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1. ๐–ค๐—‘๐—๐—‹๐–บ๐–ผ๐— ๐– ๐—…๐—… ๐– ๐—Ž๐–ฝ๐—‚๐—ˆ๐—Œ ๐–บ๐—‡๐–ฝ ๐–ฒ๐—Ž๐–ป๐—๐—‚๐—๐—…๐–พ๐—Œ ๐–ฟ๐—‹๐—ˆ๐—† ๐–ณ๐–พ๐—…๐–พ๐—€๐—‹๐–บ๐—† ๐–ฌ๐–พ๐–ฝ๐—‚๐–บ:
- ๐–ณ๐—๐–พ ๐–ป๐—ˆ๐— ๐–ผ๐–บ๐—‡ ๐–พ๐—‘๐—๐—‹๐–บ๐–ผ๐— ๐–บ๐—…๐—… ๐–บ๐—Ž๐–ฝ๐—‚๐—ˆ ๐—๐—‹๐–บ๐–ผ๐—„๐—Œ ๐–บ๐—‡๐–ฝ ๐—Œ๐—Ž๐–ป๐—๐—‚๐—๐—…๐–พ๐—Œ ๐–ฟ๐—‹๐—ˆ๐—† ๐–บ ๐—€๐—‚๐—๐–พ๐—‡ ๐—†๐–พ๐–ฝ๐—‚๐–บ ๐–ฟ๐—‚๐—…๐–พ.
2. ๐–ฌ๐–พ๐—‹๐—€๐–พ ๐–ต๐—‚๐–ฝ๐–พ๐—ˆ + ๐–ต๐—‚๐–ฝ๐–พ๐—ˆ:
- ๐–ณ๐—๐–พ ๐–ป๐—ˆ๐— ๐–ผ๐–บ๐—‡ ๐—†๐–พ๐—‹๐—€๐–พ ๐—๐—๐—ˆ ๐—๐—‚๐–ฝ๐–พ๐—ˆ ๐–ฟ๐—‚๐—…๐–พ๐—Œ ๐—๐—ˆ๐—€๐–พ๐—๐—๐–พ๐—‹.
3. ๐–ฌ๐–พ๐—‹๐—€๐–พ ๐–ต๐—‚๐–ฝ๐–พ๐—ˆ + ๐– ๐—Ž๐–ฝ๐—‚๐—ˆ:
- ๐–ณ๐—๐–พ ๐–ป๐—ˆ๐— ๐–ผ๐–บ๐—‡ ๐—†๐–พ๐—‹๐—€๐–พ ๐–บ ๐—๐—‚๐–ฝ๐–พ๐—ˆ ๐–ฟ๐—‚๐—…๐–พ ๐—๐—‚๐—๐— ๐–บ๐—‡ ๐–บ๐—Ž๐–ฝ๐—‚๐—ˆ ๐—๐—‹๐–บ๐–ผ๐—„.
4. ๐–ฌ๐–พ๐—‹๐—€๐–พ ๐–ต๐—‚๐–ฝ๐–พ๐—ˆ + ๐–ฒ๐—Ž๐–ป๐—๐—‚๐—๐—…๐–พ๐—Œ:
- ๐–ณ๐—๐–พ ๐–ป๐—ˆ๐— ๐–ผ๐–บ๐—‡ ๐—†๐–พ๐—‹๐—€๐–พ ๐–บ ๐—๐—‚๐–ฝ๐–พ๐—ˆ ๐–ฟ๐—‚๐—…๐–พ ๐—๐—‚๐—๐— ๐—Œ๐—Ž๐–ป๐—๐—‚๐—๐—…๐–พ๐—Œ.
5. ๐–ฏ๐—‹๐–พ๐—Œ๐–พ๐—‹๐—๐–พ ๐– ๐—…๐—… ๐–ฒ๐—๐—‹๐–พ๐–บ๐—†๐—Œ ๐–ฟ๐—‹๐—ˆ๐—† ๐–ฅ๐—‚๐—‹๐—Œ๐— ๐–ต๐—‚๐–ฝ๐–พ๐—ˆ:
