Анонимный подписчик, явившийся с жалобой на дефицит мужчин в последних иллюстрациях, был услышан. Вот вам доказательство того, что стиль не знает гендерных ограничений (А Kling делает пузыри всем промптам назло).

Всем хороших выходных!

Бонус!

Когда только сел поиграть, но к тебе пришла жена обниматься.

Получилась короткая зарисовка.

Новости бердвотчинга: видела стрекозу, новых птиц не видела!

Давайте попробуем этот!
Если хорошо получится, то можно и ещё другие красивые попробовать.

Use the attached image as the primary character reference. Preserve the subject’s recognizable identity, exact facial structure, age, skin tone, eye shape, hairstyle, hair texture and distinctive features. Do not redesign, do not beautify.

Experimental analog-film portrait, dynamic three-quarter medium close-up photographed from slightly below eye level at the exact instant the subject turns rapidly toward the camera. Her body still faces away while her head and shoulders rotate into the light, causing several strands of hair and the loose edge of her dark clothing to lift through the frame. Her expression shows sudden recognition held under control, with alert eyes, a restrained inhale and no exaggerated surprise.

Low exposure with deep, velvety shadows. A strong shaft of intense sunlight streams through an unseen stained-glass window outside the frame. It casts sharp moving fragments of jewel-toned light and thick dark leadline shadows across the subject’s turning face, airborne hair, clothing and the dark background.

The dominant colors are vivid vermilion, deep ultramarine and electric turquoise with isolated flashes of molten gold. The rotating movement causes the colored fragments to break irregularly across individual strands of hair, while a sharp turquoise pane catches one eye and vermilion light grazes the opposite cheek and jawline.

The skin remains natural and matte, with visible pores, fine vellus hair and realistic tonal variation beneath the colored illumination. A few dust motes and moving hair strands blur gently inside the volumetric beam, creating controlled analog motion rather than chaotic smearing. The stained-glass window itself remains outside the image.

Keep the eyes and central facial features locally sharp while allowing subtle directional motion blur in the outer hair and clothing. Fine 35mm film grain, shadow noise and bright halation around the gold and vermilion fragments. Spontaneous, cinematic and emotionally charged photography.

Negative prompt: visible stained-glass window, frozen hair, extreme motion blur over the face, exaggerated shock, open screaming mouth, fashion runway pose, face paint, flat digital overlays, plastic skin, glossy commercial beauty lighting, 3d render, airbrushed skin, cartoon, generic center framing, smooth digital art, flawless skin.

Еще блондин в комментариях.

Так, давайте макро попробуем.. Глаз или шея? Давайте глаз!

Use the attached image as the primary character reference. Preserve the subject’s recognizable identity, exact facial structure, age, skin tone, eye shape, hairstyle, hair texture and distinctive features. Do not redesign, do not beautify.

Experimental analog-film extreme macro portrait showing only one eye, the upper cheek, part of the nose bridge and a few loose strands of hair. The camera is positioned slightly to the side rather than directly frontal, creating subtle dimensional depth. The visible eye looks just beyond the edge of the frame with a quiet, watchful intensity, while the eyelids remain relaxed and natural.

Low exposure with most of the face disappearing into deep brown-black shadow. A narrow shaft of intense sunlight streams through an unseen stained-glass window positioned far outside the frame. Rather than covering the entire face, the projection creates only a few isolated, sharply defined fragments of jewel-toned light.

The dominant colors are a single luminous cobalt-blue shard crossing the iris and upper cheek, a thin antique-gold fragment touching the eyelashes, and one tiny deep-red reflection near the edge of the nose. Generous areas of untouched natural skin and darkness separate the colored fragments. A narrow dark leadline shadow cuts diagonally beside the eye without obscuring it.

The optical light reveals the iris structure, individual eyelashes, pores, freckles and microscopic vellus hair. The effect remains projected light rather than pigment, makeup or a digital texture. Only a few tiny dust particles catch the beam near the lens.

Keep the visible eye, eyelashes and nearest edge of colored light extremely sharp. Allow the nose, hair and surrounding darkness to fall into shallow imperfect macro focus. Fine 35mm film grain, visible shadow noise and mild halation around the gold fragment. Intimate and psychologically tense experimental photography.

Negative prompt: second duplicated eye, distorted iris, oversized eye, dense full-face mosaic, visible stained-glass window, face paint, colored contact lenses, flat digital overlays, plastic skin, glossy commercial beauty lighting, 3d render, airbrushed skin, fantasy glow, cartoon, smooth digital art, flawless skin.