Lord Igaluk
In Inuit mythology, Igaluk is one of the most powerful gods of the pantheon. He is a lunar deity. In Greenland, he is known as Aningaaq.
#Inuit
In Inuit mythology, Igaluk is one of the most powerful gods of the pantheon. He is a lunar deity. In Greenland, he is known as Aningaaq.
#Inuit
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According to Inuit mythology, Igaluk and his sister Malina lived together in a village. They were very close when young, but came to live apart as they grew older, in the lodges for women and for men. One day, as Igaluk looked at the women, he found that his older sister was the most beautiful. He took notice of the unique material her clothes were made of. And so that night, when the lamp went out in the women's dwelling, he crept in and found her by recognising the feel and texture of her clothes. Since that night, Igaluk mated with his older sister many times. As it was dark, Malina was never able to tell who the man was, but one night, in the middle of their copulation, she covered her hands with the soot from the lamps and smeared his face with it. Afterwards, she took a lamp and looked through the skylight of the men's lodge to identify the man who took her. Upon learning that it was her own brother, Igaluk who'd been enjoying her, Malina became red and hot with shame; after confronting him about it, she ran out the door, grabbing a torch as she went. Igaluk chased after her, likewise taking a torch, and followed her path. However, he tripped and dropped his torch, and the flame was put out, except for a faint glow. Eventually however, Igaluk caught up to his sister, and the two ran so fast that they took off into the sky and became the Moon and the Sun. Once every while Igaluk managed to catch up with his older sister, Malina, and enjoy a brief union with her, causing a solar eclipse. The chase also inspired the tradition of the first sunrise of the New Year in which three qulliqs were extinguished and retighten.
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Väinämöinen is a demigod, hero and the central character in Finnish folklore and the main character in the national epic Kalevala by Elias Lönnrot. Väinämöinen was described as an old and wise man, and he possessed a potent, magical singing voice.
Powers/Abilities: Väinämöinen is a shaman who can entrance any human or animal with his poetic singing. Among other things, he sang his way out of a giant's belly, made Ilmarinen fly with a pine, in one confrontation made his opponent sink to a swamp on the spot and put a whole household of Louhi to sleep.
Väinämöinen is variously described as a deity who existed in the mythic past before the world's creation (in which he took part), as an extraordinary shaman who was a master of magic songs and incantations, and as the “eternal sage,” an immortal wise man.
#Finland
Powers/Abilities: Väinämöinen is a shaman who can entrance any human or animal with his poetic singing. Among other things, he sang his way out of a giant's belly, made Ilmarinen fly with a pine, in one confrontation made his opponent sink to a swamp on the spot and put a whole household of Louhi to sleep.
Väinämöinen is variously described as a deity who existed in the mythic past before the world's creation (in which he took part), as an extraordinary shaman who was a master of magic songs and incantations, and as the “eternal sage,” an immortal wise man.
#Finland
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Ilmatar continued to float in the waters. Her footprints became pools for fish, and by pointing she created contours in the land. In this way she made all that is. Then one day she gave birth to Väinämöinen, the first man.
llmatar the finnish goddess of Air and Nature🌬🍀
llmatar the finnish goddess of Air and Nature🌬🍀
Finnish mythology is a commonly applied description of the folklore of Finnish paganism, of which a modern revival is practiced by a small percentage of the Finnish people. It has many features shared with Estonian and other Finnic mythologies, but also shares some similarities with neighbouring Baltic, Slavic and, to a lesser extent, Norse mythologies.
Finnish mythology survived within an oral tradition of mythical poem-singing and folklore well into the 19th century.
Of the animals, the most sacred was the bear, whose real name was never uttered out loud, lest his kind be unfavorable to the hunting. The bear ("karhu" in Finnish) was seen as the embodiment of the forefathers, and for this reason it was called by many circumlocutions: mesikämmen ("mead-paw"), otso ("browed one"), kontio ("dweller of the land"), metsän kultaomena ("the golden apple of the forest") but not a god.
#Finland
Finnish mythology survived within an oral tradition of mythical poem-singing and folklore well into the 19th century.
Of the animals, the most sacred was the bear, whose real name was never uttered out loud, lest his kind be unfavorable to the hunting. The bear ("karhu" in Finnish) was seen as the embodiment of the forefathers, and for this reason it was called by many circumlocutions: mesikämmen ("mead-paw"), otso ("browed one"), kontio ("dweller of the land"), metsän kultaomena ("the golden apple of the forest") but not a god.
#Finland
There are many Mongol creation myths. In the most ancient one, the creation of the world is attributed to a Buddhist deity Lama. At the start of time, there was only water, and from the heavens, Lama came down to it holding an iron rod with which he began to stir. As he began to stir the water, the stirring brought about a wind and fire which caused a thickening at the centre of the waters to form the earth. Another narrative also attributes the creation of heaven and earth to a lama who is called Udan. Udan began by separating earth from heaven, and then dividing heaven and earth both into nine stories, and creating nine rivers. After the creation of the earth itself, the first male and female couple were created out of clay. They would become the progenitors of all humanity.
In another example the world began as an agitating gas which grew increasingly warm and damp, precipitating a heavy rain that created the oceans. Dust and sand emerged to the surface and became earth.
#Mongolia
In another example the world began as an agitating gas which grew increasingly warm and damp, precipitating a heavy rain that created the oceans. Dust and sand emerged to the surface and became earth.
#Mongolia
Yet another account tells of the Buddha Sakyamuni searching the surface of the sea for a means to create the earth and spotted a golden frog. From its east side, Buddha pierced the frog through, causing it to spin and face north. From its mouth burst fire, and its rump streamed water. Buddha tossed golden sand on his back which became land. And this was the origin of the five earthly elements, wood and metal from the arrow, and fire, water and sand.These myths date from the 17th century when Yellow Shamanism (Tibetan Buddhism using shamanistic forms) was established in Mongolia. Black Shamanism and White Shamanism from pre-Buddhist times survive only in far-northern Mongolia (around Lake Khuvsgul) and the region around Lake Baikal where Lamaist persecution had not been effective.
Bai-Ülgen or Ülgen (Old Turkic: Bey Ülgen; also spelled Bai-Ulgen, Bai-Ülgen, Bay-Ulgan, Bay-Ulgen, or Bay-Ülgen; Khakas, Shor and Altay: Ӱлген; Mongolian: Үлгэн) is a Turkic and Mongolian creator-deity, usually distinct from Tengri but sometimes identified with him in the same manner as Helios and Apollo. His name is from Old Turkic bay, "rich", and ülgen, "magnificent". Ülgen is believed to be without either beginning or end.
#Tengrism #Mongolian #Turkic
#Tengrism #Mongolian #Turkic