- ๐–ถ๐—๐–พ๐—‡ ๐—†๐–พ๐—‹๐—€๐—‚๐—‡๐—€ ๐—๐—‚๐–ฝ๐–พ๐—ˆ๐—Œ, ๐—๐—๐–พ ๐–ป๐—ˆ๐— ๐—‰๐—‹๐–พ๐—Œ๐–พ๐—‹๐—๐–พ๐—Œ ๐–บ๐—…๐—… ๐–บ๐—Ž๐–ฝ๐—‚๐—ˆ ๐—๐—‹๐–บ๐–ผ๐—„๐—Œ ๐–บ๐—‡๐–ฝ ๐—Œ๐—Ž๐–ป๐—๐—‚๐—๐—…๐–พ๐—Œ ๐–ฟ๐—‹๐—ˆ๐—† ๐—๐—๐–พ ๐–ฟ๐—‚๐—‹๐—Œ๐— ๐—๐—‚๐–ฝ๐–พ๐—ˆ ๐—’๐—ˆ๐—Ž ๐—Œ๐–พ๐—‡๐–ฝ.
6. ๐–ฌ๐–พ๐—‹๐—€๐–พ ๐—Ž๐—‰ ๐—๐—ˆ 10 ๐–ต๐—‚๐–ฝ๐–พ๐—ˆ๐—Œ ๐—‚๐—‡๐—๐—ˆ ๐–ฎ๐—‡๐–พ:
- ๐–ณ๐—๐–พ ๐–ป๐—ˆ๐— ๐–ผ๐–บ๐—‡ ๐—†๐–พ๐—‹๐—€๐–พ ๐—Ž๐—‰ ๐—๐—ˆ 10 ๐—๐—‚๐–ฝ๐–พ๐—ˆ ๐–ฟ๐—‚๐—…๐–พ๐—Œ ๐—‚๐—‡๐—๐—ˆ ๐–บ ๐—Œ๐—‚๐—‡๐—€๐—…๐–พ ๐—๐—‚๐–ฝ๐–พ๐—ˆ.
7. ๐–ด๐—‰๐—…๐—ˆ๐–บ๐–ฝ ๐–บ๐—Œ ๐–ฃ๐—ˆ๐–ผ๐—Ž๐—†๐–พ๐—‡๐—๐—Œ/๐–ต๐—‚๐–ฝ๐–พ๐—ˆ:
- ๐–ณ๐—๐–พ ๐–ป๐—ˆ๐— ๐–ผ๐–บ๐—‡ ๐—Ž๐—‰๐—…๐—ˆ๐–บ๐–ฝ ๐—๐—๐–พ ๐—‰๐—‹๐—ˆ๐–ผ๐–พ๐—Œ๐—Œ๐–พ๐–ฝ ๐–ฟ๐—‚๐—…๐–พ ๐–บ๐—Œ ๐–บ ๐–ฝ๐—ˆ๐–ผ๐—Ž๐—†๐–พ๐—‡๐— ๐—ˆ๐—‹ ๐—๐—‚๐–ฝ๐–พ๐—ˆ.
8. ๐–ข๐—Ž๐—Œ๐—๐—ˆ๐—† ๐–ณ๐—๐—Ž๐—†๐–ป๐—‡๐–บ๐—‚๐—… ๐–ฒ๐—Ž๐—‰๐—‰๐—ˆ๐—‹๐—:
- ๐–ณ๐—๐–พ ๐–ป๐—ˆ๐— ๐—Œ๐—Ž๐—‰๐—‰๐—ˆ๐—‹๐—๐—Œ ๐—Œ๐–พ๐—๐—๐—‚๐—‡๐—€ ๐–บ ๐–ผ๐—Ž๐—Œ๐—๐—ˆ๐—† ๐—๐—๐—Ž๐—†๐–ป๐—‡๐–บ๐—‚๐—… ๐–ฟ๐—ˆ๐—‹ ๐—๐—๐–พ ๐—Ž๐—‰๐—…๐—ˆ๐–บ๐–ฝ๐–พ๐–ฝ ๐—†๐–พ๐–ฝ๐—‚๐–บ.
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โคโ€๐Ÿ”ฅ8
โ™พโ™พโ™พโ™พโ™พโ™พโ™พโ™พ
You can use the following ffmpeg Custom command to trim a video, specifying the start time and duration:
-ss 00:00:30 -t 00:01:00 -c copy 

