THE BOOK OF EARLY WHISPERINGS
by Walter Russell (1949)

Full Audiobook with Text and Music
by Altrusian Grace Media (2023)

🔥https://youtu.be/FXFuEibQgV0

"These writings are the whisperings of God’s Voice to me during those early periods of illumination which occurred in May of every year of my life from the age of seven. These periods of ecstasy – which always characterized cosmic illumination – lasted from ten to fourteen days, during which time I was obliged to seek solitude and aloneness in forests. I endeavored to express the thoughts and moods of these periods of ecstasy as my varying lack of body awareness balanced with my ever increasing cosmic God-consciousness with God and Nature." - WALTER RUSSELL

This video/audiobook was produced in cooperation with The University of Science and Philosophy - www.Philosophy.org

FIRST-EVER PHOTO OF THE EARTH'S CURVATURE?! (1930) 72,395 FEET ELEVATION

🤔Hmmm. Earth's curvature looks more like the "rounded" corner of a dinner plate than a Sphere.

PHOTO SOURCE: https://www.vintag.es/2020/12/earth-curvature-first-photo.html

“HE KNOWS THE WORLD IS ROUND,
BUT HERE IT IS BEFORE HIM FLAT.”

~ Walter Russell, The Universal One
https://t.me/MagneticStillness/512

U2 SPY PLANE COCKPIT CAMERA

70,000 Feet Above The Earth.
30 Minute Flight In 30 Seconds.

“HE KNOWS THE WORLD IS ROUND,
BUT HERE IT IS BEFORE HIM FLAT.”

~ Walter Russell, The Universal One
https://t.me/MagneticStillness/512

🙏RIP - Patrick Timpone of One Radio Network

https://www.instagram.com/p/Cx9ESMsOUSY

https://oneradionetwork.com

THE GARDEN OF EARTHLY DELIGHTS
by Hieronymus Bosch (1492)

This painting shows the world during creation, probably on the Third Day, after the addition of plant life but before the appearance of animals and humans.

MORE INFO: https://smarthistory.org/bosch-the-garden-of-earthly-delights

“HE KNOWS THE WORLD IS ROUND,
BUT HERE IT IS BEFORE HIM FLAT.”

~ Walter Russell, The Universal One
https://t.me/MagneticStillness/512

#WalterRussell was a master of all five of the fine arts—a true rarity. He wrote “The Sea Children” in 1901. These are but a few of his freehand illustrations from that book.

@philosophyu

HOMECOMING 2023 - A TIMELESS MESSAGE

Virtual Homecoming Tickets Now Available!

✨ www.Philosophy.org/store/p147/2023_HOMECOMING ✨

Purchase of a VIRTUAL TICKET grants you access to view the lectures LIVE via Zoom. This option is perfect for those unable to travel, who would still like to watch the lectures in real time.

The USP Telegram:
https://t.me/usandp

THE PRIMORDIAL CODE (2023)
A Documentary by Marijn Poels

☀️ youtu.be/TYQ3cI2J4aM
☀️ NOTE: Turn On Subtitles!

"What if you visit a place where you’re confronted with our history that turns out to be much different than the one you were always led to believe? How a false narrative has managed to keep the whole foundation of our being in its grip by shifting reality into myths.

​A story of how oppression and fear have kept us from developing our primal forces for thousands of years, which are now being reclaimed worldwide. Because it's just in our human DNA and it's easier to reclaim than once thought.

​A mind-boggling experimental quest by documentarian Marijn Poels into our distant past to win back our primal code again."

www.MarijnPoels.com/primordialcode

THE INVISIBLE UNIVERSE

Exhibition of Paintings by Walter Russell

New York Museum of Science and Industry, Rockefeller Center

Opening May 25th, 1931

Introductory Article by Muriel Bruce

When scientists fall out, who can be umpire?
Answer -- the artist, for seeing is believing.

Sir James Jeans, distinguished scientist from England, is going about the United States announcing his belief that the universe is rushing head-long to destruction, like a prodigal son on a down-hill path with never a chance of a comeback.

Walter Russell, famous as an American artist and sculptor, not only meets this pessimistic theory with arguments so logical that scientists have been forced to stop and listen, but has painted a series of pictures to illustrate his contentions. Eight of these paintings are now hanging in the Museum of Science and Industry of New York for all the world -- and the scientists -- to see.

The universe, Mr. Russell says, is doing nicely, swinging along under a fifty-fifty rule of give-and-take, and not -- as Sir James declares -- being constantly annihilated in the depths of inter-stellar space, which process, one of these days, would exhaust the source of life. Until now, Sir James has had the floor, but since May 25th Walter Russell's pictures have been on view in the Museum, and according to his explanation of their vivid beauty, they suggest that Sir James may be wrong.

The pictures show that for every expenditure of the universal energy there is a simultaneous and corresponding re-birth, and that there is therefore no danger of the running down of the cosmic clock. Scientists have looked at these pictures, and are wondering. Many of them, in fact, are studying the paintings with a view to finding out just how far their visualized concepts can be further tested in the laboratory.

