Part 3 🛸🧙‍♂️

Let’s do part 3

Before you learn to run, 🛸

you need to learn how to walk. 🗿

Learn to use applied science in combination with forbidden knowledge.

It's all hidden in plain sight. #learningtowalk

Megaliths
For a while I had a hunch that overtone singing was used to resonate certain stones in order to levitate them. To recap, Overtone Singing is a vocal technique that isolates certain frequencies of the human voice, allowing one
to make a pure sine wave tone much like a tuning fork.
So the question is, do the frequencies produced by overtone singing match the resonant frequencies of stone? Indeed.
The speed of sound through limestone is around 6000 meters per second. This means a 1 meter long block of limestone will have a resonant frequency of 6000 cycles per second, which is pretty high. Using a spectrum analyzer, I recorded the lowest and highest overtone notes I could clearly produce through Overtone Singing.
The lowest was 600 Hz, the highest was 2700 Hz.

This allows me to calculate the size range of stone blocks I could resonate. Answer: anything from 2 meters to 10 meters long. Compare this size range to the height of
Stonehenge blocks -- the main support columns are about 9.5 meters high (including the part below ground), giving an approximate resonant frequency of 650 Hz, well within the overtone voice range. Paradoxically, the larger the block, the easier it is to levitate because the
frequency is lower and thus more within voice range. Smaller blocks require either a less dense material or higher frequencies. The inner stones at Stonehenge, which are smaller, happen to be made of a less dense material than those comprising the larger outer ones.
Also, evidently the Egyptians knew of sound levitation techniques and used various types of tuning forks toward that end because tuning forks have high frequencies...when working with granite, for example, smaller blocks require ultrasonic frequencies. The only way to make ultrasonic frequencies is by
using quartz tuning forks, perhaps ones that have multiple tines. Both the Dolores Cannon and Cassiopaean material describe just such a device.

Transverse Waves
For transverse waves the displacement of the medium is perpendicular to the direction of propagation of the wave. A ripple on a pond and a wave on a string are easily visualized transverse waves.

Transverse waves cannot propagate in a gas or a liquid because there is no mechanism for driving motion perpendicular to the propagation of the wave.

Longitudinal Waves
In longitudinal waves the displacement of the medium is parallel to the propagation of the wave. A wave in a "slinky" is a good visualization.
Sound waves in air are longitudinal waves.

Standing Waves
The term standing wave is often applied to a resonant mode of an extended vibrating object. The resonance is created by constructive interference of two waves which travel in opposite directions in the medium, but the visual effect is that of an entire system moving in simple harmonic motion. The sketches illustrate the fundamental and second harmonic standing waves for a stretched string.

Piezoelectricity is the ability of certain crystals to generate a voltage in response to applied mechanical stress. The word is derived from the Greek piezein, which means to squeeze or press. The piezoelectric effect is reversible in that piezoelectric crystals when subjected to an externally applied voltage, can change shape by a small amount.Crystals which acquire a charge when compressed, twisted or distorted are said to be piezoelectric. This provides a convenient transducer effect between electrical and mechanical oscillations. Quartz demonstrates this property and is extremely stable. Quartz crystals are used for watch crystals and for precise frequency reference crystals for radio transmitters.

Done with Part 3 #learningtowalk