Hereโ€™s what the options mean:
- -ss 00:00:30: The start time of the trim (in this example, 30 seconds).
- -t 00:01:00: The duration of the trim (in this example, 1 minute).
- -c copy: Copies the video and audio streams without re-encoding (which is faster and preserves quality).
This command will produce output video, containing only the 1-minute segment starting at 30 seconds into the original video.
๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ
If you want to re-encode the video (e.g., for compatibility), remove -c copy:

-ss 00:00:30 -t 00:01:00 

This will result in a longer process since it will re-encode the video.
๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ
When re-encoding a video with
ffmpeg, you have several options to control the quality and file size. Hereโ€™s how you can use the -crf (Constant Rate Factor) and -ac (Audio Channels) options, among others:
1. Re-encoding with CRF for Quality Control
CRF (Constant Rate Factor) is a quality setting used by the libx264 (H.264) and libx265 (H.265) encoders in ffmpeg. The range is typically from 0 to 51:
- Lower values mean higher quality (and larger file sizes).
- Higher values mean lower quality (and smaller file sizes).
- A CRF value of around 18-23 is a good starting point for H.264, with 18 being visually lossless.


Example:
-ss 00:00:30 -t 00:01:00 -c:v libx264 -crf 23 -preset medium -c:a aac -b:a 128k 

๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ
2. Explanation of the Options:
- -c:v libx264: Specifies the video codec (H.264 in this case).
- -crf 23: Sets the CRF value to 23, balancing quality and file size.
- -preset medium: Controls the encoding speed and compression (options: ultrafast, superfast, veryfast, faster, fast, medium, slow, slower, veryslow). Slower presets result in better compression and smaller file sizes but take more time.
- -c:a aac: Specifies the audio codec (AAC in this case).
- -b:a 128k: Sets the audio bitrate to 128 kbps.

๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ
3. Changing Audio Settings
- -ac 2: Sets the number of audio channels (e.g., 2 for stereo).
- -ar 44100: Sets the audio sampling rate (e.g., 44100 Hz).

๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ
4. Full Example Command
-ss 00:00:30 -t 00:01:00 -c:v libx264 -crf 23 -preset medium -c:a aac -b:a 128k -ac 2 -ar 44100 

๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ
5. H.265 Example (Optional)
If you want to use the H.265 codec for better compression:
-ss 00:00:30 -t 00:01:00 -c:v libx265 -crf 28 -preset medium -c:a aac -b:a 128k 

For H.265, a CRF of 28 is roughly equivalent to a CRF of 23 in H.264 in terms of visual quality.
These commands will allow you to trim and re-encode your video while maintaining control over the quality and file size.

๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ
You Can Use That ffmpeg Custom Command in Those Bots.

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โคโ€๐Ÿ”ฅ3๐Ÿคฉ2โšก1โค1๐Ÿ‘1๐Ÿ”ฅ1๐Ÿคฏ1
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๐Ÿ”บNeed Hard Subtitle/Hard Muxing โ“
โ˜„๏ธFor Custom Ffmpeg command
โ„๏ธPS : Only Work For Soft Subs Video File.
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๐Ÿ‘11โคโ€๐Ÿ”ฅ1๐Ÿ˜1
Hard Subtitle Using FFmpeg command
๐Ÿ™๐Ÿ™๐Ÿ™๐Ÿ™๐Ÿ™๐Ÿ™โ˜น๏ธ๐Ÿฅณ๐Ÿ™๐Ÿ™๐Ÿ™๐Ÿ™๐Ÿ™๐Ÿ™โ˜น๏ธ
โš ๏ธThis Command Only Work For Soft Subbed Video In Our Bot
Note : This ffmpeg Command Are On Your Special file input path
In our bot using like this
:
/home/sp/app/ffmpeg/[userid]/[filename]

