"You are not living on Earth. You are Earth." ~ Aubrey Marcus
Youtube.com/@AubreyMarcusPod/videos

Art by Malene Laugesen:
Facebook.com/maleneTlaugesen/photos/a.118873901621076/328253860683078

Remastered Meme by @MagneticStillness

“THE INVISIBLE HALF OF EVERY BODY IS THOUSANDS OF TIMES GREATER THAN ITS VISIBLE HALF.” - Walter Russell

“Your actual body reaches a long way under the Earth, and very high into the heavens above the Earth. You are seemingly separated from that other invisible part of your body, but actually you are not, for what you think of as your body could not survive five minutes if severed from its extensions from Earth and Space.” - Home Study Course

Meme by @MagneticStillness

HOW A PILOT ENDED THE GLOBE:

The Smoking Gun!!! Stars Don’t Lie!!!

Video by Taboo Conspiracy:
https://youtu.be/KFz4ZZd1zj4

FlightLapse by SkyProduction:
https://vimeo.com/211656397

@MagneticStillness

Walter Russell’s thoughts about Flat Earth and Electromagnetics:

“For this reason all of present day cosmogenetic concepts are as unlike Nature as the flat world concepts of the ancients. Its very fundamentals, all of them, from the theory of the world's beginning to Newton's laws of gravity, from the present thermo-dynamic laws to the electromagnetic theory of light-waves, from the construction of the atom to the Coulomb law and from the expanding universe theory to the nature of light itself, have no resemblance to Nature whatsoever. In fact most of these fundamentals are the very opposite of present day belief.

Science has yet to learn that there is but ONE THING in the universe, and that ONE THING is LIGHT. The electro-magnetic universe of man's concept has no existence. The science of LIGHT is OPTICS. When science knows the nature of light, and light-waves which extend from it to perform the work of Creation, it will then designate our Cosmos as an optical, photosynthetic, universe of gravity controlled light.”

- Dr. Walter Russell, Excerpt of a letter found in The USP Archives.

Source: FaceBook.com/sciencephilosophy/photos/a.10150819648162581/10154069406227581

Walter Russell mentions a Flat World?!

“HE KNOWS THE WORLD IS ROUND,
BUT HERE IT IS BEFORE HIM FLAT.”

~ Walter Russell, The Universal One
(1926) Chapter VII Page 22

@MagneticStillness

WORLD'S BIGGEST MIRROR:
https://youtu.be/1vPMD3wmaZo

World’s Largest Mirrored
Reflection of Zero Curvature?!

Location: Uyuni Salt Flats,
Bolivia (3,900 square miles)

“HE KNOWS THE WORLD IS ROUND,
BUT HERE IT IS BEFORE HIM FLAT.”

~ Walter Russell, The Universal One
https://t.me/MagneticStillness/512

THE BOOK OF EARLY WHISPERINGS
by Walter Russell (1949)

Full Audiobook with Text and Music
by Altrusian Grace Media (2023)

🔥https://youtu.be/FXFuEibQgV0

"These writings are the whisperings of God’s Voice to me during those early periods of illumination which occurred in May of every year of my life from the age of seven. These periods of ecstasy – which always characterized cosmic illumination – lasted from ten to fourteen days, during which time I was obliged to seek solitude and aloneness in forests. I endeavored to express the thoughts and moods of these periods of ecstasy as my varying lack of body awareness balanced with my ever increasing cosmic God-consciousness with God and Nature." - WALTER RUSSELL

This video/audiobook was produced in cooperation with The University of Science and Philosophy - www.Philosophy.org

FIRST-EVER PHOTO OF THE EARTH'S CURVATURE?! (1930) 72,395 FEET ELEVATION

🤔Hmmm. Earth's curvature looks more like the "rounded" corner of a dinner plate than a Sphere.

PHOTO SOURCE: https://www.vintag.es/2020/12/earth-curvature-first-photo.html

“HE KNOWS THE WORLD IS ROUND,
BUT HERE IT IS BEFORE HIM FLAT.”

~ Walter Russell, The Universal One
https://t.me/MagneticStillness/512

U2 SPY PLANE COCKPIT CAMERA

70,000 Feet Above The Earth.
30 Minute Flight In 30 Seconds.

“HE KNOWS THE WORLD IS ROUND,
BUT HERE IT IS BEFORE HIM FLAT.”