It is a new idea. Until now, the invisible universe has remained invisible, even to the physicists who have measured and re-measured it -- but who do not appear to have arrived at any satisfactory conclusion about its fundamentals. Nor have the physicists, to date, been able to break down any of the laws of the Russell concept of the universal machinery. They see them, but are still unwilling to believe.

A well-known physicist, on the staff of a university renowned for scientific integrity, said -- after many talks with the artist -- "I can see your point, Mr. Russell. But after a lifetime of training along other lines, I find it difficult to go on seeing it."

To which the artist replied cheerfully -- "That, professor, is exactly why I had to paint these pictures, so that you could go on seeing them until you accept my two-way theory of the one force of the universe."

As a matter of fact, it was at the suggestion of a scientist that the pictures were painted. Twelve years ago, Walter Russell had reached the top of the artistic ladder in America. He had not even begun to think about how the universe works. Sixty thousand a year was his average earning capacity, for this man's genius is not the kind that starves in garrets. He is one of the first five American sculptors and portrait-painters, and has been for some time the president of the Society of Arts and Sciences. He has been acknowledged as the father of the co-operative apartment idea, for he was one of the first of the experimentalists in that field to make the system practical and self-supporting. This is the man who ten years ago suddenly became convinced that he, through the inner, awakened eye of the artist, had seen the universe exactly as it is, in terms of color, and who, as a result of his vision, threw his career to the winds and started in to describe what he had seen. He turned, for the first time, to the study of science, which alone could provide him with the necessary vocabulary.

History repeats itself. The first expression of a new idea invariably falls on stony ground -- but if a seed of truth be there, it will find an earth-filled cranny and begin to sprout. Walter Russell spent a fortune in the printing of a book which told of his inspired convictions in words, and in diagrams and charts which are at once so sublimely clear and yet so complicated that hardly anybody can understand them. Mr. Russell sent copies of this book to men prominent in many lines of endeavor, but at that time science believed the atom to be indestructible, and the Russell concept is not in agreement with that theory.

The books were tossed aside. But the artist held to his beliefs, and early in 1931 we find him in the study of an eminent New York physicist, discussing the winding and unwinding of the universe. Paper and pencil were called into action that the artist might prove to the professor that the machinery is not running down, but is functioning two ways -- tearing down and building up at the same time through polarization, which is the meeting of two opposed forces under the attraction of gravitation and the repulsion of radiation for the purpose of reproduction. And at last -- "If only," said Walter Russell passionately, "I could show it to you as I see it, in colors!"

"Well," said the professor, "you're an artist, aren't you? Why not paint it?"

So it happened that in an incredibly short space of time Walter Russell was back in the study, probably the happiest man in America. With him came a canvas, which he said was the first of a series illustrating in all the colors of the spectrum his ideas of how the universe works. The scientist saw, and was enthusiastic. He suggested that the picture be exhibited, and later he wrote Mr. Russell a letter which ran in part as follows:

"If through painting you can express your ideas, which you explained to me briefly in words, I am inclined to think that you have found the basis of a new art, an art which is best fitted to interpret inanimate nature, rather than animate nature. I believe that anyone capable of understanding your paintings will have a much clearer conception of universal waves than he would through any text-book description. I sincerely hope that you will find it possible to complete the series of sixty or more paintings which you have in mind. I wish you every success."

The eight pictures now hanging in the Museum demonstrate the principle that there is only one force in the universe, seemingly divided into two, ever striving for equilibrium in the never-ceasing process of creation. Everything in the universe contains both phases of this force -- negative and positive, radiative and gravitative, feminine and masculine, expanding and contracting. The seven colors of the spectrum, being so divided, show all processes of expansion on the blue half, and all contraction on the red half, with yellow being the high-pressure balancing point at the centre.

If Walter Russell is right, science will have to look to her laurels and art will score a triumph. He is the younger son of a carpenter in a little Massachusetts town, and has risen from the position of carpenter's assistant to that of a great artist simply by the power of his own creative ability. He has earned his way from the bottom up -- the sole assistance he ever received being a ten dollar bill from a kindly uncle when he was determined to work his way through art-school. Walter Russell stands on one side of the startling picture of "science at the cross-roads." On the other stands the noble company of Jeans, Eddington, Millikan, and the older scientists, Newton, Kepler, and the rest of those great trail-breakers who paved the way for radios and airplanes, for television and the younger children of the electric family not yet born to a generation so accustomed to miracles that it does not even see them when they come.

Whatever grows out of it all, one thing is clear. Never before in history has art in its purest inspirational form joined hands with science to help humanity understand the structure of the world, of man, and of the universe.

Here is a new thing under the Sun, the invisible made visible in terms of beauty. Only an artist could have accomplished it, and only an artist could have held to his dream through years of discouragement until the coming of his opportunity. A contemporary poet has said that every scientist has in him something of the spirit of the artist, and every true artist is fundamentally a scientist. If Walter Russell has achieved nothing more than a visible proof of this hypothesis, his accomplishment has been well worthwhile. And it is possible that he has proved, as well, that by understanding the universe as it really is, humanity may discard all ideas of chaos, and begin to function under the law of harmonious order, which alone makes for health, happiness and the development of a greater civilization. If the theories of this artist-scientist are proved workable, they would seem to hold the promise of an immense step forward not only in physics, but in chemistry, metallurgy, and all industry.