Eg :
/home/sp/app/ffmpeg/1224xxx/1234.mkv

-vf "subtitles='/home/sp/app/ffmpeg/[userid]/[filename]':si=0" \
-map 0:v:0 -map 0:a:0 \
-c:v libx264 -crf 18 -preset slow -c:a aac -b:a 192k

๐Ÿ˜ฃโ˜น๏ธ๐Ÿ™โ˜น๏ธ๐Ÿ™๐Ÿ˜ถโ€๐ŸŒซ๏ธ๐Ÿ˜ฃ๐Ÿฅณ๐Ÿ˜ฃโ˜น๏ธ๐Ÿ™โ˜น๏ธ๐Ÿ™๐Ÿ˜ถโ€๐ŸŒซ๏ธ๐Ÿ˜ฃ
Explanation :
1.
-vf "subtitles='/home/sp/app/ffmpeg/[userid]/[filename]':si=0" : Applies the first subtitle track as a hardcoded subtitle.

2.
-map 0:v:0 : Maps the first video track.

3.
-map 0:a:0 : Maps the first audio track. By default, this will be the first audio track (hard audio).

4.
-c:v libx264 -crf 18 -preset slow : Sets the video codec to libx264 with a CRF value of 18 for high quality, and the slow preset for better compression.

5. -c:a aac -b:a 192k: Re-encodes the audio using the AAC codec at a bitrate of 192 kbps. This step is necessary to ensure the audio is hardcoded along with the video.

This command will result in a video with both the first subtitle track and the first audio track hardcoded into the output.
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โค3๐Ÿ‘2โคโ€๐Ÿ”ฅ1โšก1๐Ÿคฉ1
๐Ÿ˜ฃโ˜น๏ธ๐Ÿ™โ˜น๏ธ๐Ÿ™๐Ÿ˜ถโ€๐ŸŒซ๏ธ๐Ÿ˜ฃ๐Ÿฅณ๐Ÿ˜ฃโ˜น๏ธ๐Ÿ™โ˜น๏ธ๐Ÿ™๐Ÿ˜ถโ€๐ŸŒซ๏ธ๐Ÿ˜ฃ
Certainly! Here's a comprehensive explanation of how to handle multiple tracks for both subtitles and audio in FFmpeg, focusing on the use of -map for audio and si for subtitles :

Handling Multiple Audio Tracks
Audio Tracks :
- Mapping Audio Streams: Use -map to select which audio stream to include in the output file. Audio streams are indexed starting from 0. For example:
- -map 0:a:0 : Selects the first audio stream.
- -map 0:a:1 : Selects the second audio stream.

In FFmpeg, audio tracks are not "burned in" or hardcoded. Instead, they are simply included as separate streams in the output file. The -map option determines which audio tracks are included in the final file.

Handling Multiple Subtitle
Subtitle Tracks Burning Subtitles : To hardcode subtitles into the video, use the -vf option with the subtitles filter. You can specify which subtitle stream to use with the si paramet si=0 : Uses the first subtitle si=1 : Uses the second subtitle stream.

Unlike audio, subtitles are hardcoded directly into the video stream, which means they are rendered into the video frames rather than being a separate stream in the output file.
๐Ÿ˜ฃโ˜น๏ธ๐Ÿ™โ˜น๏ธ๐Ÿ™๐Ÿ˜ถโ€๐ŸŒซ๏ธ๐Ÿ˜ฃ๐Ÿฅณ๐Ÿ˜ฃโ˜น๏ธ๐Ÿ™โ˜น๏ธ๐Ÿ™๐Ÿ˜ถโ€๐ŸŒซ๏ธ๐Ÿ˜ฃ
Example Command for Multiple Tracks
FFmpeg command that handles multiple audio and subtitle tracks :

