So, conceivably one could turn the handle of a large tuning fork into a cutting rod, whether a drill tube or drill bit, and thereby have a sonic drill that can handle hard stones. Even a copper tube would cut into granite in that case. Or instead of a tube, the end could be flat like a chisel or spade to cut instead of drill.

To make a tuning fork sonic drill, the resonant frequency of the cutting rod must match the frequency of the fork it’s attached to.

The way it works is that transverse vibrations from the tines move the bottom of the U-shape up and down, which sends longitudinal vibrations down through the cutting rod.

At the rod’s resonant frequency, these vibrations create standing waves with maximum vibration at the beginning and end of the rod, and a point of no vibration at the middle where a perpendicular handle can be attached if needed.

This simple equation says how long to make the rod for any given tuning fork size (again, provided the fork has a square tine cross section and both fork and rod are made of the same material… if not, then this equation will be slightly more complicated, but all you do is set (1) and (2) equal and solve for [L] ).

So let’s plug in some numbers, to get an idea of how a sonic tuning fork drill would look. Tines 30 cm long and 3 cm thick makes for a resonant frequency of 1100 Hz and requires a rod 1.5 m long. Here is a picture drawn to scale

Notice how long the handle is, relative to the fork, and how this actually looks like a trident or harpoon, and can function as such if the tines are sharpened. This is reminiscent of Neptune, the god of Atlantis. This aquatic symbol shows up in the Egyptian myth of Horus (falcon god) striking his enemy with a harpoon, as well the Egyptians associating their antediluvian ancestors with the harpoon symbol.

The Celts likewise have their legends about arriving in Europe after fleeing a sinking island to the northwest (likely Greenland or Iceland).

In other words, an antediluvian ocean-faring civilization with advanced technology including harpoon-like tuning forks, may have split up after the cataclysm, some founding Egypt, others becoming ancestors of the Druids/Celts/Picts.

Here are some links on sonic drilling and tuning fork physics:

Tuning Forks For Vibrant Teaching

NASA research into ultrasonic drilling

Example: Technical info on sonic drills for mining applications
Sonic Drilling Principles

The axial oscillations that the sonic drill head produces induce a sinusoidal energy wave in the drill pipe (10). Maximum energy transfers from the drill head, through the drill pipe, and to the formation when the sinusoidal wave is in resonance with the drill string and a standing wave is created in the pipe (Figure 2-6). More than one frequency of axial oscillations can produce resonance and a standing wave.
The fundamental resonance frequency, Rf , relates to the length of the pipe by the equation:

Additional resonance frequencies are whole number multiples (overtones) of the fundamental resonance frequency. Higher resonance frequencies are used when greater energy is required to advance the drill string through more resistant formations or at greater depths.

The maximum sonic drilling depths depend on the host formation. For example, for unconsolidated sand (sediments most compatible with sonic drilling), the maximum drilling depth is approximately 200 meters (656 feet).

The drill pipe’s penetration rate can be optimized by controlling its frequency of oscillations between resonance overtones. As a result, the soil particles adjacent to the drill pipe cannot vibrate in unison with the drill pipe, and they begin to vibrate in random directions. This random movement fluidizes the soil within approximately 0.6 centimeters (1/4 inch) of the drill pipe, thereby reducing the friction on the drill pipe.

Stone Levitation

The Great Pyramid, ancient megaliths, Stonehenge, and Edward Leedskalnin’s “Coral Castle” in Florida are testaments to a forgotten technology.

Everything points to sound being the principal ingredient.

This is not the same as acoustic levitation demonstrated in physics labs nowadays, where little ping pong balls and similar light-weight objects are levitated by the air pressure impact of standing waves produced by really loud horns.

Rather, sound being the initiator of a process that ends up altering gravity directly.

1) Why didn’t the ancients use smaller stones that were easier to carry?
2) Why were stones 10-500 tons more prevalent than those under a ton?

Probably because the smaller the stone, the higher its resonant frequency, and the more difficult it is to produce a powerful sound at the required frequency using tuning forks and/or the human voice. Both forks and the human voice have a limited frequency range, generally 100-3000 Hz. If you convert that frequency range into an allowable range of stone sizes, it matches the range of megalithic stone sizes around the world.

The largest megalith is the Stone of the Pregnant Woman at Baalbek. It is 21.5 meters long, made of red granite, and weighs an estimated 500-1000 tons. Its resonant frequency, like that of a metal rod, depends on its length and the speed of sound through it. The speed of sound in red granite is approximately 4500 m/s, giving a resonant frequency of 105 Hz. If its width of 4.8 meters is used instead, the frequency is 469Hz.

Another example, the typical Great Pyramid block has a length of 2.2 meters, and with speed of sound through limestone being 3000 m/s, its resonant frequency is 682 Hz.

All these are well within the ideal frequency range of metal tuning forks and the human voice. Tuning forks only go up so high in pitch before the viscoelasticity of the material at that pitch is too much and the ringing dies down very quickly.

Likewise, the human voice only goes so high. If voice is used, it is likely through the mystical method of overtone singing, a vocal manipulation method that produces a clear ringing sound similar to that of a tuning fork.

Piezo-Electro-Gravitation
A stone vibrates at its resonant frequency, a standing wave of compression/expansion sets up within it. What makes stones unique is that they are piezo-electric, meaning they convert pressure into electricity.

Therefore, applying sound to a stone converts that sound into electrogravitational energy.

Imagine you hit a large tuning fork with a hammer, apply the bottom of its handle to the side of a stone, the stone vibrates in sympathy, standing waves arise within the stone, and those standing waves turn into electromagnetic or gravitational waves.

Longitudinal acoustic waves in stones create longitudinal magnetic vector potential waves within the stone (piezoelectric effect), and these are identically gravitational potential waves.

When gravitational potential waves are made to be standing waves, you have a stable gravitational node or antinode at the center of the stone - essentially an artificial vibrating center of gravity. That alone may affect the stone’s weight.

How The Pyramids and Coral Castle were built

https://youtu.be/5HHFgzxn_QI

He did it 👩🏻‍💻

Mercury arc rectifier, switching AC/DC current at a 102 year old elevator.

It’s All In Plain Sight

It’s All In Plain Sight

It’s All In Plain Sight