Nova FIVME
204 subscribers
190 photos
3 videos
2 files
31 links
Beyond Right and Left, Beyond Good and Evil
Download Telegram
Official Bulletin of the commander of Italian Fiume
"Italy is life!"- Gabriele D'annunzio
❀13πŸ‘Ž2
"If only we can give them faith that mountains can be moved, they will accept the illusion that mountains are moveable, and thus an illusion may become reality."
-Benito Mussolini
πŸ‘9❀2
Forwarded from π•­π–Šπ–†π–šπ–™π–Žπ–‹π–šπ–‘ π•Έπ–”π–“π–˜π–™π–Šπ–—π–˜ (Don Giovanni)
Cool comic I found on Luisa Casati. http://readallcomics.com/casati-the-selfish-muse-tpb/
πŸ”₯3❀1πŸ‘1
Forwarded from π•­π–Šπ–†π–šπ–™π–Žπ–‹π–šπ–‘ π•Έπ–”π–“π–˜π–™π–Šπ–—π–˜ (Don Giovanni)
πŸ”₯3
On the occasion of the conquest of Fiume by Gabriele D'annunzio, the club dada sent the following telegram
"Please phone the Club Dada, Berlin, if the allies protest. Conquest is a great Dadaist action, and we will employ all means to ensure its recognition. The Dadaist city of Dadaco already recognizes Fiume as an Italian city."
- Dada Berlin Club Telegram to D'annunzio
❀12
Nova FIVME
Photo
Dada is based, fuck people who only think "traditionalist art" is good art
❀12
https://viewcomiconline.com/black-paths-tpb/
"Black Paths" comic about Fiume
❀7
"Cabaret Voltaire was the first of the 'Dada' reviews but bore the name of the literary and artistic cabaret opened by Hugo Ball in Zurich on March 5, 1916.
Written and visual contributions from Futurists, Cubists and Expressionists appear in Cabaret Voltaire and in the first two issues of Dada, as well as work of the Dada group itself. One of the Italian Futurist F.T. Marinetti's parole in libertΓ , 'Dune', which combined visual, aural and written dimensions and was a significant influence on the Dada phonetic poem, was printed in Cabaret Voltaire."
❀4πŸ‘1
Nova FIVME
Photo
From my understanding, the Russian Soviet, the Hungarian Soviet and the Irish Free Republic also recognized Fiume
❀2
❀5
Evola’s intellectual autobiography, The Path of Cinnabar, provides insights into his foray into the art world in the chapter β€œAbstract Art and Dadaism.” He was attracted to Dada for its radicalism, since it β€œstood for an outlook on life which expressed a tendency towards total liberation, conjoined with the upsetting of all logic, ethic and aesthetic categories, in the most paradoxical and baffling ways”. He quotes Tzara: β€œWhat is divine within us, is the awakening of an anti-human action” and cites a Dadaist philosophy with a premise in keeping with Evola’s thoughts on the Kali Yuga: "Let each person shout: there is a vast, destructive, negative task to fulfil. To swipe away, and blot out.In a world left in the hands of bandits who are ripping apart and destroying all centuries, an individual’s purity is affirmed by a condition of folly, of aggressive and utter folly. "
❀1