-vf "subtitles='/home/sp/app/ffmpeg/[userid]/[filename]':si=1" \
-map 0:v:0 -map 0:a:1 \
-c:v libx264 -crf 18 -preset slow -c:a aac -b:a 192k

Breakdown :
- -vf "subtitles='/home/sp/app/ffmpeg/[userid]/[filename]':si=1" : Hardcodes the second subtitle
-map 0:v:0 : Includes the first video
-map 0:a:1 : Includes the second audio stream from the input.
- -c:v libx264 -crf 18 -preset slow : Encodes the video using x264 codec with specified
- -c:a aac -b:a 192k : Encodes the audio using AAC codec
- Subtitles
: Use -vf "subtitles=/home/sp/app/ffmpeg/[userid]/[filename]:si=<index>" to hardcode muti subtitles.
- Audio : Use -map 0:a:<index> to select which muti audio.
๐Ÿฅณโ˜น๏ธ๐Ÿ˜ฃ๐Ÿ™โ˜น๏ธ๐Ÿ™โ˜น๏ธโ˜น๏ธ๐Ÿฅณโ˜น๏ธ๐Ÿ˜ฃ๐Ÿ™โ˜น๏ธ๐Ÿ™โ˜น๏ธ

You Can Use That ffmpeg Custom Command in Those Bots.

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โคโ€๐Ÿ”ฅ8๐Ÿคฏ4โšก1
Need Tutorials Video With Custom code ? While Using our Bots.
Video Watermark Text/metadata/trim/hardsubs(hardmux)

If U Want Comment Down Below.

