cultural movement emphasizing Slavic heritage and folklore during a time of modernization in the Russian Empire. The bogatyrs in the painting symbolize not only personal heroism but also the indomitable Russian spirit—unyielding in the face of hardship, embodying the idea that Russia’s strength and moral fortitude cannot be broken.
📝 Rendered in oil on canvas, the painting's vast landscape, rich with rolling hills and stormy skies, symbolizes the vastness and challenges faced by the Russian state through history. The heroic figures, clad in armor, appear both idealized and human, emphasizing both their legendary status and moral strength.
📎 Now housed in the Tretyakov Gallery in Moscow, Bogatyrs remains a symbol of Russian patriotism, national mythology, and the enduring power of folklore in art. Vasnetsov’s work immortalizes these legendary heroes, blending history, myth, and the unbreakable spirit of Russia.
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🏹 Bogatyrs (1898) is a celebrated painting by Russian artist Viktor Vasnetsov, depicting three legendary heroes of Russian folklore—Dobrynya Nikitich, Ilya Muromets, and Alyosha Popovich. These figures, known as bogatyrs (mighty superheroes), were warrior-knights featured in ancient East Slavic epic poems called byliny. Vasnetsov's work embodies the spirit of Russia and the rich storytelling tradition of the Russian people.
🏹 Vasnetsov's painting was inspired by Russian history and a revival of national identity during the late 19th century. The work reflects the romanticism of Russia’s past, aligning with the growing cultural movement emphasizing Slavic heritage and folklore during a time of modernization in the Russian Empire. The bogatyrs in the painting symbolize not only personal heroism but also the indomitable Russian spirit—unyielding in the face of hardship, embodying the idea that Russia’s strength and moral fortitude cannot be broken.
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🇷🇺🎨"Girl with Peaches", painted by Russian painter Valentin Alexandrovich Serov in 1887, displayed in the State Tretyakov Gallery.
Source: https://clck.ru/36D6Ju
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Source: https://clck.ru/36D6Ju
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A graduate of the Mukhina Leningrad Higher Industrial Art School and the Higher Directing Courses at the Sergei Gerasimov All-Russian State Institute of Cinematography (VGIK), Konstantin Bronzit is one of the most renowned and experienced animators of the new wave who entered the profession in the 1990s. His career includes work at Alexander Tatarsky’s Pilot Studio in Moscow, France’s Folimage animation studio, and St. Petersburg’s Melnitsa Animation Studio—home of the Three Bogatyrs franchise.
His films have been featured at all major international animation festivals and have consistently returned to Russia with awards.
Bronzit began as a cartoonist. As he himself notes, the precision, brevity, expressiveness, sharp rhythm,and dynamic storytelling in his work stem directly from his passion for caricature.
While it’s hard to imagine an animator without a sense of humor, Bronzit’s works stand apart: "At the Ends of the Earth", "The True Story of the Three Little Pigs", and "The God" are timelessly hilarious. His films can be watched again and again—each time evoking the same laughter as the first.
Bronzit’s scripts are brilliant. Whether a minute or eighty minutes long, his stories unfold with such speed and unpredictability that it’s impossible to guess what will happen next.
He constantly experiments with new forms and formats, mastering unfamiliar styles with equal success in both auteur and commercial projects, shorts and feature-length films. It’s impossible to say whether his animations are meant more for children or adults—they resonate with everyone.
In the next post, I’ll tell you about five of Bronzit’s most famous works.
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Konstantin Bronzit: A Pioneer of Russian Animation
In 2004, Bronzit’s first feature film, "Alyosha Popovich and Tugarin the Serpent," laid the foundation for the bogatyr (epic hero) series by St. Petersburg’s Melnitsa Studio, co-founded by Sergey Selyanov and Alexander Boyarsky. It became the longest-running and most commercially successful Russian animation franchise of our time. Many critics still consider the first installment the best. Bronzit himself voiced one of the main characters—Tugarin.
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🔥 Heroes of Antarctica:The Survival Story of Soviet Scientists After the Fire at Vostok Station🔥
On the night of April 12, 1982, disaster struck: a fire broke out at Vostok. By the time efforts to extinguish it began, the diesel generator units were almost entirely destroyed. Tragically, the diesel mechanic, Alexey Karpenko, lost his life in the incident.