~ Walter Russell, The Universal One
https://t.me/MagneticStillness/512

🙏RIP - Patrick Timpone of One Radio Network

https://www.instagram.com/p/Cx9ESMsOUSY

https://oneradionetwork.com

THE GARDEN OF EARTHLY DELIGHTS
by Hieronymus Bosch (1492)

This painting shows the world during creation, probably on the Third Day, after the addition of plant life but before the appearance of animals and humans.

MORE INFO: https://smarthistory.org/bosch-the-garden-of-earthly-delights

“HE KNOWS THE WORLD IS ROUND,
BUT HERE IT IS BEFORE HIM FLAT.”

~ Walter Russell, The Universal One
https://t.me/MagneticStillness/512

#WalterRussell was a master of all five of the fine arts—a true rarity. He wrote “The Sea Children” in 1901. These are but a few of his freehand illustrations from that book.

@philosophyu

HOMECOMING 2023 - A TIMELESS MESSAGE

Virtual Homecoming Tickets Now Available!

✨ www.Philosophy.org/store/p147/2023_HOMECOMING ✨

Purchase of a VIRTUAL TICKET grants you access to view the lectures LIVE via Zoom. This option is perfect for those unable to travel, who would still like to watch the lectures in real time.

The USP Telegram:
https://t.me/usandp

THE PRIMORDIAL CODE (2023)
A Documentary by Marijn Poels

☀️ youtu.be/TYQ3cI2J4aM
☀️ NOTE: Turn On Subtitles!

"What if you visit a place where you’re confronted with our history that turns out to be much different than the one you were always led to believe? How a false narrative has managed to keep the whole foundation of our being in its grip by shifting reality into myths.

​A story of how oppression and fear have kept us from developing our primal forces for thousands of years, which are now being reclaimed worldwide. Because it's just in our human DNA and it's easier to reclaim than once thought.

​A mind-boggling experimental quest by documentarian Marijn Poels into our distant past to win back our primal code again."

www.MarijnPoels.com/primordialcode

THE INVISIBLE UNIVERSE

Exhibition of Paintings by Walter Russell

New York Museum of Science and Industry, Rockefeller Center

Opening May 25th, 1931

Introductory Article by Muriel Bruce

When scientists fall out, who can be umpire?
Answer -- the artist, for seeing is believing.

Sir James Jeans, distinguished scientist from England, is going about the United States announcing his belief that the universe is rushing head-long to destruction, like a prodigal son on a down-hill path with never a chance of a comeback.

Walter Russell, famous as an American artist and sculptor, not only meets this pessimistic theory with arguments so logical that scientists have been forced to stop and listen, but has painted a series of pictures to illustrate his contentions. Eight of these paintings are now hanging in the Museum of Science and Industry of New York for all the world -- and the scientists -- to see.

The universe, Mr. Russell says, is doing nicely, swinging along under a fifty-fifty rule of give-and-take, and not -- as Sir James declares -- being constantly annihilated in the depths of inter-stellar space, which process, one of these days, would exhaust the source of life. Until now, Sir James has had the floor, but since May 25th Walter Russell's pictures have been on view in the Museum, and according to his explanation of their vivid beauty, they suggest that Sir James may be wrong.

The pictures show that for every expenditure of the universal energy there is a simultaneous and corresponding re-birth, and that there is therefore no danger of the running down of the cosmic clock. Scientists have looked at these pictures, and are wondering. Many of them, in fact, are studying the paintings with a view to finding out just how far their visualized concepts can be further tested in the laboratory.

It is a new idea. Until now, the invisible universe has remained invisible, even to the physicists who have measured and re-measured it -- but who do not appear to have arrived at any satisfactory conclusion about its fundamentals. Nor have the physicists, to date, been able to break down any of the laws of the Russell concept of the universal machinery. They see them, but are still unwilling to believe.

A well-known physicist, on the staff of a university renowned for scientific integrity, said -- after many talks with the artist -- "I can see your point, Mr. Russell. But after a lifetime of training along other lines, I find it difficult to go on seeing it."

To which the artist replied cheerfully -- "That, professor, is exactly why I had to paint these pictures, so that you could go on seeing them until you accept my two-way theory of the one force of the universe."