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โคโ€๐Ÿ”ฅ7โค2๐Ÿ‘Œ2โšก1๐Ÿ˜˜1
๐˜š๐˜ฐ๐˜ถ๐˜ณ๐˜ค๐˜ฆ ๐˜—๐˜ญ๐˜ฆ๐˜ข๐˜ด๐˜ฆ ๐˜‰๐˜ฐ๐˜ต๐˜ด
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๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ๐Ÿ”ธ
Currently Working Auto Caption Support Format
{file_caption} current caption
{file_name} original file name
{file_size} total file size
{quality} file resolution
โ˜„๏ธSuggest More Format for Caption
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โคโ€๐Ÿ”ฅ6โšก2๐Ÿ†’2๐Ÿคฏ1๐Ÿ˜˜1
๐˜š๐˜ฐ๐˜ถ๐˜ณ๐˜ค๐˜ฆ ๐˜—๐˜ญ๐˜ฆ๐˜ข๐˜ด๐˜ฆ ๐˜‰๐˜ฐ๐˜ต๐˜ด
โ€‹โ€‹๐Ÿ“Œ ๐–ญ๐–พ๐— ๐–ก๐—ˆ๐— ๐–ฑ๐–พ๐—…๐–พ๐–บ๐—Œ๐–พ๐–ฝ ๐Ÿ“Œ๐–ฒ๐–ฏ๐—‘๐–ฅ๐—‚๐—…๐–พ๐–ฒ๐—๐—ˆ๐—‹๐–พ๐–ก๐—ˆ๐— ๐ŸŽ ๐–ฅ๐–พ๐–บ๐—๐—Ž๐—‹๐–พ๐—Œ ๐Ÿ’Ž๐–ฏ๐—‹๐—ˆ๐—๐–พ๐–ผ๐—๐—‚๐—ˆ๐—‡ ๐—ˆ๐–ฟ ๐– ๐—…๐—… ๐–ณ๐—๐—‚๐—‡๐—€๐—Œ ๐–ฃ๐–บ๐—๐–บ : ๐—‹๐–พ๐–บ๐–ฝ๐—’ ๐—๐—ˆ ๐—‰๐—‹๐—ˆ๐—๐–พ๐–ผ๐— ๐–บ๐—‡๐–ฝ ๐—Œ๐–พ๐—‹๐—๐–พ ๐–บ๐—‡๐—’ ๐—„๐—‚๐—‡๐–ฝ ๐—ˆ๐–ฟ ๐—’๐—ˆ๐—Ž๐—‹ ๐–ฝ๐–บ๐—๐–บ ๐—๐—‚๐—๐— ๐–บ ๐—Œ๐—‚๐–ฝ๐–พ ๐—ˆ๐–ฟ ๐–ผ๐—๐–บ๐—‹๐—†. โฐ ๐–ณ๐—‚๐—†๐–พ-๐–ณ๐—‹๐–บ๐—๐–พ๐—…๐—‚๐—‡๐—€ ๐–ฃ๐–บ๐—๐–บ : ๐–ฃ๐–พ๐—…๐–พ๐—๐–พ ๐–ณ๐—‚๐—†๐–พ๐—‹, ๐–ฒ๐–พ๐— ๐–บ ๐—๐—‚๐—†๐–พ๐—‹ ๐–ฟ๐—ˆ๐—‹ ๐—Œ๐—๐–บ๐—‹๐–พ๐–ฝ ๐–ฟ๐—‚๐—…๐–พ๐—Œ ๐—๐—ˆ ๐–บ๐—Ž๐—๐—ˆ๐—†๐–บ๐—๐—‚๐–ผ๐–บ๐—…๐—…๐—’ ๐–ฝ๐–พ๐—…๐–พ๐—๐–พ ๐–บ๐–ฟ๐—๐–พ๐—‹ ๐–บ ๐—Œ๐—‰๐–พ๐–ผ๐—‚๐–ฟ๐—‚๐–พ๐–ฝโ€ฆ
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โคโ€๐Ÿ”ฅ9โค3๐Ÿ˜1
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๐Ÿ˜13โคโ€๐Ÿ”ฅ2๐Ÿ”ฅ2โค1
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โคโ€๐Ÿ”ฅ6โค2๐Ÿคฉ2๐Ÿ˜2๐Ÿ”ฅ1
๐˜š๐˜ฐ๐˜ถ๐˜ณ๐˜ค๐˜ฆ ๐˜—๐˜ญ๐˜ฆ๐˜ข๐˜ด๐˜ฆ ๐˜‰๐˜ฐ๐˜ต๐˜ด