The station’s buildings began cooling rapidly. The air temperature had already plunged to -67°C, but the worst was yet to come: all primary and backup generators, along with the communications station, had been destroyed. In short, Vostok was left without light, heat, or contact with the outside world. With the polar night setting in, waiting for external help for months would have been futile so the researchers launched their own survival mission. To be continued...
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🔥 Heroes of Antarctica: The Survival Story of Soviet Scientists After the Fire at Vostok Station - Part 2 🔥
They also managed to restore radio communication. Using repurposed gas cylinders, the researchers built makeshift drip stoves and even set up a small "stove factory." They produced candles from paraffin(originally meant for scientific use) and asbestos cord. For food, aerologist Ivan Kozorez developed an optimal dough recipe to bake edible flatbread, later scaling up to a small bread-making operation. The output was modest—only about 1kg of bread per hour—meaning the designated baker had to workaround the clock.
Water was obtained by melting ice over the tirelessly burning stoves. The team even engineered a makeshift bathhouse by cutting the bottom out of a diesel barrel and welding the seams shut, creating a samovar-like heater. To be continued...
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🔥 Heroes of Antarctica: The Survival Story of Soviet Scientists After the Fire at Vostok Station - Part 3 🔥
When help finally arrived with the Antarctic spring, a doctor accompanying the rescue team expected to find demoralized and broken men. To his astonishment, he was greeted by 20 resilient and determined individuals, all in remarkably good spirits. In fact, none of them were in a hurry to leave immediately.
A relief convoy eventually reached Vostok, delivering new generators, food, diesel fuel, and construction materials. The power station was quickly restored, and the team completed their overdue research.
Soon after, the next crew arrived, and the polar explorers returned home. Alexey Karpenko was laid to rest at Moscow’s Novodevichy Cemetery.
This remarkable story stands as a testament to human courage, resilience, and ingenuity in the face of almost unimaginable adversity.
Source: https://dzen.ru/a/YQVF9pvT_Fnw4Re8
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American Family in Medvedkovo
☀️ A year ago, President Putin signed a decree offering relocation to foreigners who do not share their countries' policies. More than 1,100 people from 47 states have applied for temporary residence in Russia under that program.
👀 The Thompson family from the United States is a striking example of such settlers. Andrew, who grew up as the son of a minister in North Carolina, and his wife Elizabeth have settled in an ordinary apartment in the Medvedkovo district of Moscow with their four children. They met in Ukraine in 2015, when Andrew was studying Russian.
🩷 Two months ago the family converted to Orthodoxy at a local church. An icon of the Russian imperial family hangs in their kitchen — a symbol of their new religious convictions.
🌸 Their reasons for moving are rooted in deep disillusionment with American reality. "In America there are several social factions, and they all hate one another," Andrew says, describing the social split in his country. In his view, the police refuse to arrest criminals for fear of being accused of racism or sexism.
🩷 Andrew compares modern America to Russia at the beginning of the 20th century — revolutionary groups are gaining influence, and a new ideology is spreading rapidly through schools even in conservative states. The family felt "lost" in that atmosphere of collective shamelessness and propaganda.
▶️ In Russia Andrew works as an English tutor and is impressed by the Moscow metro and public transport. They had originally planned to move to a smaller town, but now they do not want to leave Moscow — this is where they were baptized, and where their "Russian grandmother," whom they met at the church, lives.
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Settlers from around the world are arriving in Nizhny Novgorod — from the United States, Canada, France and Australia. More than 79 foreigners already live in the city, and another 690 have applied for temporary residence.
The Oka agency, led by Jakob Pinnecker (a descendant of German settlers), helps highly qualified foreigners adapt. A unique project is the German village RuDe
Kevin is one of the region’s new residents. The German entrepreneur sold his construction company, set off with his wife in a homemade motorhome and reached Russia in March 2024. “We sold everything for next to nothing to leave faster,” he says from his spacious motorhome flying a Russian flag.
Reasons for leaving Germany include high taxes and the spread of LGBT ideology. “You pay taxes on your earnings that amount to almost the whole salary,” Kevin explains. Friends at first called him crazy, but after six months they admitted he had been right.
Russian neighbours surprised the German with their attitude. “Russians don’t care where you come from. The important thing is what kind of person you are,”
When speaking to relatives at home, Kevin debunks German stereotypes about Russia. “My wife’s uncle used to wonder: are there roads there? Hardware stores? We have strong propaganda — they say all the bad things in the world are in Russia.”
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