As a matter of fact, it was at the suggestion of a scientist that the pictures were painted. Twelve years ago, Walter Russell had reached the top of the artistic ladder in America. He had not even begun to think about how the universe works. Sixty thousand a year was his average earning capacity, for this man's genius is not the kind that starves in garrets. He is one of the first five American sculptors and portrait-painters, and has been for some time the president of the Society of Arts and Sciences. He has been acknowledged as the father of the co-operative apartment idea, for he was one of the first of the experimentalists in that field to make the system practical and self-supporting. This is the man who ten years ago suddenly became convinced that he, through the inner, awakened eye of the artist, had seen the universe exactly as it is, in terms of color, and who, as a result of his vision, threw his career to the winds and started in to describe what he had seen. He turned, for the first time, to the study of science, which alone could provide him with the necessary vocabulary.

History repeats itself. The first expression of a new idea invariably falls on stony ground -- but if a seed of truth be there, it will find an earth-filled cranny and begin to sprout. Walter Russell spent a fortune in the printing of a book which told of his inspired convictions in words, and in diagrams and charts which are at once so sublimely clear and yet so complicated that hardly anybody can understand them. Mr. Russell sent copies of this book to men prominent in many lines of endeavor, but at that time science believed the atom to be indestructible, and the Russell concept is not in agreement with that theory.

The books were tossed aside. But the artist held to his beliefs, and early in 1931 we find him in the study of an eminent New York physicist, discussing the winding and unwinding of the universe. Paper and pencil were called into action that the artist might prove to the professor that the machinery is not running down, but is functioning two ways -- tearing down and building up at the same time through polarization, which is the meeting of two opposed forces under the attraction of gravitation and the repulsion of radiation for the purpose of reproduction. And at last -- "If only," said Walter Russell passionately, "I could show it to you as I see it, in colors!"

"Well," said the professor, "you're an artist, aren't you? Why not paint it?"

So it happened that in an incredibly short space of time Walter Russell was back in the study, probably the happiest man in America. With him came a canvas, which he said was the first of a series illustrating in all the colors of the spectrum his ideas of how the universe works. The scientist saw, and was enthusiastic. He suggested that the picture be exhibited, and later he wrote Mr. Russell a letter which ran in part as follows:

"If through painting you can express your ideas, which you explained to me briefly in words, I am inclined to think that you have found the basis of a new art, an art which is best fitted to interpret inanimate nature, rather than animate nature. I believe that anyone capable of understanding your paintings will have a much clearer conception of universal waves than he would through any text-book description. I sincerely hope that you will find it possible to complete the series of sixty or more paintings which you have in mind. I wish you every success."

The eight pictures now hanging in the Museum demonstrate the principle that there is only one force in the universe, seemingly divided into two, ever striving for equilibrium in the never-ceasing process of creation. Everything in the universe contains both phases of this force -- negative and positive, radiative and gravitative, feminine and masculine, expanding and contracting. The seven colors of the spectrum, being so divided, show all processes of expansion on the blue half, and all contraction on the red half, with yellow being the high-pressure balancing point at the centre.

If Walter Russell is right, science will have to look to her laurels and art will score a triumph. He is the younger son of a carpenter in a little Massachusetts town, and has risen from the position of carpenter's assistant to that of a great artist simply by the power of his own creative ability. He has earned his way from the bottom up -- the sole assistance he ever received being a ten dollar bill from a kindly uncle when he was determined to work his way through art-school. Walter Russell stands on one side of the startling picture of "science at the cross-roads." On the other stands the noble company of Jeans, Eddington, Millikan, and the older scientists, Newton, Kepler, and the rest of those great trail-breakers who paved the way for radios and airplanes, for television and the younger children of the electric family not yet born to a generation so accustomed to miracles that it does not even see them when they come.

Whatever grows out of it all, one thing is clear. Never before in history has art in its purest inspirational form joined hands with science to help humanity understand the structure of the world, of man, and of the universe.

Here is a new thing under the Sun, the invisible made visible in terms of beauty. Only an artist could have accomplished it, and only an artist could have held to his dream through years of discouragement until the coming of his opportunity. A contemporary poet has said that every scientist has in him something of the spirit of the artist, and every true artist is fundamentally a scientist. If Walter Russell has achieved nothing more than a visible proof of this hypothesis, his accomplishment has been well worthwhile. And it is possible that he has proved, as well, that by understanding the universe as it really is, humanity may discard all ideas of chaos, and begin to function under the law of harmonious order, which alone makes for health, happiness and the development of a greater civilization. If the theories of this artist-scientist are proved workable, they would seem to hold the promise of an immense step forward not only in physics, but in chemistry, metallurgy, and all industry.