โ€‹โ€‹๐Ÿ‘๐™Ž๐™‹๐™ญ๐™๐™ฅ๐™ก๐™ค๐™–๐™™๐™š๐™ง๐™‹๐™ง๐™ค๐˜ฝ๐™ค๐™ฉ ๐™ฑ๐šŠ๐šŒ๐š” ๐šƒ๐š˜ ๐™พ๐š—๐š•๐š’๐š—๐šŽ ๐Ÿ“ฆ ๐™ต๐šŽ๐šŠ๐š๐šž๐š›๐šŽ๐šœ ๐Ÿ˜” ๐š„๐š™๐š•๐š˜๐šŠ๐š ๐š•๐š’๐š—๐š”๐šœ ๐šœ๐šž๐š™๐š™๐š˜๐š›๐š๐šŽ๐š ๐š‹๐šข ๐šˆ๐šƒ-๐™ณ๐™ป๐™ฟ ๐š๐š˜ ๐šƒ๐šŽ๐š•๐šŽ๐š๐š›๐šŠ๐š–. ๐Ÿ˜” ๐š„๐š™๐š•๐š˜๐šŠ๐š ๐™ท๐šƒ๐šƒ๐™ฟ/๐™ท๐šƒ๐šƒ๐™ฟ๐š‚ ๐š•๐š’๐š—๐š”๐šœ ๐šŠ๐šœ ๐š๐š’๐š•๐šŽ๐šœ ๐š˜๐š› ๐šŸ๐š’๐š๐šŽ๐š˜๐šœ ๐š๐š˜ ๐šƒ๐šŽ๐š•๐šŽ๐š๐š›๐šŠ๐š–. ๐Ÿ˜” ๐š„๐š™๐š•๐š˜๐šŠ๐š ๐šข๐š˜๐šž๐š๐šž๐š‹๐šŽ,๐š๐š’๐š”๐š๐š˜๐š”,๐š–๐šŽ๐š๐š’๐šŠ๐š๐š’๐š›๐šŽ, ๐š‚๐š๐š›๐šŽ๐šŠ๐š–๐š๐šŠ๐š™๐šŽ (๐š‹๐šŽ๐š๐šŠ), ๐š๐š˜๐š˜๐š๐š•๐šŽ ๐š๐š›๐š’๐šŸ๐šŽ, ๐š๐šŽ๐š–๐š‹๐šŽ๐š ๐š•๐š’๐š—๐š”๐šœ (๐š๐šŽ๐š–๐š‹๐šŽ๐š.๐šŒ๐š˜๐š– ๐š๐š˜๐š–๐šŠ๐š’๐š—).๐š‚๐š˜๐š–๐šŽโ€ฆ
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โค6โคโ€๐Ÿ”ฅ1๐Ÿ˜ข1
๐˜š๐˜ฐ๐˜ถ๐˜ณ๐˜ค๐˜ฆ ๐˜—๐˜ญ๐˜ฆ๐˜ข๐˜ด๐˜ฆ ๐˜‰๐˜ฐ๐˜ต๐˜ด
โ€‹โ€‹๐Ÿ‘๐™Ž๐™‹๐™ญ๐™๐™ฅ๐™ก๐™ค๐™–๐™™๐™š๐™ง๐™‹๐™ง๐™ค๐˜ฝ๐™ค๐™ฉ ๐™ฑ๐šŠ๐šŒ๐š” ๐šƒ๐š˜ ๐™พ๐š—๐š•๐š’๐š—๐šŽ ๐Ÿ“ฆ ๐™ต๐šŽ๐šŠ๐š๐šž๐š›๐šŽ๐šœ ๐Ÿ˜” ๐š„๐š™๐š•๐š˜๐šŠ๐š ๐š•๐š’๐š—๐š”๐šœ ๐šœ๐šž๐š™๐š™๐š˜๐š›๐š๐šŽ๐š ๐š‹๐šข ๐šˆ๐šƒ-๐™ณ๐™ป๐™ฟ ๐š๐š˜ ๐šƒ๐šŽ๐š•๐šŽ๐š๐š›๐šŠ๐š–. ๐Ÿ˜” ๐š„๐š™๐š•๐š˜๐šŠ๐š ๐™ท๐šƒ๐šƒ๐™ฟ/๐™ท๐šƒ๐šƒ๐™ฟ๐š‚ ๐š•๐š’๐š—๐š”๐šœ ๐šŠ๐šœ ๐š๐š’๐š•๐šŽ๐šœ ๐š˜๐š› ๐šŸ๐š’๐š๐šŽ๐š˜๐šœ ๐š๐š˜ ๐šƒ๐šŽ๐š•๐šŽ๐š๐š›๐šŠ๐š–. ๐Ÿ˜” ๐š„๐š™๐š•๐š˜๐šŠ๐š ๐šข๐š˜๐šž๐š๐šž๐š‹๐šŽ,๐š๐š’๐š”๐š๐š˜๐š”,๐š–๐šŽ๐š๐š’๐šŠ๐š๐š’๐š›๐šŽ, ๐š‚๐š๐š›๐šŽ๐šŠ๐š–๐š๐šŠ๐š™๐šŽ (๐š‹๐šŽ๐š๐šŠ), ๐š๐š˜๐š˜๐š๐š•๐šŽ ๐š๐š›๐š’๐šŸ๐šŽ, ๐š๐šŽ๐š–๐š‹๐šŽ๐š ๐š•๐š’๐š—๐š”๐šœ (๐š๐šŽ๐š–๐š‹๐šŽ๐š.๐šŒ๐š˜๐š– ๐š๐š˜๐š–๐šŠ๐š’๐š—).๐š‚๐š˜๐š–๐šŽโ€ฆ
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โค5๐Ÿ”ฅ1๐Ÿคฉ1