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Это неудачка для тестового прогона, но зацените какие..
А миджорни мне вон кого выдал! Случайно, без референса, оно само! А с референсом какой-то пижонский детрактевич
Так ладно, давайте сегодня мужицкий дождь, пойду писать промты.
Так ладно, давайте сегодня мужицкий дождь, пойду писать промты.
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Forwarded from JaneTrankilla 🐊
Учимся иллюстрировать сложные эмоции.
Вчера дочитала Гринлайт и писала в чате, что середина книги далась мне тяжелее, чем конец, про морок абьюза и тд, и как раз задание случилось, так что вот моя версия.
Вчера дочитала Гринлайт и писала в чате, что середина книги далась мне тяжелее, чем конец, про морок абьюза и тд, и как раз задание случилось, так что вот моя версия.
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Опять пятница на день раньше началась! ☔
Это банана. Вы знаете, что делать. В сидриме будет более худой, в гпт будет более накаченный.
Sunlit oil painting, vertical 9:16. An adult man with wet hair climbs out of a summer river onto a low wooden landing, framed from mid-thigh upward at water level. One hand grips the timber, his other hand pushes wet hair away from his forehead. Water runs down his shoulders and bare chest; simple navy swimming shorts cling heavily at the waist. He glances upward toward someone on the landing with a broad, slightly breathless grin, unmistakably pleased with the splash he has just caused. His posture carries the remaining momentum of the climb: raised shoulder, bent elbow, torso turning. Sculptural oil strokes build the lean body, thick broken highlights sparkle across water, loose wet-looking brushwork surrounds sharply observed eyes and hands. Physical, playful, exuberant.Это банана. Вы знаете, что делать. В сидриме будет более худой, в гпт будет более накаченный.
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Это у меня были иллюстрации для слова "удаль".
Expressive oil painting, vertical 9:16. An adult man galloping on a powerful black horse through a riverside meadow, seen from a low three-quarter angle. His loose ivory shirt catches the wind, a vermilion sash cuts across the dark silhouette. He leans naturally into the stride, reins held low, laughing toward. Raised cheek, bright narrowed eyes, windblown hair, an open and infectious delight in speed. Frame horse and rider closely enough to keep his expression readable; the sweeping river and distant cobalt hills form broad background planes. Clear afternoon sunlight shapes his face and the horse’s muscular neck, cool blue shadows deepen their volume. Thick directional strokes follow the gallop, loaded impasto catches sunlight, broken edges dissolve into flying grass; precise accents around eyes and hands.А это было слово "одурь".
Expressive oil painting, intimate vertical portrait. A handsome man leaning back against a muted wall, head tipped slightly back in a subtle three-quarter turn, gazing heavy-lidded and unfocused just past the viewer. His lips are softly parted as if catching his breath, with a faint, involuntary smile touching one corner of his mouth. A barely visible warmth spreads across his cheekbones and ears, fine glints of perspiration catch the light at his temples, with damp strands of hair clinging to his forehead. His unbuttoned shirt collar falls open to expose the hollow of his throat, while one hand lightly clutches the fabric against his chest. Soft reflected ambient light warms his skin against cool background shadows. Thick impasto oil highlights on glistening skin, translucent layered shadows, visible bristle brushwork, with selective razor sharpness around the eyes and lips. Mood of sensory overwhelm, vulnerability, and tender disorientation.Первый:
Второй:
А это не помню что: то ли истома, то ли нега, то ли чилл.
Intimate expressive oil painting on canvas, vertical 9:16. An adult man with slightly tousled dark hair reclining diagonally across a deep wine-colored velvet sofa in a quiet room at dusk. He wears a softly rumpled ivory shirt open at the throat and dark trousers, with bare feet only loosely suggested near the lower edge. His body sinks naturally into the cushions, one elbow bent beside his head, the other arm lying across his waist with an open relaxed hand. His face turns toward an unseen presence just outside the painting, his eyes heavy-lidded and attentive without becoming alert, a subtle warm half-smile lingering at one corner of his mouth. His posture suggests that he could move but finds remaining still much more pleasurable. Amber lamplight touches the side of his neck, the bridge of his nose, and the folds of his shirt, while cool twilight collects behind the sofa. A sumptuous palette of burgundy, warm cream, amber, smoky plum, and near-black blue. Dense tactile oil paint in the velvet and illuminated fabric, translucent glazing across the face, broad economical brushstrokes, visible canvas weave, lost edges where his body settles into shadow. Sensual but restrained, emotionally present, unhurried, with convincing anatomy and soft natural asymmetry. Avoid theatrical seduction, melancholy, drunkenness, or a polished fashion advertisement. Entirely painted in oils, no glossy digital skin, no decorative border, no card design, no typography, no watermark.Второй:
Intimate expressive oil painting on canvas, vertical 9:16. An adult man with slightly tousled hair reclining diagonally across a deep wine-colored velvet sofa in a quiet room at dusk. He wears a softly rumpled ivory shirt open at the throat and dark trousers, with bare feet only loosely suggested near the lower edge. His body sinks naturally into the cushions, one elbow bent beside his head, the other arm lying across his waist with an open relaxed hand. His face turns toward an unseen presence just outside the painting, his eyes heavy-lidded and attentive without becoming alert, a subtle warm half-smile lingering at one corner of his mouth. His posture suggests that he could move but finds remaining still much more pleasurable. Amber lamplight touches the side of his neck, the bridge of his nose, and the folds of his shirt, while cool twilight collects behind the sofa. A sumptuous palette of burgundy, warm cream, amber, smoky plum, and near-black blue. Dense tactile oil paint in the velvet and illuminated fabric, translucent glazing across the face, broad economical brushstrokes, visible canvas weave, lost edges where his body settles into shadow. Sensual but restrained, emotionally present, unhurried, with convincing anatomy and soft natural asymmetry. Avoid theatrical seduction, melancholy, drunkenness, or a polished fashion advertisement. Entirely painted in oils, no glossy digital skin, no decorative border, no card design, no typography, no watermark.А это не помню что: то ли истома, то ли нега, то ли чилл.
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