Wong Kar-wai Style Cinematic Portrait
A photorealistic, cinematic portrait in the style of Wong Kar-wai, using the uploaded image as a face reference. Emphasize the jawline and neck to be sharp, almost sculptural, while maintaining the original facial features and identity.
Pose: Sitting, head leaning against the window, hands resting on the edge, eyes gazing wistfully at the streetlights.
Setting: Inside an old taxi with faded leather seats.
The window is fogged with rain, and streetlights are streak blurred in the background.
Camera Angle: Shot from outside the window, with reflections layered over the face.
Lighting: Red-green neon lights streaking across, causing the face to change color with the passing light.
Attire: A slightly unbuttoned black shirt, wet hair.
Image Tone: High red-green contrast, heavy film grain, pronounced motion blur, a soft glow around car lights.
Mood: Lonely, isolated, a silent big city.

A photorealistic portrait in the style of Wong Kar-wai, using the uploaded image as the face model. Emphasize the sculpted jawline and neck. The face and its unique features must be preserved exactly as they are.
Pose: The young man is sitting in a congee shop, his head tilted slightly as he gazes absently outside. One elbow rests on the dining table. In front of him is a bowl of steaming hot congee. The scene is set at night in Hong Kong with neon lighting.
Outfit: A faded, thin shirt with the top two buttons undone, the hem hanging loosely. He's wearing loose black slacks for a casual look.
Color Tone: Muted green and yellow with high contrast and motion blur.
Reference Style: Fallen Angels - solitude and the city at night.
His hair is korean styled that accentuates with messy bangs. Natural looking on his face no make up look, focusing on defined eyes (preserve eyes), neat brows.
Attire: A slightly unbuttoned black shirt, wet hair.
Image Tone: High red-green contrast, heavy film grain, pronounced motion blur, a soft glow around car lights.
Mood: Lonely, isolated, a silent big city.

A 35mm film photograph with prominent film grain, in a refined and minimalist fashion editorial style.
The subject is a young Asian man wearing an open-collar white shirt. His face is turned completely in a profile view and tilted up towards the sky, with his eyes gently closed, conveying a sense of freedom and pensive emotion.
His hair is slightly tousled by the wind, and his sharp facial features are highlighted by natural light,
exuding a youthful, cinematic vibe.
The surroundings: A vast, clear blue sky occupies most of the frame, with no thick clouds, creating a spacious and expansive feeling. A contrail can be seen in the background. The subject only takes up about 30-35% of the frame, emphasizing his integration into the wide-open space, giving it the quality of a fashion magazine cover.
Composition: A low-angle shot, looking up, highlights the contrast between the subject and the infinite blue sky.
Color palette: Clear blue and bright white, sharp, with no yellow
cast. The distinct film grain creates a classic texture, emphasizing the natural yet luxurious vibe of a 35mm film editorial photo.

Attached image sits in a meadow full of white wildflowers at night, wearing a loose white shirt with a few buttons undone. He holds a wamly lit lantern that reveals his face and suroundings, creating a dramatic and mystrious atmosphere. The lantern's light is the only source of light in the darkness, displying a calm and curious expression. The photgrphy style is cinematic, the atmosphere is dremy, full of romantic and poetic nuances, the focus is on the camera, the entire photo is further away