WHO IS MURIEL BRUCE HASBROUCK?

“Muriel Bruce was born in Canada on July 20, 1890 and died November 27, 1981 at the age of 91. She was a Music and English major in college, a classical pianist, and a reporter for a Toronto newspaper. She published several books, novels and sonnets, chief among them her 1941 work on the tarot and astrology, Pursuit of Destiny, still in print today under the title Tarot & Astrology. She and Louis Hasbrouck were married on December 19, 1931, and together their research developed into Space Time Forecasting. It is Muriel’s story that is most intriguing, and in fact, it was Muriel’s genius and insight that led to the important discoveries and applications that became Space Time Forecasting.

It seems that early in Muriel’s life, she developed close connections with some key figures in the Theosophical movement and the Golden Dawn magical order, which would influence and redirect her focus in life. These figures extended to like of Dr. Israel Regardie, famous biographer of the Golden Dawn and Aleister Crowley, with whom she maintained a friendship and correspondence until the 1970’s.

Sometime in the 1920’s she developed close friendships with two of the greatest figures of 20th century esoterics, Walter Russell and Paul Foster Case. Walter Russell is well known for his cosmological masterpiece, The Universal One, a key work in the study of the cosmological theory behind Gann, and said by some to be one of the figures referred to in Gann’s famous work, The Tunnel Through The Air. Walter Russell was a visionary mystic/scientist who developed an energetic vortex lattice theory and discovered some atomic elements, years before the scientific community found them, through his 10 octave wave theory. Muriel was one of the first to read Russell’s draft of his magnum opus, which is shown by her possession of the original onion skin carbon copy of the introduction and first chapter of the treatise, complete with Russell’s hand drawn images, while it was still named The Eternal One. Years later in 1931, she wrote the introductory article to his exhibition of paintings called, “ The Invisible Universe” at the Museum of Science & Industry in New York. She studied with Russell for seven years, and is the only known market researcher to have worked with him personally.

Sometime during this same period, she also became a student and research partner of Paul Foster Case, author of The True & Invisible Rosicrucian Order, numerous books on the Tarot, and founder of the highly respected mystery school, The Builders of the Adytum, still in existence to this day. Paul Case is most famous for his penetrating study of the Tarot and its use a developmental and practical system of esoterics, with a strong Kabbalistic, mathematical, astrological orientation, leading some Gann students to pursue this course of training to better understand Gann. Collections of his BOT A course series, which take a decade to obtain and work through, have been known to sell for as much as $5000 for a complete set. It was Case who directed Muriel’s study towards the Tarot as a universal system in which can be found coded secrets to universal knowledge. While Case directed his Tarot work towards the development of his mystery school, Muriel decided she would see if there was a way to integrate Tarot and astrology to discover a scientific methodology which would bring astrology out of the realm of esoterics, and onto an equal footing with modern science. With her discovery of a secret book on the Tarot, called Book T, she cracked a veiled code which led her to the discovery of Space Time Field Forces, the KEY missing element in most astrological research.”

TEXT SOURCE: www.cosmoeconomics.com/EZ/ice/ice/SamplePages/sb_394_hasbrouck_space-time.pdf

THE TUNNEL THRU THE AIR by W.D. GANN

William Delbert Gann was a 33rd degree Freemason of the Scottish Rite Order. He published this book in 1927. One year after reading THE UNIVERSAL ONE, which was published in 1926.

“Walter Russell is well known for his cosmological masterpiece, The Universal One, a key work in the study of the cosmological theory behind Gann, and said by some to be one of the figures referred to in Gann’s famous work, The Tunnel Through The Air.”

SOURCE: t.me/MagneticStillness/532

PLOT: "The loss of Marie Stanton inspired Robert to become the greatest inventor in history. After 1927, the book describes an imaginary war from April 1930 to July 1932, in which Robert single-handedly helps the United States to win with his amazing inventions."

SOURCE: en.WikiPedia.org/wiki/The_Tunnel_Thru_the_Air;_Or,_Looking_Back_from_1940

EBOOK DOWNLOAD:
https://Archive.org/details/tunnelthruairorl00gann

10 HOUR AUDIOBOOK:
https://YouTu.be/4WK3hRyoEc8

EBOOKS BY W.D. GANN:
t.me/AetherForcePosts/2340

PAINTER TELLS HOW WORLD CAN END WAR

“War can be avoided if the U.N. stops acting like a trading organization and sincerely works for peace, and if the nations of the world use the great discoveries of science to create confidence instead of fear.”

Thus declared Walter Russell, sculptor, painter, poet and musician, in an interview yesterday at the Town House. He is here to give a series of lectures, and will be heard today at an open meeting at the First Congregational Church at 8 p.m., when he will speak on “The Law Behind the Sermon on the Mount.”

L.A. Times - Sunday, November 3, 1946:
https://Archive.org/details/sim_los-angeles-times_los-angeles-times_1946-11-03_65/page/n9/mode/2up?q=walter+russell

@MagneticStillness